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The first truly comprehensive analysis of the history, practice, and conservation of painting on canvas. Throughout its long history in Western art, canvas has played an influential role in the creative process. From the Renaissance development of oil painting on canvas to the present day—through Impressionism, Abstract Expressionism, and other art historical movements—the use of canvas has enhanced the scale of painting, freedom of brushwork, and spontaneity in technique. This book recounts some of that rich history in relation to corresponding developments in conservation practice. Rather than concentrating on the familiar concerns of cleaning and varnish removal, this volume considers...
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UK photographer Stephen Gill has again used his surroundings as the inspiration for this beautiful and evocative series. "Hackney Flowers" evolved from Gill's longstanding interest in Hackney, East London. For this volume, Gill collected flowers, seeds, berries and objects from Hackney, then pressed them in his studio and rephotographed them alongside his own photographs and other found ephemera, thus building up multi-layered images built from the area. Some of the base photographs were also buried in Hackney Wick, allowing the subsequent decay to imprint upon the images, stressing this collaboration with place. A parallel series also runs within this finely produced book, showing members of the Hackney public with floral details on their persons. This is a warm, poetic and visually exciting book containing images that leave an overwhelming sense of color, emotion and rhythm extracted from a single borough of London.
Stephen Gill has learnt this: to haunt the places that haunt him. His photo-accumulations demonstrate a tender vision factored out of experience; alert, watchful, not overeager, wary of that mendacious conceit, "closure." There is always flow, momentum, the sense of a man passing through a place that delights him. A sense of stepping down, immediate engagement, politic exchange. Then he remounts the bicycle and away. Loving retrievals, like a letter to a friend, never possession... What I like about Stephen Gill is that he has learnt to give us only as much as we need, the bones of the bones of the bones... --Iain Sinclair Continuing to photograph where his award-winning book Hackney Wick le...
Features photographs of betting slips discarded in and around the betting shops in Hackney in north-east London.
Extensively illustrated, this book includes previously unseen images and presents a unique opportunity for the reader to examine these paintings as closely as a conservator and to uncover the secrets of the Pre-Raphalite painters.
UK photographer Stephen Gill has again used his surroundings as the inspiration for this beautiful and evocative series. "Hackney Flowers" evolved from Gill's longstanding interest in Hackney, East London. For this volume, Gill collected flowers, seeds, berries and objects from Hackney, then pressed them in his studio and rephotographed them alongside his own photographs and other found ephemera, thus building up multi-layered images built from the area. Some of the base photographs were also buried in Hackney Wick, allowing the subsequent decay to imprint upon the images, stressing this collaboration with place. A parallel series also runs within this finely produced book, showing members of the Hackney public with floral details on their persons. This is a warm, poetic and visually exciting book containing images that leave an overwhelming sense of color, emotion and rhythm extracted from a single borough of London.
The most authoritative publication in nearly fifty years on the subject of conserving paintings on canvas. In 2019, Yale University, with the support of the Getty Foundation, held an international conference, where nearly four hundred attendees from more than twenty countries gathered to discuss a vital topic: how best to conserve paintings on canvas. It was the first major symposium on the subject since 1974, when wax-resin and glue-paste lining reigned as the predominant conservation techniques. Over the past fifty years, such methods, which were often destructive to artworks, have become less widely used in favor of more minimalist approaches to intervention. More recent decades have witn...
British documentary photographer and artist Stephen Gill (born 1971) presents a collection of found photographs from postwar Hackney, a borough in East London, in the 1950s. Photographer unknown, these high-quality, medium-format images all depict couples kissing on their wedding days, surrounded by overexposed wedding cakes, guests and decadent flower arrangements.
Sexual Harassment in the Workplace: Law and Practice