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Medieval Archaeology
This is the first reference work to cover the archaeology of medieval Europe. No other reference can claim such comprehensive coverage--from Ireland to Russia and from Scandinavia to Italy, the archaeology of the entirety of medieval Europe is discussed.
Scottish Independence and the Idea of Britain
This book offers a fresh perspective on the question of Scotland's relationship with Britain. It challenges the standard concept of the Scots as an ancient nation whose British identity only emerged in the early modern era.
The Archaeology of Britain
The Archaeology of Britain is the only concise and up-to-date introduction to the archaeological record of Britain from the reoccupation of the landmass by Homo sapiens during the later stages of the most recent Ice Age until last century. This fully revised second edition extends its coverage, including greater detail on the first millennium AD beyond the Anglo-Saxon domain, and into recent times to look at the archaeological record produced by Britain’s central role in two World Wars and the Cold War. The chapters are written by experts in their respective fields. Each is geared to provide an authoritative but accessible introduction, supported by numerous illustrations of key sites and ...
Gog and Magog
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The Picts
The Picts is a survey of the historical and cultural developments in northern Britain between AD 300 and AD 900. Discarding the popular view of the Picts as savages, they are revealed to have been politically successful and culturally adaptive members of the medieval European world. Re-interprets our definition of ‘Pict’ and provides a vivid depiction of their political and military organization Offers an up-to-date overview of Pictish life within the environment of northern Britain Explains how art such as the ‘symbol stones’ are historical records as well as evidence of creative inspiration. Draws on a range of transnational and comparative scholarship to place the Picts in their European context
Pictish Progress
This publication is the culmination of an extended programme of conferences that have sought to mark the contribution of F. T. Wainwright to Pictish studies and, in particular, the 50th anniversary of The Problem of the Picts. The book is firmly in the tradition of interdisciplinary scholarship Wainwright did so much to promote and brings together much fresh thinking on the archaeological, art-historical, place name and historical understanding of Northern Britain in the second half of the first millennium AD. Within a wider, European framework it addresses questions of landscape, material culture and mentalities, revealing some of the different strategies by which the Picts made their world. All the studies are accessibly presented to serve the interests of students, teachers and anyone interested in the roots of European civilisation. Contributors are Barbara E. Crawford, Nicholas Evans, Iain Fraser, James Fraser, Meggen Gondek, Stratford Halliday, Andrew Heald, Kellie Meyer, Gordon Noble, Robert D. Stevick, Simon Taylor and Sarah Winlow.
The Past in the Past: the Re-use of Ancient Monuments
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Medieval Art and Architecture in the Diocese of Glasgow
This volume includes many of the papers given at the 1997 conference of the British Archaeological Association. It focuses on aspects of patronage, the wider architectural context of the cathedral, and on the Romaneque sculpture and manuscripts with the diocese.
The Origin Legends of Early Medieval Britain and Ireland
This holistic study demonstrates the interconnected nature of early medieval origin legends and traces their growth over time.
Arthur, Origins, Identities and the Legendary History of Britain
Geoffrey of Monmouth’s immensely popular Latin prose Historia regum Britanniae (c. 1138), followed by French verse translations – Wace’s Roman de Brut (1155) and anonymous versions including the Royal Brut, the Munich, Harley, and Egerton Bruts (12th -14th c.), initiated Arthurian narratives of many genres throughout the ages, alongside Welsh, English, and other traditions. Arthur, Origins, Identities and the Legendary History of Britain addresses how Arthurian histories incorporating the British foundation myth responded to images of individual or collective identity and how those narratives contributed to those identities. What cultural, political or psychic needs did these Arthurian narratives meet and what might have been the origins of those needs? And how did each text contribute to a “larger picture” of Arthur, to the construction of a myth that still remains so compelling today?
