You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A close study of clothes worn by aristocratic families and their households at the time of the Black Prince - and of Chaucer - showing Europe-wide influences. 1340 to 1363 were years remarkable for dramatic developments in fashion and for extravagant spending on costume, foreshadowing the later luxury of Richard II's court. Stella Mary Newton broke new ground with this detailed study, which discusses fourteenth-century costume in detail. She draws on surviving accounts from the Royal courts, the evidence of chronicles and poetry (often from unpublished manuscripts), and representations in painting, sculpture andmanuscript illumination. Her exploration of aspects of chivalry, particularly the...
Tracing the development of Venetian fashion and their appearance in contemporary works of art, this book discusses the unique attitude of the Venetian Republic to the dress of its patricians, its citizens and its women, as well as to the dress of foreigners. It relies extensively on the views of the Senate on dress, and considers Venice's contempt for the current fashions in the rest of Italy. There is also a discussion of the position of the tailors of Venice and their methods of work as well as an invaluable appendix detailing the textiles then in use at the time.This book is essential to students and teachers of the history of art, the history of dress and the theatre as well as to those interested in Venetian social life during the period covered, and in Italian renaissance studies.
"Artistic, hygienic, and rational are not the most familiar words today but a hundred and twenty years ago they evoked the highest sentiments and became powerful weapons in an attack which developed not merely on the dress of the time but on the concept of fashion itself. It is the story of this movement, its members and the clothes they wore that the author tells."--Book jacket.
Over the past ten years the study of dress history has finally broken free of the shackles that have held it back, and is now benefiting from new, multidisciplinary approaches and practices, which draw on material culture, art history, ethnography, and cultural studies. This book focuses on the development of these new methods to be found within the field of dress history and dress studies, and assesses the current condition and future directions of the subject.
This work focuses on the efforts toward reforming women's dress that took place in Europe and America in the latter half of the 18th century and the first decade of the 20th century, and the types of garments adopted by women to overcome the challenges posed by fashionable dress. It considers the many advocates for reform and examines their motives, their arguments for change, and how they promoted improvements in women's fashion. Though there was no single overarching dress reform movement, it reveals similarities among the arguments posed by diverse groups of reformers, including especially the equation of reform with an ideal image of improved health. Drawing on a variety of primary and secondary sources in the USA and Europe - including the popular press, advice books for women, allopathic and alternative medical literature, and books on aesthetics, art, health, and physical education - the text makes a significant contribution to costume studies, social history, and women's studies.
This publication is the first English translation from the Italian of the fascinating contemporary account of the spectacular four-day celebrations that took place in Pesaro in May 1475 to mark the marriage of Costanzo Sforza Lord of Pesaro and Camilla d'Aragona of Naples. The event was commemorated both in manuscript and early print in an anonymous narration that describes in great detail the arrival of the bride and her welcome procession into Pesaro; the actual marriage ceremony and the celebratory banquet that followed; the pageants, presentation of gifts and fireworks that filled the third day; and the final day's excitement of jousts and yet more theatrical entertainment. The translati...
Potent, provocative and sometimes shocking, the word vulgar conjures up strong images, ideas and feelings in us all. The Vulgar is the first exhibition to explore the inherently challenging but utterly compelling territory of taste in fashion, from the renaissance through to contemporary design.Examining the constantly evolving notion of vulgarity in fashion whilst revelling in its excesses, you are invited to think again about exactly what makes something vulgar and why it is such a sensitive and contested term.Drawn from major public and private collections worldwide, this richly illustrated volume showcases over 120 stunning objects, ranging from historical costumes to couture and ready-t...
START SPREADING THE NEWS . . . Mallory and Mary Ann are headed to New York. They've got sights to see! The Empire State Building. The Statue of Liberty. Times Square. Central Park. But they also have a problem to solve. Only one of them is invited to appear on their favorite TV show, Fashion Fran. How can two best friends find a way to share a spotlight with room for only one?
Newton genealogy, genealogical, biographical, historical being a record of the descendants of Richard Newton of Sudbury and Marlborough, Massachusetts 1638, with genealogies of families descended from the immigrants, Rev. Roger Newton of Milford, Connecticut; Thomas Newton of Fairfield, Connecticut; Matthew Newton of Stonington, Connecticut; Newtons of Virginia; Newtons near Boston.
None