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The Eighth
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Hysteria
Asylums once used to confine those deemed mentally unfit linger, forgotten behind trees or urban development, beautiful yet desolate in their decay. Within them festers something far more unnerving than unlit corners or unexplained noises: the case files left to moulder out of sight, out of conscience. Stephanie M. Wytovich forces your hands upon these crumbling, warped binders and exposes your mind to every taboo misfortune experienced by the outcast, exiled, misbegotten monsters and victims who have walked among us. The poetry contained in Hysteria performs internal body modification on its readers in an unrelenting fashion, employing broad-spectrum brutality treatment that spans the physical to the societal, as noted in Stoker Award winner Michael A. Arnzen’s incisive introduction. “Wytovich is nothing short of stupefying in her mastery of blunt impact verse. Even those jaded to the violent extremes of despair and rage in contemporary dark literature will find Wytovich piercing deep into the dark and unmapped vulnerabilities of her readers. Hysteria is a devastating debut.” —John Edward Lawson, author of The Troublesome Amputee and SuiPsalms
The Apocalyptic Mannequin
A poetry collection that strips away civilization and throws readers into the lives of its survivors. The poems inside are undelivered letters, tear-soaked whispers, and unanswered prayers. They are tragedy and trauma, grief and fear, fear of who-or what-lives inside us once everything is taken away.
Mourning Jewelry
Mourning is the new black... The tradition of Victorian mourning jewelry began with Queen Victoria after the death of her husband, Prince Albert. Without photography, mementos of personal remembrance were used to honor the dead so that their loved ones could commemorate their memory and keep their spirits close. Ashes were placed within rings, and necklaces were made out of hair, and the concept of death photography, small portraitures of the deceased, were often encased behind glass. Mourning jewelry became a fashion statement as much as a way to cope with grief, and as their pain evolved over the years, so did their jewelry. But what about the sadness and the memories that they kept close ...
HWA Poetry Showcase Volume VII
The Horror Writers Association's annual anthology of the best dark verse by its members is back! Edited by award-winning poet Stephanie M. Wytovich, this year's featured poets are Sara Tantlinger, Sarah Read, and K. P. Kulski.
Sheet Music to My Acoustic Nightmare
Roll the windows down, wipe the blood off your cheek, and turn the music up. Sheet Music to My Acoustic Nightmare by Stephanie M. Wytovich is a collection spattered with dirt and blood, sage and corpses. The poems inside are confessionals and dirges, their stories the careful banter of ghosts and sinners over tequila at the bar. These pages hold the lyrics to the beautiful grotesque that Wytovich is known for, but here she writes with a raw honesty that we haven't seen from her before. This new direction takes readers to hospital rooms and death beds, shows the mask that was skinned off her face time and time again. There's a brutality to her lines that cuts with the same knife she fantasized about, her blood and tears mixed in with stanzas as she talks about suicide and abuse, heartbreak and falling in love. Written during a time when the road was her home, these poems were sung under the stars and screamed in the woods, carved into trees. They are broken bottles and cigarette butts, stale coffee and smeared lipstick, each its own warning, a tale of caution. Listen to them carefully. They very well might save your life.
Brothel
Wytovich plays madam in a collection of erotic horror that challenges the philosophical connection between death and orgasm. There's a striptease that happens in Brothel that is neither fact nor fiction, fantasy nor memory. It is a dance of eroticism, of death and decay. The human body becomes a service station for pain, for pleasure, for the lonely, the confused. Sexuality is hung on the door, and the act of love is far from anything that's decent. Her women spread their legs to violence then smoke a cigarettes and get on all fours. They use their bodies as weapons and learn to find themselves in the climax of the boundaries they cross in order to define their humanity...or lack thereof. Wytovich shows us that the definition of the feminine is not associated with the word victim. Her characters resurrect themselves over and over again, fighting stereotypes, killing expectations. She shows us that sex isn't about love; it's about control. And when the control is disproportionate to the fantasy, she shows us the true meaning of femme fatale.
Shadow Atlas
Seeking to reclaim humanity's early secrets, the Umbra Arca Society was forged. Equipped with only a compass, a journal, and devotion to truth, these adventurers braved cursed landscapes. The Shadow Atlas collects their adventures.
Will Haunt You
"Kirk’s suspenseful and terror-driven novel employs supernatural elements to capitalize on the dread and horror of reality... [his] handling of visceral horror and human drama make for an immersive tale." - Publisher's Weekly You don’t read the book. It reads you. Rumors of a deadly book have been floating around the dark corners of the deep web. A disturbing tale about a mysterious figure who preys on those who read the book and subjects them to a world of personalized terror. Jesse Wheeler—former guitarist of the heavy metal group The Rising Dead—was quick to discount the ominous folklore associated with the book. It takes more than some urban legend to frighten him. Hell, reality ...
Gutted
This is Gutted: Beautiful Horror Stories, an anthology of dark fiction that explores the beauty at the very heart of darkness.
