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"Patterned Ground unravels the entangled relationships between nature and culture. Around 100 entries by leading names in new geography and related disciplines focus on various 'objects' in the landscape - from beaches to battlefields, bees to horses, police stations to post offices, trees to tractors. Each entry, written by an expert in the field, explores the way in which we understand that object and its relationship to the world around it." "This book is neither encyclopaedia nor dictionary, but a knowledgeable and impassioned engagement with the world. In this sense, it chimes with earlier experiments in understanding the earth and its landscapes, whether these endeavours have been conducted within the sciences, the social sciences or the arts." "Patterned Ground backtracks from familiar and obvious ways of seeing patterns in the world in order to discover the world anew. It opens up new possibilities for thinking about the relationships between ourselves, objects and the ground on which we walk."--BOOK JACKET.
This unique volume offers a definitive new history of European economies at war from 1914 to 1918. It studies how European economies mobilised for war, how existing economic institutions stood up under the strain, how economic development influenced outcomes and how wartime experience influenced post-war economic growth. Leading international experts provide the first systematic comparison of economies at war between 1914 and 1918 based on the best available data for Britain, Germany, France, Russia, the USA, Italy, Turkey, Austria-Hungary and the Netherlands. The editors' overview draws some stark lessons about the role of economic development, the importance of markets and the damage done by nationalism and protectionism. A companion volume to the acclaimed The Economics of World War II, this is a major contribution to our understanding of total war.
The author of Being One presents “a persuasive argument for stopping the perennial search for enlightenment” in this unique guide to finding inner peace (New Age Journal). Steve Harrison spent decades seeking out every mystic, seer, and magician he could find throughout the world. He studied the worlds philosophies and religions, and dedicated himself to various forms of austerity, isolation, and meditation before coming to a truly profound conclusion: it was all useless. In Doing Nothing, Steve encourages spiritual seekers to find the truths of life through the simple act of stopping the search. As he puts it, “nothing is a surprisingly active place, but it is here that we discover who and what we are.”
Eleven-year-old Harrison Opoku, the second best runner in Year 7, races through his new life in England with his personalised trainers - the Adidas stripes drawn on with marker pen - blissfully unaware of the very real threat around him. Newly-arrived from Ghana with his mother and older sister Lydia, Harri absorbs the many strange elements of city life, from the bewildering array of Haribo sweets, to the frightening, fascinating gang of older boys from his school. But his life is changed forever when one of his friends is murdered. As the victim's nearly new football boots hang in tribute on railings behind fluorescent tape and a police appeal draws only silence, Harri decides to act, unwittingly endangering the fragile web his mother has spun around her family to keep them safe.
Two of the most destructive moments of state violence in the twentieth century occurred in Europe between 1933 and 1945 and in China between 1959 and 1961 (the Great Leap famine). This is the first book to bring the two histories together in order to examine their differences and to understand if there are any similar processes of transmission at work. The author expertly ties in the Taiwanese civil war between Nationalists and Communists, which included the White Terror from 1947 to 1987, a less well-known but equally revealing part of twentieth-century history. Personal and family stories are told, often in the individual’s own words, and then compared with the public accounts of the same events as found in official histories, commemorations, school textbooks and other forms of public memory. The author presents innovative and constructive criticisms of social memory theories in order to make sense both of what happened and how what happened is transmitted.
Periglacial and paraglacial environments, located outside ice sheet margins but responding to similar climate forcings, are key to identifying climate change effects upon the Earth system. These environments are relicts of cold Earth processes and so are most sensitive to global warming. Changes in the distribution and thickness of permafrost in continental interiors have implications for ecosystem and landscape stability. Periglacial Alpine environments are experiencing increased rockfall and mass movement, leading to rock glacier instability and sediment release to downstream rivers. In turn, these landscape effects impact on natural hazards and human activities in these sensitive and geologically transient environments.
It is often claimed that the kind of love that is variously deemed 'romantic' or 'true' did not exist in antiquity. Yet, ancient literature abounds with stories that seem to adhere precisely to this kind of love. This volume focuses on such literature and the concepts of love it espouses. The volume differs from and challenges much existing classical scholarship which has traditionally privileged the theme of sex over love and prose-genres over those of poetry. By conversely focusing on love and poetry, the present volume freshly explores central poets in ancient literature, such Homer, Sappho, Terence, Catullus, Virgil, Horace and Ovid, alongside less canonized, such as the anonymous poet o...
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The first truly comprehensive analysis of the history, practice, and conservation of painting on canvas. Throughout its long history in Western art, canvas has played an influential role in the creative process. From the Renaissance development of oil painting on canvas to the present day—through Impressionism, Abstract Expressionism, and other art historical movements—the use of canvas has enhanced the scale of painting, freedom of brushwork, and spontaneity in technique. This book recounts some of that rich history in relation to corresponding developments in conservation practice. Rather than concentrating on the familiar concerns of cleaning and varnish removal, this volume considers...