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Trumping Truth
When Kellyanne Conway, counselor to President Trump, coined the phrase "alternative facts" in January 2017, objectivity in public discourse--the long-held belief in a more or less agreed-upon set of verifiable truths--went into a tailspin. The use of alternative facts and narratives quickly became the go-to rhetorical strategy, especially among Trump's administration and base. Rebuttals based on fact-checking and hard data were demoted to mere choices in a media bazaar where consumers are free to source their own versions of reality. This volume explores the social and political disruption accompanying the loss of faith in objectivity, along with reflections on the disregard for truth and honesty, both within the Trump Administration and in contemporary popular culture.
Art of Suppression
This provocative study asks why we have held on to vivid images of the Nazis’ total control of the visual and performing arts, even though research has shown that many artists and their works thrived under Hitler. To answer this question, Pamela M. Potter investigates how historians since 1945 have written about music, art, architecture, theater, film, and dance in Nazi Germany and how their accounts have been colored by politics of the Cold War, the fall of communism, and the wish to preserve the idea that true art and politics cannot mix. Potter maintains that although the persecution of Jewish artists and other “enemies of the state” was a high priority for the Third Reich, removing them from German cultural life did not eradicate their artistic legacies. Art of Suppression examines the cultural histories of Nazi Germany to help us understand how the circumstances of exile, the Allied occupation, the Cold War, and the complex meanings of modernism have sustained a distorted and problematic characterization of cultural life during the Third Reich.
Revolutionary Pensioners
A transcript of the pension list of the United States, shewing the number of pensioners in the several districts. Also, the amount owed to each pensioner.
Heads of Families at the First Census of the United States Taken in the Year 1790
"No other official record or group of records is as historically significant as the 1790 census of the United States. The taking of this census marked the inauguration of a process that continues right up to our own day--the enumeration at ten-year intervals of the entire American population" -- publisher website (June 2007).
Seelenarbeit an Deutschland
The last decade has undoubtedly been the most controversial in the long literary career of Martin Walser. This volume presents a review of this career, going far beyond short-lived arguments to present an insightful overview of much of his work. It considers not only major aspects of his writing, covering both his literary beginnings and the most recent works, but also different, previously neglected features of his persona and his writing, namely his activity as a university teacher and his art criticism. In addition, fruitful comparisons are made with other writers, such as Proust, Grass and Uwe Johnson. At the same time, recent controversies are also considered with major attention being paid to Walser’s public speeches and those works of fiction which have been seen by some as demanding the end of German self-recriminations over the Nazi past. This volume is unique in that much space is devoted to both sides of the argument. It will provide stimulating reading to all those interested in Germany and German literature.
Modernism at the Barricades
Stephen Eric Bronner reads the artistic and intellectual achievements of the modernist project's leading figures against larger social, political, and cultural trends and follows the rise of a flawed yet salient effort at liberation and its clash with modernity. Exploring both the political responsibility of the artist and the manipulation of authorial intention, Bronner reconfigures the modernist movement for contemporary progressive purposes and offers insight into the problems still complicating cultural politics. He ultimately reasserts the political dimension of developments often understood in purely aesthetic terms and confronts the self-indulgence and political irresponsibility of certain so-called modernists today.
