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Bevölkerungsgeschichte - Wirtschaftsgeschichte - Sakralgebäude.
Bilingual texts have been left outside the mainstream of both translation theory and literary history. Yet the tradition of the bilingual writer, moving between different sign systems and audiences to create a text in two languages, is a rich and venerable one, going back at least to the Middle Ages. The self-translated, bilingual text was commonplace in the mutlilingual world of medieval and early modern Europe, frequently bridging Latin and the vernaculars. While self-translation persisted among cultured elites, it diminished during the consolidation of the nation-states, in the long era of nationalistic monolingualism, only to resurge in the postcolonial era. The Bilingual Text makes a fi...
This intensive monograph, The Asian Mediterranean, is a great synthesis of east west maritime worlds under an emerging global world. Professor Gipouloux has combined historical studies on global maritime seas with regional economic studies on Asia. He also integrates historical interaction between maritime seas and coastal port cities by creating the imaginative geo-economical concept of the East Asian economic corridor , running between Vladivostok and Singapore and locating China, Japan and Southeast Asia into this maritime area. To attain this goal, Professor Gipouloux globalises China through north south, east west and past present combinations, using cross-disciplinary approaches politi...
Recent advances in research show that the distinctive features of high medieval civilization began developing centuries earlier than previously thought. The era once dismissed as a "Dark Age" now turns out to have been the long morning of the medieval millennium: the centuries from AD 500 to 1000 witnessed the dawn of developments that were to shape Europe for centuries to come. In 2004, historians, art historians, archaeologists, and literary specialists from Europe and North America convened at Harvard University for an interdisciplinary conference exploring new directions in the study of that long morning of medieval Europe, the early Middle Ages. Invited to think about what seemed to eac...
The idea that society, or civilisation, is predicated on the "state" is a projection of present-day political ideology into the past. Nothing akin to what we call the "state" existed before the 19th century: it is a recent invention and the assumption that it is timeless, necessary for society, is simply part of its legitimating myth. The development, over the past three millennia, of the political structures of western civilisation is shown here to have been a succession of individual, unrepeatable stages: what links them is not that every period re-enacts the "state" in a different guise - that is, re-enacts the same basic pattern - but that one period-specific pattern evolves into the nex...
Enide’s tattered dress and Erec’s fabulous coronation robe; Yvain’s nudity in the forest, which prevents maidens who know him well clothed from identifying him; Lanval’s fairy-lady parading about in the Arthurian court, scantily dressed, for all to observe: just why is clothing so important in twelfth-century French romance? This interdisciplinary book explores how writers of this era used clothing as a signifier with multiple meanings for many narrative purposes. Clothing figured prominently in twelfth-century France, where exotic fabrics and furs came to define a social elite. Monica Wright shows that representations of clothing are not mere embellishments to the text; they help form the textual weave of the romances in which they appear. This book is about how these descriptions are constructed, what they mean, and how clothing becomes an active part of romance composition—the ways in which writers use it to develop and elaborate character, to advance or stall the plot, and to structure the narrative generally.
Sensible al complejo juego de cierta inercia secular (el tiempo inmóvil) frente a unos cambios incesantes, esta obra no se limita a seguir la tradicional y esquemática división de la Edad Media en tres períodos (Alta, Plena y Baja), sino que opta por una organización en ocho secuencias temporales. Tras plantear el controvertido problema del paso de la Antigüedad tardía a la edad media, el libro aborda las causas del nuevo crecimiento (apreciable a partir del siglo X), describe la situación en vísperas de la Peste Negra (1348), pone de relieve el dinamismo de Occidente incluso en el período de la Gran Recesión (1350-1450), e intenta esbozar un cuadro contrastado de las característ...
This is the first single-author study in over fifty years to offer an integrated appraisal of the early Middle Ages as a dynamic and formative period in European history. Written in an attractive and accessible style, it makes extensive use of original sources to introduce early medieval men and women at all levels of society from slave to emperor, and allows them to speak to the reader in their own words. It overturns traditional narratives and instead offers an entirely fresh approach to the centuries from c.500 to c.1000. Rejecting any notion of a dominant, uniform early medieval culture, it argues that the fundamental characteristic of the early middle ages is diversity of experience. To...
This groundbreaking examination of the intersection between artistic practice and capitalism in the 1960s explores art's capacity to reflect on and reimagine economic systems and our place within them.
Une approche définitoire des mots de l'argent selon cinq champs lexicaux : le vocabulaire de la monnaie, de l'impôt, de la dette, du revenu et des métiers de la finance. L'ouvrage a été établi à partir d'un corpus d'ouvrages écrits par les auteurs de l'entourage de Charles V, Nicole Oresme, Philippe de Mézières, Evrart de Trémaugon et Christine de Pisan, complété d'autres textes.