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Instructions for Seeing a Ghost
This poetry collection is the record of an American’s return home after a decade abroad, an exile imposed solely because he loved another man. In a virtuoso display of lyric and formal inventiveness, Bellin-Oka’s poems meditate on the myriad losses engendered by diaspora: of home, family and sexual identity, and spiritual certainty. “Steve Bellin-Oka’s poems hold in balance an intensified language and a passionate voice that bring together the struggles of the inner life with stark realities. This is a book of arresting authenticity.”—Peter Balakian, Pulitzer-Prize winner and judge
Proviso
"Proviso, a collaborative chapbook between poet Steve Bellin-Oka and visual artist Kristen Tomecek, confronts the inordinate hurdles binational LGBTQIA couples encounter when trying to obtain green cards for the immigrant partner. Steve Bellin-Oka's poems are built around actual immigration interview questions, and Kristen Tomecek's abstract paintings respond to the poems. Interrogating traditional symbols of freedom like the Statue of Liberty and the bald eagle, Bellin-Oka and Tomecek explore how 'leaving/is to die a little/and arriving/is to never really arrive.'"--Antenna website.
No Doubt I Will Return a Different Man
Poetry. LGBTQIA Studies. "Wray's poems are wry luxury items of intelligence, sheathed in the latent double of speech, where a word like family might mean, in the queer parlance, refuge, but also, refutation. This is an interrogative, primal, mythic collection, a poetry of privacy and disclosure, of contradiction, a disabused landscape under 'razor-wire stars.'"--Randall Mann "NO DOUBT I WILL RETURN A DIFFERENT MAN explores how complicated relationships between fathers and sons cast long shadows over the future self. In Wray's poems, eros shades at times uncomfortably into social violence and self-abnegation, making this book both love song and elegy to masculinity and its performances, to qu...
Our Own Beautiful Brutality
In poems both brutal and beautiful, Karen Poppy traces the interconnectedness-symbiotic, antagonistic, and metaphorical-of the endangered antelope and human worlds. All the grace and violence of both worlds is here in poems that are moving, necessary, and ultimately life-affirming. I could not put down this powerful book. -Steve Bellin-Oka, author of Instructions for Seeing a Ghost Poppy is a poet of the 21st Century. Her pen is compelling, pointing out the crucial need for human, animal, and environmental rights and respect. Her poems inspire transformation. -Lynne Cox, American long-distance open-water swimmer, New York Times best-selling author, and speaker This glowing collection of Kare...
Chess with My Grandfather
After immigrating with his German Jewish family to South America in the 1930s, Heinz Magnus hopes to escape the Nazi regime and build a new life for himself. But with the storm clouds of war gathering over Europe, the Politeama Theatre in Buenos Aires is chosen as the venue for the Chess Tournament of Nations. The world's eyes are suddenly fixed on Heinz's newly adopted city. Heinz and a colorful cast of characters--drawn from real life, the author's imagination, and stolen from the pages of Stefan Zweig--find themselves caught up in a web of political intrigue, romantic entanglements, and sporting competition that seems to hold the fate of the world hanging in the balance. Ariel Magnus leaves no stone unturned in his efforts to learn more about his grandfather and the country to which he emigrated in the 1930s. Chess with My Grandfather is a playful, genre-shifting novel combining tales of international espionage, documentary evidence, and family lore. In this extraordinary book, Magnus blends fact and fiction in a delirious exploration of a dark period of history, family, identity, the power of art and literature and, of course, the fascinating world of chess.
The Feeder
Poetry. Women's Studies. Body Positive. THE FEEDER by Jennifer Jackson Berry is a book of the body--an unblinking eye, a voice kicking open door after door on hushed topics of infertility, pregnancy loss, and how real bodies, in all their failings and flailings, seek and find pleasure. The poems are as secrets shared between good friends, so raw and dangerous, we can't look away. "IN THE FEEDER, Jennifer Jackson Berry gives us what we crave. In an authentic, incisive voice, she instructs:'... don't swat the wasp. / Let it happen. Let the sting happen.' And the sting does happen in these slicing poems of the body in delight and distress--poems of the fat girl speaking, poems of infertility, of sex and more sex, of debilitating loss. Berry delivers what so many others only strive for: the devouring of what's gone bad and the opening up of each remaining body to see it glisten."--Jan Beatty
The Bright Field of Everything
Building upon the long-line, lyric narrative style of Deborah Fries's first volume of poetry, this collection addresses familiar themes of place, love, mortality, and modern life. Place plays a major role in this collection: from the ennui of a Massachusetts suburb and the transience of a town in shale country to the fresh joy found on a Minnesota hiking trail, Fries nurtures a sensibility shaped by surroundings. Love, however, is most often out of place or ill-timed in book, where dolphins shape-shift their way into women's beds, bucks drive does into oncoming traffic and men are as habituated as elephants. Love and loved ones are both constant and ephemeral in these poems, as the body becomes less reliable, friends are lost and yet, as in the field of everything, they remain with us. The poems in The Bright Field of Everything strive to understand a world that is made thinner by technology, richer through memory and attentiveness, and visual through words chosen like paints.
Horizon of the Dog Woman
Poems by Rebecca Pelky
