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The Mystery of the Rosary
The rosary has been nearly ubiquitous among Roman Catholics since its first appearance in Europe five centuries ago. Why has this particular devotional object been so resilient, especially in the face of Catholicism's reinvention in the Early Modern, or "Counter-Reformation," Era? Nathan D. Mitchell argues in lyric prose that to understand the rosary's adaptability, it is essential to consider the changes Catholicism itself began to experience in the aftermath of the Reformation. Unlike many other scholars of this period, Mitchell argues that after the Reformation Catholicism actually became less retrenched and more open to change. This innovation was especially evident in the sometimes "subversive" visual representations of sacred subjects and in new ways of perceiving the relation between Catholic devotion and the liturgy's ritual symbols. The rosary played a crucial role not only in how Catholics gave flesh to their faith, but in new ways of constructing their personal and collective identity. Ultimately, Mitchell employs the history of the rosary as a lens through which to better understand early modern Catholic history.
The Saint's Life and the Senses of Scripture
Through close examination of ancient, medieval, and modern Lives of the saints, Ann W. Astell demonstrates how the historical transformation of hagiography as a genre correlates with similar changes in biblical studies. Christian hagiography flourished from the fourth to the fifteenth centuries, illuminating the gospel through the overlapping forms of exempla and vita. Originally, the Lives of the saints were understood as hermeneutical extensions of the Bible—God authors the saint, just as God authors the divinely inspired scriptures. During the medieval period, a sense of dual authorship between God and the cooperating saint developed, paralleling the Scholastic impulse to assign greater agency to the human writers of scripture. Then, in the sixteenth century, powerful new anxieties about historical truth pushed hagiography aside for biography, its successor. Drawing on her expertise in the history of Christianity and biblical exegesis, Astell convincingly shows how this radical shift in hagiography’s status—the loss of the literal, allegorical, tropological, and anagogical senses of the Lives—serves as a bellwether for modern biblical reception.
A Fellowship of Defenders
Was World War II necessary? I think it was. I believed then, and I believe now, that God was on our side. We did the right thing . . . . J.. The Germans fired those V-1 bombs from a launching pad in France . . . It wasnt as scary hearing the bombs as it was when you stopped hearing them because when the sound stopped you knew they were coming down . . . . LB. . . . I was floating down, parachute open. I dont recall opening the chute. The Lord was there and saw that that happened . . . As I was floating down, I saw pieces of the plane floating down around me like leaves . . . . H.B. They marched us through Manila to make a big show for the benefit of the Filipinos. They took us to Bilibid Pri...
Hertfordshire in History
This collection of essays offers a historical glimpse into the lives and happenings in Hertfordshire from the 13th century to the present. Topics range from graffiti evidence of medieval music. King James's connections with Hertfordshire, settlements in the Connecticut Valley, art traditions in the 19th century, and the history of Christ's Hospital. This compilation was designed to honor Lionel Munby, one of Hertfordshire's leading 20th-century historians.
Symphonia
For this revised edition of Hildegard's liturgical song cycle, Barbara Newman has redone her prose translations of the songs, updated the bibliography and discography, and made other minor changes. Also included is an essay by Marianne Richert Pfau which delineates the connection between music and text in the Symphonia. Famous throughout Europe during her lifetime, Hildegard of Bingen (1098-1179) was a composer and a poet, a writer on theological, scientific, and medical subjects, an abbess, and a visionary prophet. One of the very few female composers of the Middle Ages whose work has survived, Hildegard was neglected for centuries until her liturgical song cycle was rediscovered. Songs from it are now being performed regularly by early music groups, and more than twenty compact discs have been recorded.
Patronage and Humanist Literature in the Age of the Jagiellons
Every epoch has its artists, thinkers, and creators, and behind many of these people, there is a patron waiting in the wings. Patronage and Humanist Literature in the Age of the Jagiellons looks at the relationship between humanist scholars and their patrons in east central Europe during the early sixteenth century. It is the first study in English specifically to address literary patronage as it existed in this particular time and place. Drawing on the writings of three itinerant scholar-poets associated with the courts of Cracow, Buda, and Vienna, Jacqueline Glomski argues that, even while they supported the imperial pretensions of the Jagiellonian monarchs, the humanist scholars of east c...
Fruit Fly Fighters
Fruit Fly Fighters is an account of the eradication of papaya fruit fly (Bactrocera papayae) from north Queensland from October 1995 when it was first discovered until eradication was formally declared in June 1999.
Delphi Complete Poetical Works of C. Day-Lewis (Illustrated)
C. Day-Lewis was one of the leading British poets of the 1930’s, closely associated with his friend W. H. Auden, producing poetry of left-wing political statement and individual lyricism. He worked as Clark lecturer at the University of Cambridge, before serving as Professor of Poetry at Oxford and Norton Professor at Harvard. His poetry career culminated with his appointment as Poet Laureate in 1968, succeeding John Masefield. Under the pseudonym of Nicholas Blake, he also penned the hugely successful Nigel Strangeways novels, establishing his reputation as one of the leading writers of the Golden Age of Detective Fiction. The Delphi Poets Series offers readers the works of literature’s...
William Tillyer
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