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Laurence Sterne
First published in 1975, Laurence Sterne is biography of Sterne’s life which emphasizes those experiences which informed Sterne’s fiction. The book is based on an exhaustive search for original documents, and a study of the social, political, and ecclesiastical institutions which shaped Sterne’s world. We see the novelist as a soldier’s child, student, struggling young cleric, Yorkshire famer, and judge of the spiritual courts, and we trace his literary development from political hack to humourist. The story begins – like Tristram’s – with the subject’s conception and ends with the publication of Volumes I and II of Tristram Shandy. This book will be of interest to students of literature, literary history as well as to any casual reader of Sterne’s novels.
Sterne A Study
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Laurence Sterne
First published in 1986, Laurence Sterne follows Sterne’s life and career from the moment of recognition brought by the successful publication of the first two volumes of Tristram Shandy, to the publication in 1768 of A Sentimental Journey and its author’s death three weeks later. Sterne, a consumptive who knew that he would meet an early death, was determined to pack into his life all the writing, adventure and play he could, believing implicitly ‘that every time a man smiles, -- but much more so, when he laughs, that it adds something to this Fragment of Life.’ We see him in his study at Shandy Hall, among the philosophes in Paris, with his family at Toulouse and Montpellier, preac...
Laurence Sterne
Despite the immense popularity of Laurence Sterne's work during his lifetime, his contribution to the novel form and experimentalism has only been acknowledged since his death. His contemporaries Richardson and Goldsmith denounced his archaic methods and took offence at his playful irreverence but his oddity is never accidental nor perverse; it is the strategy of an inventive, thoughtful, comic talent. Tristram Shandy, perhaps his best loved work, defies convention at every turn, distributing narrative content across a bafflingly idiosyncratic time-scheme interrupted by digressions, authorial comments and interferences with the printed fabric of the book. This comically fragmented story line is a reaction against the linear narratives of Fielding and Richardson; aiming instead at a realistic impressionism, a shape determined by the association of ideas. This study critiques Sterne's work in the light of modern literary theory, questioning whether he was an artist before his time.
