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Between Point Zero and the Iron Curtain
This volume, edited by Éva Forgács, with contributions from art historians from across Europe and the Americas, analyzes the artistic initiatives of the short time span between the end of World War II and the onset of the Cold War. In this moment, a new internationalism was anticipated by retrieving pre-war modernism, as well as creating the new era's new artistic lingua franca. The chapters include in-depth case studies that analyze the complex, often interconnected, projects throughout the world—South America and Eastern and Western Europe—that were soon ended by the Cold War.
Zofia Stryjeńska
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Hopper
"Hopper is simply a bad painter, but if he were a better one, he would probably not be such a great artist." Clement Greenberg.
The Christians, Their First Two Thousand Years
The Christians is the history of Christianity, told chronologically, epoch by epoch, century by century, beginning at Pentecost and concluding with Christians as we find ourselves in the twenty-first century. It will consist of approximately twelve volumes, produced over a 10-year period at the beginning of the third Christian millennium. It is written and edited by Christians for Christians of all denominations. Its purpose is to tell the story of the Christian family, so that we may be knowledgeable of our origins, may well know and wisely profit from the experiences of our past both good and bad, and may find strength and inspiration to face the challenges of our era from the magnificent examples set for us by those who went before. - Back cover.
Visions of Avant-Garde Film
Warsaw- and London-based filmmakers Franciszka and Stefan Themerson are often recognized internationally as pioneers of the 1930s Polish avant-garde. Yet, from the turn of the century to the end of the 1920s, Poland's literary and art scenes were also producing a rich array of criticism and early experiments with the moving image that set the stage for later developments in the avant-garde. In this comprehensive and accessible study, Kamila Kuc draws on myriad undiscovered archival sources to tell the history of early Polish avant-garde movements—Symbolism, Expressionism, Futurism, and Constructivism—and to reveal their impact on later practices in art cinema.
Out Looking in
"Cavanaugh's scholarship is distinguished by several qualities: detailed knowledge, a rare comparative awareness of adjacent disciplines, and of course, a substantial, synthetic knowledge of modern artistic developments in Western Europe and the U.S. Out Looking In will be relevant to a large and varied public."--John E. Bowlt, author of Forbidden Art: Soviet Nonconformist Art, 1956-1988 "This is an essential book for scholars of modernism who are eager, in the wake of post-structuralist and post-modernist reevaluations of the construction of modernism's history, to broaden discussions beyond a narrow French orientation. It will serve as an important stimulus for rethinking European art in g...
Instructional Photography
A leading scholar of the Russian avant-garde reevaluates its most iconic artist Kazimir Malewicz (Malevich; 1879-1935) is undoubtedly one of the most significant artists of the 20th century, famed for his Suprematist works such as the so-called "Black Square" and White on White. Incredibly, his art only received its due in the West in the late 1950s; three more decades passed before it could be accessible to the Russian public. In this critical study, Andrei Nakov dissembles some foundational myths about the artist's ethnic background, such as his Polish origins (hence the rendering of the artist's name here as "Malewicz"), his affinity for the religious iconography of Russia and his place in modern European art. The artist's concept of Suprematist forms is central to Nakov's study, which interrogates certain anti-modernist visual and cultural prejudices. Andrei Nakov (born 1941) has published numerous theoretical studies, monographs and exhibition catalogs on the Russian avant-garde, Futurism, Dada, Constructivism, contemporary art and European abstract art.
Art & business
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Józef Czapski
This thoughtful and engaging monograph finally gives a remarkable artist who bore witness to the twentieth century his due. “Mr. Karpeles, a California-based painter and art critic, has ignited international interest in Czapski’s artwork.” —Wall Street Journal This stunning monograph, a long-overdue critical appraisal of Polish artist Jo´zef Czapski arrives at a moment when the artist’s legacy is gaining new recognition. Within these pages, author Eric Karpeles conveys how making art was so enmeshed with Czapski’s way of seeing and being in the world that it was second nature. Given that he lived into his ninety-seventh year, it’s no surprise that the artist has works dating f...
