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Diction in Context
Diction in Context is a unique and highly practical textbook for singers learning to sing in English, Italian, German, and French. Each chapter is designed for use in diction courses in academic music and voice programs, helping students learn through pronunciation, articulation, enunciation, punctuation, and cultural context in each language. Students and teachers of singing will benefit from the text’s pertinent biographical, historical and literary sources along with diction rules and textual examples of English, Italian, German and French song. For each language, there is a section on sentence structure and syntax intended to assist readers with poetic analysis and word-by-word transla...
Class Voice
Class Voice: Fundamental Skills for Lifelong Singing is a unique undergraduate textbook which can be adapted to needs of any potential voice user, including music education students, voice students who are not majoring in music, and adult learners. By explaining the basics of singing using practical skills and examples, this text is accessible to students with a wide range of talents, interests, and expertise levels. With chapters devoted to skills for singing solo and in groups, instructors can tailor the included materials to encourage students to become thoroughly familiar with their own voices and to identify and appreciate the gifts of others. Learning to sing is a process of trial and ...
Andre Kostelanetz on Records and on the Air
An important extra in the book is a survey of Kostelanetz's career and on evaluation of his achievements, contributed by noted radio historian Dick O'Connor. A foreword by Barbara Haws, archivist and historian of the New York Philharmonic, completes this invaluable reference. --Book Jacket.
The Divine Claudia
“Muzio was a case apart: you cannot classify her, for in the end you have been so emotionally destroyed by her performance, you did not even know anymore what kind of instrument she had”. So spoke Lucrezia Bori, the beloved soprano of the Metropolitan Opera. Bori was echoing the opinion of many of Claudia Muzio’s contemporaries and successors such as Eva Turner, Rosa Ponselle, and Mafalda Favero who wrote:“Actually,” she [Favero] admitted with her total candor, “it took me a long time to find my own interpretation [La traviata], for I was haunted by Claudia Muzio in this role. When she sang it at the Colon in Buenos Aires in 1933, I went to each rehearsal, worshiping her, and it ...
Encyclopedia of Recorded Sound
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Exploring Art Song Lyrics
Drawing generously from four centuries of Italian, German and French art song, Exploring Art Song Lyrics embraces the finest of the literature and presents the repertoire with unprecedented clarity and detail. Each of the over 750 selections comprises the original poem, a concise English translation, and an IPA transcription which is uniquely designed to match the musical setting. Enunciation and transcription charts are included for each language on a single, easy to read page. A thorough discussion of the method of transcription is provided in the appendix. With its wide-ranging scope of repertoire, and invaluable tools for interpretation and performance, Exploring Art Song Lyrics is an essential resource for the professional singer, voice teacher, and student.
Programs
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Standard Vocal Literature - An Introduction to Repertoire (Songbook)
(Vocal Collection). This series of 5 volumes is an introduction to art song in English, French, German, Italian and Spanish. Each volume has a different song list, and includes 30 selections in appropriate keys. Beyond art song, each collection includes two carefully chosen opera arias, an oratorio aria, and an operetta aria by Gilbert & Sullivan.
