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Rome Re-Imagined
For nearly a century, the concept of a twelfth-century renaissance has been integral to our understanding of the medieval Latin West. At the heart of any notion of renaissance is a Rome of the mind’s eye. This collection places Rome into the larger context of multilingual imaginations to reveal that Rome was both an object of fascination and contestation across the Mediterranean world. In Arabic, Greek, Hebrew, Latin, and Persian, in art, inscriptions, geographies, ritual practice, and itineraries, Rome was both held up as ideal and challenged as an authoritative center. These constructions of Rome could be deployed for renewal and reform, or to enhance or challenge papal or imperial authority because of the imaginative force of the ancient city. Contributors are Herbert L. Kessler, Louis I. Hamilton, Stefano Riccioni, Marie-Thérèse Champagne, Ra‘anan S. Boustan, Emily Albu, Irene A. O’Daly, and Mario Casari
Rethinking Reform in the Latin West, 10th to Early 12th Century
This collection of studies investigates how people of the 10th to early 12th century experienced and represented processes of intentional change in the Church, and what the consequences are of modern scholars’ reliance on ‘reform’ to describe and interpret these processes. In 11 thematic chapters it takes stock of the current state of research and offers suggestions to deepen our understanding of the ideological, institutional, and cultural dynamics at play. Contributors are Julia Barrow, Robert F. Berkhofer III, Gordon Blennemann, Katy Cubitt, Nicolangelo D'Acunto, Anne-Marie Helvétius, Ludger Körntgen, Rutger Kramer, Brigitte Meijns, Diane Reilly, Rachel Stone, and Steven Vanderputten.
Sacred Scripture / Sacred Space
Thirteen papers on different subjects, focussing on writings and inscriptions in medieval art, explore the faculty of writing to create and determine spaces and to generate the sacred by the display of holy scripture. The subjects range from book illumination over wall painting, mosaics, sculpture, and church interiors to inscriptions on portals and façades.
The Tree of Life
The tree of life is an iconic visual symbol at the edge of religious thought over the last several millennia. As a show of its significance, the tree bookends the Christian canon; yet scholarship has paid it minimal attention in the modern era. In The Tree of Life a team of scholars explore the origin, development, meaning, reception, and theology of this consequential yet obscure symbol. The fourteen essays trek from the origins of the tree in the texts and material culture of the ancient Near East, to its notable roles in biblical literature, to its expansion by early church fathers and Gnostics, to its rebirth in medieval art and culture, and to its place in modern theological thought.
Early Medieval Rome and the Christian West
This illustrated book is a coherently conceived collection of interdisciplinary essays by distinguished authors on the city of Rome and its contacts with western Christendom in the early Middle Ages (c. 500-1000 AD). The first part integrates historical, archaeological, numismatic and art historical approaches to studying the transition of the city of Rome from Antiquity to the Middle Ages and offers groundbreaking new analyses of selected sites and problems. Attention is given to the economic, social, religious and cultural history of the city. In the second part of the volume historical, archaeological, liturgical and palaeographical approaches address Rome's contacts and influence in Latin Christendom in this period, with particular regard to Rome's place within Italian politics and its cultural influence in Carolingian Francia and Anglo-Saxon England.
The Medieval Peutinger Map
This book challenges the Peutinger Map's self-presentation as a Roman map by examining its medieval contexts.
Conflict, Commerce, and an Aesthetic of Appropriation in the Italian Maritime Cities, 1000-1150
In Conflict, Commerce, and an Aesthetic of Appropriation in the Italian Maritime Cities, 1000-1150, Karen Rose Mathews analyzes the relationship between war, trade, and the use of spolia (appropriated objects from past and foreign cultures) as architectural decoration in the public monuments of the Italian maritime republics in the eleventh and twelfth centuries. This comparative study addressing five urban centers argues that the multivalence of spolia and their openness to new interpretations made them the ideal visual form to define a distinct Mediterranean identity for the inhabitants of these cities, celebrating the wealth and prestige that resulted from the paired endeavors of war and commerce while referencing the cultures across the sea that inspired the greatest hostility, fear, or admiration.
Experiencing Medieval Art
Renowned art historian Herbert L. Kessler authors a love song to medieval art inviting students, teachers, and professional medievalists to experience the wondrous, complex art of the Middle Ages.
Layered Landscapes
This volume explores the conceptualization and construction of sacred space in a wide variety of faith traditions: Christianity, Hinduism, Islam, Judaism, and the religions of Japan. It deploys the notion of "layered landscapes" in order to trace the accretions of praxis and belief, the tensions between old and new devotional patterns, and the imposition of new religious ideas and behaviors on pre-existing religious landscapes in a series of carefully chosen locales: Cuzco, Edo, Geneva, Granada, Herat, Istanbul, Jerusalem, Kanchipuram, Paris, Philadelphia, Prague, and Rome. Some chapters hone in on the process of imposing novel religious beliefs, while others focus on how vestiges of displac...
Mixed Metaphors
This groundbreaking collection of essays by a host of international authorities addresses the many aspects of the Danse Macabre, a subject that has been too often overlooked in Anglo-American scholarship. The Danse was once a major motif that occurred in many different media and spread across Europe in the course of the fifteenth century, from France to England, Germany, Scandinavia, Poland, Spain, Italy and Istria. Yet the Danse is hard to define because it mixes metaphors, such as dance, di ...
