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Linocuts of the Machine Age
Drawing on a wealth of primary sources, including letters, memoirs, photographs and critical appraisals in the press, Stephen Coppel provides a fascinating account of the work and lives of these seven artists. This book will introduce to a new audience the vitality and appeal of these prints, which, from the Second World War until quite recently, have been largely overlooked. A key feature of the book is an extensive and fully illustrated catalogue raisonne which documents over 380 linocuts, arranged in chronological order by artist. The catalogue records their exhibition history and location and provides documentary and contextual notes on individual entries.
Picasso Prints
This beautiful publication is illustrated with a variety of classical objects as well as works by Rembrandt and Goya from the British Museum's collection, together with fascinating photographs of Marie-Therese and Vollard himself. Picasso Prints: The Vollard Suite celebrates the British Museum's landmark acquisition and reproduces its complete set of pristine prints for the first time.
The American Dream
A deep dive into American printmaking from 1960 to the present day The American Dream: pop to the present, published to accompany an exhibition at the British Museum, presents an overview of the development of American printmaking since 1960, paying particular attention to such key figures as Andy Warhol, Jasper Johns, Robert Rauschenberg, and Ed Ruscha as well as Louise Bourgeois, Kara Walker, and Julie Mehretu. With more than 200 key works by nearly seventy artists, this fully illustrated publication traces the creative momentum in American printmaking over the past six decades—from the moment pop art burst onto the New York and West Coast scenes in the early 1960s, the rise of minimalism, conceptual art, and photorealism in the 1970s, to the different responses of artists working today. Using innovative techniques and appealing to a wide audience, American printmaking was the ideal medium to express the USA’s power and influence, and to highlight contentious issues such as race, AIDS, and feminism.
Picasso and Printmaking in Paris
A history of printmaking in Paris in the first half of the twentieth century.
Clandestine Marriage in England, 1500-1850
While marriages were supposed to be celebrated publicly by priests, in churches where the parties were known, many couples had reasons - among them parental disapproval, religious nonconformity, property considerations and previous entanglements - to marry in other ways. Clandestine marriage had represented a problem to the church and state, and to the rights of property, since the middle ages, eluding a variety of attempts to control it. By the eighteenth century it had become a scandal, with Fleet parsons marrying thousands of couples a year. In 1753 Lord Hardwicke's Marriage Act nullified such irregular marriages, only to drive couples to seek other forms of privacy down to, and beyond, the introduction of civil marriage in 1836. In this intriguing book Brian Outhwaite explores the nature and scale of clandestine marriage. He describes why it attracted so many customers and why it was so hard to suppress.
Modern Times: British Prints, 1913–1939
The bold graphic images made by artists affiliated with Vorticism, British Futurism, and the Grosvenor School of Modern Art capture the optimism and anxiety of early twentieth-century Britain. This richly illustrated volume features rare British prints from the Leslie and Johanna Garfield collection dating between 1913 and 1939—a period marked by two world wars, a global pandemic, the Great Depression, and the rise of Fascism and Communism, but also new technologies, women’s suffrage, and a growing focus on public access to art. Essays explore how artists turned to printmaking to alleviate trauma, memorialize their wartime experiences, and capture the aspirations and fears of the twenties and thirties. At the heart of the catalogue are the colorful linocuts made by artists associated with London’s celebrated Grosvenor School. The visually striking compositions by Sybil Andrews, Claude Flight, Cyril E. Power, and Lill Tschudi, among others, convey the vitality of quotidian life during the machine age.
Artists & Prints
Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.
Scandal in the Church
Scandal in the Church reconstructs the extraordinary story of Dr Edward Drax Free DD, the Rector of Sutton in Bedfordshire, and the sequence of events that led, following a series of court battles, to his deprivation in 1830. Free is the only Church of England clergyman since 1800 to have rivalled the notorious Harold Davidson, the Rector of Stiffkey, defrocked in 1932 following the disclosure of his links with prostitutes. Dr Free was a Fellow of StJohn's College and Vicar of St Giles, Oxford, whose behaviour had been so outrageous that the college had considered expelling him. In the event, they were only too glad to appoint him the living of Sutton when it fell vacant in 1808. He soon off...
Picasso and Paper
Picasso's artistic output is astonishing in its ambition and variety. Picasso and Paper examines a particular aspect of his legendary capacity for invention: his imaginative and original use of paper. He used it as a support for autonomous works, including etchings, prints and drawings, as well as for his papier-collé experiments of the 1910s and his revolutionary three-dimensional "constructions," made of cardboard, paper and string. Sometimes his use of paper was simply determined by circumstance: in occupied Paris, where art supplies were in short supply, he ripped up paper tablecloths to make works of art. And of course his works on paper comprise the preparatory stages of some of his v...
