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Earthly Encounters
A feminist approach to the Anthropocene that recovers the relevance of sensation and phenomenology. Earthly Encounters develops a fuller account of the lived experience of racialized gender formation as it exists on this planet, earth. It analyzes sensations: the chill of winter, the warm embrace of the wind, the feeling of being immersed in water, and a stifling sense of containment. Through this analysis in settler colonial and colonial contexts, in twentieth-century North America and Africa, Stephanie D. Clare shows how sensation is unevenly distributed within social worlds and productive of racial, national, and gendered subjectivities. From revealing the relevance of phenomenology, espe...
Autotheories
A transdisciplinary array of authors offering a new frame of reference for autotheory and its genre-bending synthesis of autobiography and critical theory. Autotheories tells the story of a field in formation. Building on traditions that have long fused life writing, philosophical encounter, embodied theorizing, and cultural critique, autotheory constructs new practices of critical theory. Transgressing generic boundaries and bridging stylistic registers, it crafts language that is intimate, analytic, playful, and insurgent. Editors Alex Brostoff and Vilashini Cooppan underscore autotheory’s multiple genealogies and genre-bending forms while situating it within the contemporary political f...
Double Agents
First printed in 2001 by the University of Pennsylvania Press, this book has been out of print for several years and is highly sought after by researchers in the field of Medieval cultural studies. "Double Agents" was the first book length study of women in Anglo-Saxon written culture that took on board the insights of contemporary critical theory, especially feminist theory, in order to elucidate the complex challenges of both the absence and presence of women in the historical record. That is to say, unlike the two earlier books on women in this period (by Fell, 1984, and by Chance, 1986), this is not a book about only those women in the written record (whether we think of it as historical...
Earthly Encounters
Earthly Encounters develops a fuller account of the lived experience of racialized gender formation as it exists on this planet, earth. It analyzes sensations: the chill of winter, the warm embrace of the wind, the feeling of being immersed in water, and a stifling sense of containment. Through this analysis in settler colonial and colonial contexts, in twentieth-century North America and Africa, Stephanie D. Clare shows how sensation is unevenly distributed within social worlds and productive of racial, national, and gendered subjectivities. From revealing the relevance of phenomenology, especially in the writings of Maurice Merleau-Ponty and Frantz Fanon, to debates concerning new materialism and affect theory, Clare shows how the phenomenology of race and gender must consider both the production of the body-subject and the environment. She concludes by making a case for the continued significance of sensation in the context of the Anthropocene.
Biopolitics of Swimming and the Re-articulation of Able-Bodiedness
In this book, Touko Vaahtera explores how “bodies of latent potential,” a cultural attachment to the idea of body as potentiality, carries with it hierarchizing hopes about better bodies. Vaahtera combines disability studies, cultural studies, feminist science studies, transgender studies, post-colonial studies, and Foucauldian genealogy to offer a provocative approach that interrogates capacities and capabilities as obvious frameworks for thinking about the body. Vaahtera explores how swimming skills emerged as a specific biopolitical question in Finland, a country that has been described as the “Land of a Thousand Lakes.” Through a profound cultural analysis focusing both on Finnish cultural texts on swimming as well as manifold more globalized texts, Vaahtera considers how the legacy of eugenics and colonialism, the hopes of civilization, and homogenizing assumptions about bodies frame how we think about human capacity.
Racial Climates, Ecological Indifference
While the heavy social impacts of raging wildfires, punishing storms, and climbing temperatures worldwide have made many increasingly aware of the need for climate justice, the intersection of race and climate change has too often been neglected in the literature and in practice. In Racial Climates, Ecological Indifference, author Nancy Tuana urges that engagement with histories and lineages of ecological indifference and systemic racisms leads to a more robust understanding of the nature of climate injustices. Applying her "ecointersectional" framework, Tuana reveals how racist institutions and practices often fuel environmental destruction and contribute to climate change. Building on the ...
Fighting for the River
Fighting for the River portrays women's intimate, embodied relationships with river waters and explores how those relationships embolden local communities' resistance to private run-of-the-river hydroelectric power plants in Turkey. Building on extensive ethnographic research, Özge Yaka develops a body-centered, phenomenological approach to women's environmental activism and combines it with a relational ontological perspective. In this way, the book pushes beyond the "natural resources" frame to demonstrate how our corporeal connection to nonhuman entities is constitutive of our more-than-human lifeworld. Fighting for the River takes the human body as a starting point to explore the connection between lived experience and nonhuman environments, treating bodily senses and affects as the media of more-than-human connectivity and political agency. Analyzing local environmental struggles as struggles for coexistence, Yaka frames human-nonhuman relationality as a matter of socio-ecological justice.
Between Shadows and Noise
In Between Shadows and Noise Amber Jamilla Musser theorizes sensation as a Black feminist method for aesthetic interpretation and criticism that uses the knowledges held by the body to access the unrepresentable. Thinking through Blackness, empire, and colonialism, Musser examines artworks ranging from Ming Smith’s Flamingo Fandango, Jordan Peele’s Us, and Katherine Dunham’s Shango to Samita Sinha’s This ember state, Titus Kaphar’s A Pillow for Fragile Fictions, and Teresita Fernández’s Puerto Rico (Burned) 6. She engages with these works from an embodied situatedness to grapple with the questions and sensations of racialization and difference that the works produce. Throughout, Musser rethinks how we consider the relationships between race, representation, and politics by dwelling in those spaces and concepts that elude Western norms of representation, objectivity, and logic. In so doing, she explores ways of being and knowing that exceed overdetermined parameters while offering a blueprint for sensing, imagining, and living otherwise.
Like Life
Since before the myth of Pygmalion bringing a statue to life through desire, artists have used sculpture to explore the physical materiality of the body. This groundbreaking volume examines key sculptural works from thirteenth-century Europe to the global present, revealing new insights into the strategies artists deploy to blur the distinction between art and life. Three-dimensional renderings of the human figure are presented here in numerous manifestations, created by artists ranging from Donatello and Edgar Degas to Kiki Smith and Jeff Koons. Featuring works created in media both traditional and unexpected—such as glass, leather, and blood—Like Life presents sculpture by turns conventional and shocking, including effigies, dolls, mannequins, automata, waxworks, and anatomical models. Texts by curators and cultural historians as well as contemporary artists complete this provocative exploration of realistic representations of the human body. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Virginia Woolf, Europe, and Peace
This volume asks how Woolf conceptualized peace by exploring various experimental forms she created in response to violence and crisis. Across fifteen chapters written by an international array of scholars, this book draws out theoretical dimensions of Woolf’s aesthetics and deepens our understanding of her writing about war, ethics, feminism and European culture.
