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Marvel Comics 1
Collects Marvel Comics #1, Saga of the Original Human Torch #1, Marvels #0 and Marvel Comics #1 70th Anniversary Edition. The book that kicked off the Marvel Universe back in 1939 - presented in glorious hardcover, with an extensive array of special features! MARVEL COMICS #1 promised action, mystery and adventure - and it delivered! The original android Human Torch blazed his way into readers' hearts, and Namor the Sub-Mariner made a big splash! Golden Age pulp star Ka-Zar swung into comics, and costumed detective the Angel made his debut! Plus: Western adventures with the Masked Raider - and terror in the jungle! And from this one issue, published 80 years ago, grew the entire Marvel Universe! Now, MARVEL COMICS #1 is collected along with retrospective stories, bonus artwork, insightful essays and more!
Peter Cannon Thunderbolt Omnibus
Peter Cannon is a world-famous author, an international celebrity, and the superhero known as Thunderbolt, acknowledged far and wide as the man who saved the world from destruction. Unfortunately, he has little interest in fame, even less interest in people, and the peace he has created is based on an illusion. Now, as old and new enemies - unaware of the secret he carries - plan to destroy his efforts, Peter Cannon must fight to keep the peace and preserve his own existence, while fending off deadly foes... and mysterious admirers. Collecting the complete ten-issue saga by comic superstar Alex Ross, co-writer Steve Darnall, and Jonathan Lau, plus a complete cover gallery and the rare origin story by Peter Cannon: Thunderbolt creator, Pete Morisi (and featuring an introduction by Mark Waid)!
American Radio Networks
This history of commercial radio networks in the United States provides a wealth of information on broadcasting from the 1920s to the present. It covers the four transcontinental webs that operated during the pre-television Golden Age, plus local and regional hookups, and the developments that have occurred in the decades since, including the impact of television, the rise of the disc jockey, the rise of talk radio and other specialized formats, implications of satellite technology and consolidation of networks and local stations.
The Rise of the American Comics Artist
Contributions by David M. Ball, Ian Gordon, Andrew Loman, Andrea A. Lunsford, James Lyons, Ana Merino, Graham J. Murphy, Chris Murray, Adam Rosenblatt, Julia Round, Joe Sutliff Sanders, Stephen Weiner, and Paul Williams Starting in the mid-1980s, a talented set of comics artists changed the American comic book industry forever by introducing adult sensibilities and aesthetic considerations into popular genres such as superhero comics and the newspaper strip. Frank Miller's Batman: The Dark Knight Returns (1986) and Alan Moore and Dave Gibbons's Watchmen (1987) revolutionized the former genre in particular. During this same period, underground and alternative genres began to garner critical a...
The Daytime Serials of Television, 1946-1960
The popularity of soap operas on radio made them a natural for the new medium of television, where soaps quickly became an audience favorite. As television soap operas developed, so did the level of sophistication in delivery, writing and production. This history of television's "golden age" soaps begins with an overview of earlier serialized entertainments. An analysis of early TV soap stars, personnel and production follows, taking 40 programs into account. Ensuing chapters offer in-depth treatments of the serials Search for Tomorrow, Love of Life, The Guiding Light, The Secret Storm, As the World Turns and The Edge of Night. Appendices include chronological and alphabetical directories of period daytime serials and rankings of the durability of programs, actors and actresses, announcers and sponsors.
The Myth of the Superhero
Translated for the first time into English, The Myth of the Superhero looks beyond the cape, the mask, and the superpowers, presenting a serious study of the genre and its place in a broader cultural context.
Transmedia Character Studies
Transmedia Character Studies provides a range of methodological tools and foundational vocabulary for the analysis of characters across and between various forms of multimodal, interactive, and even non-narrative or non-fictional media. This highly innovative work offers new perspectives on how to interrelate production discourses, media texts, and reception discourses, and how to select a suitable research corpus for the discussion of characters whose serial appearances stretch across years, decades, or even centuries. Each chapter starts from a different notion of how fictional characters can be considered, tracing character theories and models to approach character representations from perspectives developed in various disciplines and fields. This book will enable graduate students and scholars of transmedia studies, film, television, comics studies, video game studies, popular culture studies, fandom studies, narratology, and creative industries to conduct comprehensive, media-conscious analyses of characters across a variety of media.
Sold on Radio
How was it that America would fund its nascent national radio services? Government control and a subscription-like model were both considered! Soon an advertising system emerged, leading radio into its golden age from the 1920s to the early 1960s. This work, divided into two parts, studies the commercialization of network radio during its golden age. The first part covers the general history of radio advertising. The second examines major radio advertisers of the period, with profiles of 24 companies who maintained a strong presence on the airwaves. Appendices provide information on 100 additional advertisers, unusual advertisement formats, and a glossary. The book has notes and a bibliography and is fully indexed.
Are We Good Citizens?
A critical and democratic perspective on American politics, letters, and higher education. Drawing from public and personal experiences, the author invites readers to think about their own level of social consciousness. Topics include: capitalism and class inequality; and teaching and parenting.
Bootlegging the Airwaves
How fan passion and technology merged into a new subculture Long before internet archives and the anytime, anywhere convenience of streaming, people collected, traded, and shared radio and television content via informal networks that crisscrossed transnational boundaries. Eleanor Patterson’s fascinating cultural history explores the distribution of radio and TV tapes from the 1960s through the 1980s. Looking at bootlegging against the backdrop of mass media’s formative years, Patterson delves into some of the major subcultures of the era. Old-time radio aficionados felt the impact of inexpensive audio recording equipment and the controversies surrounding programs like Amos ‘n’ Andy. Bootlegging communities devoted to buddy cop TV shows like Starsky and Hutch allowed women to articulate female pleasure and sexuality while Star Trek videos in Australia inspired a grassroots subculture built around community viewings of episodes. Tape trading also had a profound influence on creating an intellectual pro wrestling fandom that aided wrestling’s growth into an international sports entertainment industry.
