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The Fugitive's Properties
In this study of literature and law before and since the Civil War, Stephen M. Best shows how American conceptions of slavery, property, and the idea of the fugitive were profoundly interconnected. The Fugitive's Properties uncovers a poetics of intangible, personified property emerging out of antebellum laws, circulating through key nineteenth-century works of literature, and informing cultural forms such as blackface minstrelsy and early race films. Best also argues that legal principles dealing with fugitives and indebted persons provided a sophisticated precursor to intellectual property law as it dealt with rights in appearance, expression, and other abstract aspects of personhood. In t...
None Like Us
It passes for an unassailable truth that the slave past provides an explanatory prism for understanding the black political present. In None Like Us Stephen Best reappraises what he calls “melancholy historicism”—a kind of crime scene investigation in which the forensic imagination is directed toward the recovery of a “we” at the point of “our” violent origin. Best argues that there is and can be no “we” following from such a time and place, that black identity is constituted in and through negation, taking inspiration from David Walker’s prayer that “none like us may ever live again until time shall be no more.” Best draws out the connections between a sense of impossible black sociality and strains of negativity that have operated under the sign of queer. In None Like Us the art of El Anatsui and Mark Bradford, the literature of Toni Morrison and Gwendolyn Brooks, even rumors in the archive, evidence an apocalyptic aesthetics, or self-eclipse, which opens the circuits between past and present and thus charts a queer future for black study.
Royalty Inc.
The former Guardian royal correspondent “wisely explores a host of issues surrounding the royals, from the monarchy’s role to the legacy of Diana” (Get Surrey). It was an amazing feat in the twenty-frst century that Queen Elizabeth II, a small woman in her late-eighties, was one of the most recognisable people on the planet. The world had utterly, irreversibly, and radically evolved since she ascended the throne in 1952 and yet, in an era of instant celebrity, she remained, more popular than ever: a bastion of certainty and comfort to the British and many other people during uncertain times. But with her death on September 8, 2022, questions remain: How secure is the British Royal Fami...
Best New Horror
Eddie Carroll is sick to death of editing the collection America's Best New Horror, sick of reading through second-rate stories in order to find the few "best new." But one afternoon he stumbles across a new story so remarkable that he soon embarks on a quixotic quest to find its author - a quest he may not live to regret. Joe Hill is the New York Times bestselling author of NOS4A2, Horns, and Heart-Shaped Box, and the prize-winning story collection 20th Century Ghosts. He is also the co-author, with Stephen King, of In the Tall Grass.
The Stand
Stephen King's apocalyptic vision of a world blasted by virus and tangled in an elemental struggle between good and evil remains as riveting and eerily plausible as when it was first published. Soon to be a television series. 'THE STAND is a masterpiece' (Guardian). Set in a virus-decimated US, King's thrilling American fantasy epic, is a Classic. First come the days of the virus. Then come the dreams. Dark dreams that warn of the coming of the dark man. The apostate of death, his worn-down boot heels tramping the night roads. The warlord of the charnel house and Prince of Evil. His time is at hand. His empire grows in the west and the Apocalypse looms. When a man crashes his car into a petrol station, he brings with him the foul corpses of his wife and daughter. He dies and it doesn't take long for the virus which killed him to spread across America and the world.
Demon Theory
When med student Hale is called home by his ailing mother on Halloween night, he and a group of friends are trapped in an inescapable cycle of violence.
Horror: Another 100 Best Books
Horror: Another 100 Best Books features one hundred of the top names in the horror field discussing one hundred of the most spine-chilling novels ever written. Each entry includes a synopsis of the work as well as publication history, biographical information about the author of each title, and recommended reading and biographical notes on the contributor. Author Ramsey Campbell also offers a new foreword to the book describing the evolution of horror over the past two decades — from the way it's written by a crop of new and exciting writers to the way it's received by a new market of readers. Horror: Another 100 Best Books will be the definitive guide to the tremendous library of horror fiction available today —a reference that no fan can live without.
Stephen Colbert's Midnight Confessions
Forgive him, Father, for Stephen Colbert has sinned. He knew it was wrong at the time. But he went ahead and did it anyway. Now he’s begging for forgiveness. Based on his popular segment from The Late Show, Stephen Colbert and his team of writers now reveal his most shameful secrets to millions (although, actually, he’d like you not to tell anyone). Midnight Confessions is an illustrated collection of Stephen Colbert at his most brilliant and irreverent.
Under the Dome: Part 2
The conclusion to King's tale of Chester's Mill, Maine, a town that's inexplicably and suddenly sealed off from the rest of the world by an invisible force field, and which inspired a CBS TV drama.
The Memory of Running
"Smithy is an American original, worthy of a place on the shelf just below your Hucks, your Holdens, your Yossarians." —Stephen King Every so often, a novel comes along that captures the public’s imagination with a story that sweeps readers up and takes them on a thrilling, unforgettable ride. Ron McLarty’s The Memory of Running is this decade’s novel. By all accounts, especially his own, Smithson "Smithy" Ide is a loser. An overweight, friendless, chain-smoking, forty-three-year-old drunk, Smithy’s life becomes completely unhinged when he loses his parents and long-lost sister within the span of one week. Rolling down the driveway of his parents’ house in Rhode Island on his old Raleigh bicycle to escape his grief, the emotionally bereft Smithy embarks on an epic, hilarious, luminous, and extraordinary journey of discovery and redemption.
