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Early Modern Women's Writing and Sor Juana Inés de la Cruz
This book maps the field of seventeenth-century women's writing in Spanish, English, and French and situates the work of Sor Juana more clearly within that field. It holds up the multi-layered, proto-feminist writings of Sor Juana as a meaningful lens through which to focus the literary production of her female contemporaries. Merrim's book advances the integration of Hispanic women authors and women's issues into the panorama of early modern women's writing and opens up unexplored commonalities between Sor Juana and her sister writers. Early modern women writers whose works are explored include Marie de Gournay, Margaret Fell Fox, Catalina de Erauso, Maria de Zayas, Ana Caro, Mme de Lafayet...
The Spectacular City, Mexico, and Colonial Hispanic Literary Culture
Praise for The Spectacular City, Mexico, and Colonial Hispanic Literary Culture "A scholarly tour de force...Stephanie Merrim is one of the most respected colonial scholars in the Americas, and this book will only add another well-deserved star to her crown."-Nina M. Scott, Professor Emerita of Spanish, University of Massachusetts, Amherst "Taking the city beyond the confines of Angel Rama's lettered city, Merrim proposes the colonial city as a central motif in the genesis of a New World Baroque...This book is another example of her meticulous, erudite, and brilliant scholarship.:-Yolanda Martfnez-San Miguel, Professor of Latino and Hispanic Caribbean Studies and Comparative Literature, Rutgers, the State University of New Jersey
Who's who in Gay and Lesbian History
500 entries from more than 100 contributors, profiling gay and lesbians throughout history, ranging from Sappho to Andre Gide; most entries are accompanied by a bibliography.
The Lieutenant Nun
Catalina de Erauso (1592-1650) was a Basque noblewoman who, just before taking final vows to become a nun, escaped from the convent at San Sebastián, dressed as a man, and, in her own words, "went hither and thither, embarked, went into port, took to roving, slew, wounded, embezzled, and roamed about." Her long service fighting for the Spanish empire in Peru and Chile won her a soldier's pension and a papal dispensation to continue dressing in men's clothing. This theoretically informed study analyzes the many ways in which the "Lieutenant Nun" has been constructed, interpreted, marketed, and consumed by both the dominant and divergent cultures in Europe, Latin America, and the United State...
1492-1992
1492–1992 was first published in 1991. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The essays and documents in this volume underscore the importance of writing as companion of Empire, while at the same time highlighting its subversive power as a series of counter-narratives emerge to contest the tactics and values of the "victors." Contributors: Rolena Adorno, Tom Conley, Antonio Gomez-Moriana, Beatriz Gonzalez, Rene Jara, Stephanie Merrim, Walter Mignolo, Beatriz Pastor, Jose Rabasa, Nicholas Spadaccini, and Iris Zavala.
Feminist Perspectives on Sor Juana Inés de la Cruz
Called the "Quintessence of the Baroque" and "Bridge to the Enlightenment," Mexican writer and nun Sor Juana Inés de la Cruz has also been celebrated as the "First Feminist of the New World." Feminist Perspectives on Sor Juana Inés de la Cruz fills a gap Called the "Quintessence of the Baroque" and "Bridge to the Enlightenment," Mexican writer and nun Sor Juana Inés de la Cruz has also been celebrated as the "First Feminist of the New World." Feminist Perspectives on Sor Juana Inés de la Cruz fills a gap in the scholarship on Sor Juana by exploring the implications of her feminist staus in literary and cultural terms. Editor Stephanie Merrim's introduction surveys key issues in Sor Juana...
A Reader in Latina Feminist Theology
Speaking for the growing community of Latina feminist theologians, the editors of this volume write, "With the emergence and growth of the feminist theologies of liberation, we no longer wait for others to define or validate our experience of life and faith.... We want to express in our own words our plural ways of experiencing God and our plural ways of living our faith. And these ways have a liberative tone." With twelve original essays by emerging and established Latina feminist theologians, this first-of-its-kind volume adds the perspectives, realities, struggles, and spiritualities of U.S. Latinas to the larger feminist theological discourse. The editors have gathered writings from both Roman Catholics and Protestants and from various Latino/a communities. The writers address a wide array of theological concerns: popular religion, denominational presence and attraction, methodology, lived experience, analysis of nationhood, and interpretations of life lived on a border that is not only geographic but also racial, gendered, linguistic, and religious.
Baroque Sovereignty
In the seventeenth century, even as the Spanish Habsburg monarchy entered its irreversible decline, the capital of its most important overseas territory was flourishing. Nexus of both Atlantic and Pacific trade routes and home to an ethnically diverse population, Mexico City produced a distinctive Baroque culture that combined local and European influences. In this context, the American-born descendants of European immigrants—or creoles, as they called themselves—began to envision a new society beyond the terms of Spanish imperialism, and the writings of the Mexican polymath Carlos de Sigüenza y Góngora (1645-1700) were instrumental in this process. Mathematician, antiquarian, poet, an...
Hybrid Identity and the Utopian Impulse in the Postmodern Spanish-American Comic Novel
The author examines the role of comedy in the novels of four key postmodern Spanish-American writers: Gustavo Sainz, Alfredo Bryce Echenique, Jaime Bayly and Fernando Vallejo. An important but often overlooked function of comedy is its intrinsic relation to questions of identity. This relationship, furthermore, is connected to another traditional feature of comedy: the utopian impulse. This book analyses these functions of comedy in the novels of four key postmodern Spanish-American writers: Gustavo Sainz, Alfredo Bryce Echenique, Fernando Vallejo and Jaime Bayly. Focusing on the correlation between changing concepts of identityand the hybrid cultural context of the late 20th-century, it exa...
The Discourse of Courtly Love in Seventeenth-century Spanish Theater
By engaging in dialogue the voices of both male and female writers who participated both in the broader courtly love tradition and in the theatrical production of early modern Spain, this book demonstrates that all representations of desire are gender-inflected.
