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Director Paul Bartel enjoyed poking holes in the expectations of audiences and critics with amusing films about murder, greed and transgressive sex--among them Death Race 2000 (1975), Eating Raoul (1982) and Scenes from the Class Struggle in Beverly Hills (1989). He believed that strange stories that aroused laughter had the potential to disorient viewers and challenge their beliefs about American culture and values. This first book-length study of Bartel's life and work traces his emergence as an independent auteur whose work was praised by Hollywood luminaries like Steven Spielberg, Jim Jarmusch and Brian De Palma. Bartel's experiences as a gay man are explored. Interviews with people who knew him--including Roger Corman, Joe Dante and John Waters--are provided, along with critical analysis of each film.
This traditional auteurist survey closely examines the films of director John Frankenheimer, assessing the thematic and stylistic elements of such films as The Iceman Cometh, The Manchurian Candidate, and Bird Man of Alcatraz. It begins with a complete overview of Frankenheimer's life and career. A chronology lists production history details for each of his films, and a comprehensive biography draws attention to Frankenheimer's early artistic development. Subsequent chapters categorize his films by genre and theme, examining each film through analytical critiques and plot synopses. Multiple appendices include an analysis of Frankenheimer's short films Maniac at Large and Ambush, a complete filmography, and a suggested reading list.
Here is a comprehensive survey of the film and television career of London-born director Andrew V. McLaglen. An opening biography considers the events and circumstances that contributed to his development as a filmmaker, including his relationships with his actor father Victor McLaglen, fellow director John Ford, and motion picture icon John Wayne, who collaborated with Andrew McLaglen on such films as McLintock! (1963), Hellfighters (1968), The Undefeated (1969) and Chisum (1970). An extensive annotated filmography covers every theatrical feature film McLaglen directed, as well as his television productions and the films he worked on prior to becoming a director. Appendices provide information on the numerous documentaries in which McLaglen has appeared, and a list of stage plays he has directed since his retirement from motion pictures in 1989.
The first in a new Bible study series from Verse By Verse Ministry International (vbvmi.org). This 12-week VBVMI Group Study on End Times features thought-provoking teaching of core biblical concepts in prophecy. The workbook prepares both individual students and small groups for a deeper study of eschatology by examining key ideas and highlights from the book of Revelation, Daniel and other scripture. Students will gain a foundational understanding of God's plan for Israel, the Church and the end of the age. The VBVMI Group Study series is designed to suit the needs of students new to a study of end times while still offering a challenge to experienced Bible students. Each lesson in this study includes a video available to stream for free over the internet. The videos feature the teaching of Stephen Armstrong, acclaimed for his unique and gifted approach to explaining the Bible. The 12 videos are available for viewing or download for free at: http://www.vbvmiendtimesstudy.org. A printable PDF copy of the workbook may also be downloaded for free.
On July 20, 1969, the world stood still to watch American astronaut Neil A. Armstrong become the first person ever to step on the surface of another heavenly body. Upon his return to Earth, Armstrong was celebrated for his monumental achievement. He was also--as NASA historian Hansen reveals in this authorized biography--misunderstood. Armstrong's accomplishments as an engineer, a test pilot, and an astronaut have long been a matter of record, but Hansen's access to private documents and unpublished sources and his interviews with more than 125 subjects (including more than fifty hours with Armstrong himself) yield the first in-depth analysis of this elusive, reluctant hero.
The American West, as we know it, is defined by the movies, and the Western is the oldest film genre. When the movies were born, it was not that long after Promontory Point and the Civil War, so those memories were still there in the minds of the very first movie audiences as they watched The Great Train Robbery. And the myth-making is as important as the brutal truths of history. As the reporter tells Jimmy Stewart in Ford's The Man Who Shot Liberty Valance, "This is the West, sir. When the legend becomes fact, print the legend." Rendered in rare, evocative tones reminiscent of Edward Sheriff Curtis's immortal photographs, Western Portraits provides readers with a collection of stylized por...
The most comprehensive volume ever published on Alfred Hitchcock, covering his career and legacy as well as the broader cultural and intellectual contexts of his work. Contains thirty chapters by the leading Hitchcock scholars Covers his long career, from his earliest contributions to other directors’ silent films to his last uncompleted last film Details the enduring legacy he left to filmmakers and audiences alike
Think about some commercially successful film masterpieces--The Manchurian Candidate. Seven Days in May. Seconds. Then consider some lesser known, yet equally compelling cinematic achievements--The Fixer. The Gypsy Moths. Path to War. These triumphs are the work of the best known and most highly regarded Hollywood director to emerge from live TV drama in the 1950s--five-time Emmy-award-winner John Frankenheimer. Although Frankenheimer was a pioneer in the genre of political thrillers who embraced the antimodernist critique of contemporary society, some of his later films did not receive the attention they deserved. Many claimed that at a midpoint in his career he had lost his touch. World-renowned film scholars put this myth to rest in A Little Solitaire, which offers the only multidisciplinary critical account of Frankenheimer's oeuvre. Especially emphasized is his deep and passionate engagement with national politics and the irrepressible need of human beings to assert their rights and individuality in the face of organizations that would reduce them to silence and anonymity.
John Frankenheimer's career as a professional director began and ended in television. In the mid-1950s, he won acclaim working on live productions for anthology series like Playhouse 90, and from the mid-1990s until his death in 2002 he helmed a string of Emmy-winning features for cable TV, including The Burning Season (1994) and Andersonville (1996). Despite these successes, Frankenheimer's reputation rests primarily upon the nearly thirty feature films he directed, which range from bona fide classics like Birdman of Alcatraz (1962) and The Manchurian Candidate (1962) to such lesser achievements as Prophecy (1979) and Dead Bang (1989). Unfortunately for Frankenheimer, the discrepancy betwee...
Armstrong's Handbook of Human Resource Management is the classic text for all students and practitioners of HRM. Providing a complete resource for understanding and implementing HR in relation to the needs of the business as a whole, it includes in-depth coverage of all the key areas essential to the HR function.The 12th edition has been radically updated to create a cutting-edge textbook, which encourages and facilitates effective learning. Comprehensive online support material is provided for the instructor, student and now also the practitioner, providing a complete resource for teaching and self-learning. The text has been updated to include all the latest developments in HRM and now includes two new sections covering HR skills and toolkits.