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Hitler and Nazi Germanydetails the major themes of Hitler's rise to power, beginning with the formation of the Nazi movement and the forerunners to the Nazi Party. The book goes on to document the establishment of dictatorship, foreign policy, the Nazi economy and the use of propaganda. With indispensable analysis of the nature of National Socialism, this concise guide addresses the issues essential to the understanding of this topic, including the issue of race and the Holocaust.
Hitler and Nazi Germany provides a concise introduction to Hitler’s rise to power and Nazi domestic and foreign policies through to the end of the Second World War. Combining narrative, the views of different historians, interpretation and a selection of sources, this book provides a concise introduction and study aid for students. This second edition has been extensively revised and expanded and includes new chapters on the Nazi regime, the SS and Gestapo, and the Second World War. Expanded background narratives provide a solid understanding of the period and the analyses and sources have been updated throughout to help students engage with recent historiography and form their own interpretation of events.
This text is one in a series that meets the requirements of the revised GCSE syllabus. Looking at Nazi Germany, it covers the ghettos, propaganda and the individual's role, providing source material. There are exam questions at the end of each unit. A simplified foundation edition is available.
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A major new interpretation of Nazi influence in southeastern Europe through the concepts of soft power and informal empire.
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A history of German film dealing with individual films as works of art has long been needed. Existing histories tend to treat cinema as an economic rather than an aesthetic phenomenon; earlier surveys that do engage with individual films do not include films of recent decades. This book treats representative films from the beginnings of German film to the present. Providing historical context through an introduction and interchapters preceding the treatments of each era's films, the volume is suitable for semester- or year-long survey courses and for anyone with an interest in German cinema. The films: The Student of Prague - The Cabinet of Dr. Caligari - The Last Laugh - Metropolis - The Bl...
The Euro crisis has served as a stark reminder of the fundamental importance of Germany to the larger European project. But the image of Germany as the dominant power in Europe is at odds with much of its recent history. Reluctant Meister is a wide-ranging study of Germany from the Holy Roman Empire through the Second and Third Reichs, and it asks not only how such a mature and developed culture could have descended into the barbarism of Nazism but how it then rebuilt itself within a generation to become an economic powerhouse. Perhaps most important, Stephen Green examines to what extent Germany will come to dominate its relationship with its neighbors in the European Union, and what that will mean.
Biblical books, which were transmitted on separate scrolls in antiquity, are not necessarily identical with books in the modern sense of a coherent and self-contained compositional unit. The books of the Primary History especially constitute a larger master narrative. This raises the question of how the distribution of the text to different scrolls relates to its compositional history. Were the respective books conceived as physically separate parts of a multivolume composition (whether Pentateuch, Hexateuch, Deuteronomistic History or Enneateuch) from the outset, or are we dealing with a more complex development of originally independent compositional units that were only connected or separated by later redaction? The present volume addresses these issues with respect to the transitions between the books of Genesis/Exodus and Joshua/Judges, which have obviously developed in dependency upon each other.
The soldiers who occupied Germany after the Second World War were not only liberators: they also brought with them a new threat, as women throughout the country became victims of sexual violence. In this disturbing and carefully researched book, the historian Miriam Gebhardt reveals for the first time the scale of this human tragedy, which continued long after the hostilities had ended. Discussion in recent years of the rape of German women committed at the end of the war has focused almost exclusively on the crimes committed by Soviet soldiers, but Gebhardt shows that this picture is misleading. Crimes were committed as much by the Western Allies – American, French and British – as by t...