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Nineteenth-Century Emigration of "Old Lutherans" from Eastern Germany (Mainly Pomerania and Lower Silesia) to Australia, Canada, and the United States
As Mr. Smith has noted in the Introduction to this work, "There is little so rare in German-American genealogy as a complete emigrant passenger list from Bremen." As most researchers know, the Bremen lists were destroyed during the fire storm of that city during World War II. In the case of this work, however, Mr. Smith was able to recover fourteen Bremen lists because they had been reprinted in the obscure weekly newspaper from Rudolstadt, Thuringia, entitled the "Allgemeine Auswanderungs-Zeitung" (which can be found in the rare-book collection at Yale University). The compiler has transcribed the names of all persons bound for America from each of the fourteen lists. The emigrants, who are arranged alphabetically, are identified by place of origin and sometimes by the number of persons in the passenger's family or the names of traveling companions.
Choreographing Relations
"Choreographing Relations" undertakes the experiment of a conceptual site development of contemporary choreography by means of practical philosophy. Guided by the radically empiricist question "What Can Choreography Do?" the book investigates the performances of Antonia Baehr, Juan Dominguez, Xavier Le Roy, and Eszter Salamon, and the philosophical works of Gilles Deleuze and Félix Guattari. It establishes a relation between these practitioners as an encounter in method, and develops method as a singular, material and experimental practice. In view of these singular methods and the participatory relations to which they give rise, Choreographing Relations offers a prolific inventory of arepresentational procedures that qualitatively transformed choreography and philosophy at the turn of the twentieth century.
Truth and Experience
The spirit of this book is explorative. It meets the contemporary challenge posed by experience and truth with a critical openness that allows for the full complexity of these concepts to be investigated.The distinction between experience and truth has become subject to finitude; how then can these words and concepts be defined? What might be understood by experience and truth, when the distinction between them is not transformed once and for all (eternally), but once and again (historically)?The contributors to the book investigate a wide range of questions revolving around this challenge to the contemporary understanding of experience and truth. They do so through the perspectives of phenomenology and hermeneutics, while also shedding new light on phenomenological and hermeneutic thought as such – on the distinction between phenomenology and hermeneutics, as well as on the interrelation between such philosophical thought and other fields of thought and culture.
Spin Excitations in Nuclei
This volume contains the proceedings of the "International Conference on Spin Excitations in Nuclei" held in Telluride, Colo rado, March 25-27, 1982. The motivation for the conference was, in a large part due to the recent development of new variable energy accelerators which produce high quality beams of electrons, protons, and pions that are providing the first precise information on spin excitations in nuclei over a large range of spin and mass. In the past such data had been restricted primarily to light nuclei and were generally resolution limited. Perhaps, the most exciting new result has been the clear observation of the elusive spin-dipole strength (Gamow Teller and Ml) in medium and...
The Founding of Aesthetics in the German Enlightenment
When, in 1735, Alexander Gottlieb Baumgarten added a new discipline to the philosophical system, he not only founded modern aesthetics but also contributed to shaping the modern concept of art or 'fine art'. In The Founding of Aesthetics in the German Enlightenment, Stefanie Buchenau offers a rich analysis and reconstruction of the origins of this new discipline in its wider context of German Enlightenment philosophy. Present-day scholars commonly regard Baumgarten's views as an imperfect prefiguration of Kantian and post-Kantian aesthetics, but Buchenau argues that Baumgarten defended a consistent and original project which must be viewed in the context of the modern debate on the art of invention. Her book offers new perspectives on Kantian aesthetics and beauty in art and science.
Electric and Magnetic Giant Resonances in Nuclei
This is the most recent and complete review on giant resonances in nuclei. It includes electric as well as magnetic collective states and a detailed discussion on the excitation mechanisms and the decay properties is given.
Nuclear Physics in the 1990's
Nuclear Physics in the 1990's
Gadamer’s Hermeneutical Aesthetics
This book offers a sustained scholarly analysis of Gadamer’s reflections on art and our experience of art. It examines fundamental themes in Gadamer’s hermeneutical aesthetics such as play, festival, symbol, contemporaneity, enactment, art’s performative ontology, and hermeneutical identity. The first two chapters focus on Gadamer’s critical appropriation and movement beyond Kantian and Hegelian aesthetics. (Chapter 2 also includes a coda on Heidegger’s influence.) The final three chapters argue for the continued relevance of Gadamer’s hermeneutical aesthetics by bringing his claims into conversation with contemporary art and music, as well as the ethical and sociopolitical dimen...
Imaginative Moods
Following modern and postmodern philosophy’s critique of metaphysics, experiences of transcendence are often considered ‘aesthetic’ rather than ‘metaphysical.’ However, aesthetics is mostly identified with the study of art, and aesthetic phenomena are considered particularly sensuous. This book criticizes such an approach to aesthetics, which has led many philosophers and theologians to neglect or reject aesthetics as a philosophical or theological discipline. It demonstrates how contemporary philosophy and theology may benefit from studying the mind-opening and world-transformative nature of our experiences of transcendence. In addition, it presents the significance of such experi...
Baumgarten's Aesthetics
The German philosopher Alexander Gottlieb Baumgarten (1714–1762) introduced “aesthetics” as a new science in his Reflections on Poetry (1735) and developed this new part of philosophy in a series of later works, culminating in his unfinished Aesthetics (1750/1758). This volume is the first collection of essays in the English language devoted to Baumgarten’s aesthetics. The essays highlight the distinguishing features of Baumgarten’s aesthetics, situate it in its historical context, document its reception, and examine its contributions to contemporary philosophy.
