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Back In The Day
Back In The Day By: Steve Heuton We all shook hands and watched as Andy bent down and ran for the chopper. He jumped on, turned to us, and flashed the peace sign as it lifted off. We watched for a second from the jeep. Then Ed started the engine and we headed back. Suddenly, we heard a loud explosion. I jumped from the jeep and looked back as we slid to a stop, watching in horror as the chopper, engulfed in flames, plummeted to the ground. Back In The Day by Steve Heuton transports you to the late 1960s to experience life as it actually was “back in the day.” Steve’s powerful descriptions of the life of Jimmy Reno are founded partially in the experiences had by himself and loved ones w...
Emotions, Genre, Justice in Film and Television
Popular film and television are ideally suited in understanding how emotions create culturally shared meanings. Yet very little has been done in this area. Emotion, Genre, and Justice in Film and Television explores textual representations of emotions from a cultural perspective, rather than in biological or psychological terms. It considers emotions as structures of feeling that are collectively shared and historically developed. Through their cultural meanings and uses, emotions enable social identities to be created and contested, to become fixed or alter. Popular narratives often take on emotional significance, aiding groups of people in recognizing or expressing what they feel and who they are. This book focuses on the justice genres – the generic network of film and television programs that are concerned with crime, law, and social order – to examine how fictional police, detective, and legal stories participate in collectively realized conceptions of emotion. A range of films (Crash, Man on Fire) and television series (Cold Case,Cagney and Lacey) serve as case studies to explore contemporarily relevant representations of anger, fear, loss and consolation, and compassion.
Encyclopedia of Unaired Television Pilots, 1945-2018
Covering the years 1945-2018, this alphabetical listing provides details about 2,923 unaired television series pilots, including those that never went into production, and those that became series but with a different cast, such as The Green Hornet, The Middle and Superman. Rarities include proposed shows starring Bela Lugosi, Doris Day, Humphrey Bogart, Barbara Stanwyck, Orson Welles, Claudette Colbert and Mae West, along with such casting curiosities as Mona Freeman, not Gale Storm, as Margie in My Little Margie, and John Larkin as Perry Mason long before Raymond Burr played the role.
The Year in Television, 2008
In 2008, the broadcast networks, cable channels and syndication produced nearly 1,100 new and continuing entertainment programs--the most original productions in one year since the medium first took hold in 1948. This reference book covers all the first run entertainment programs broadcast over the airwaves and on cable from January 1 through December 31, 2008, including series, specials, miniseries, made-for-television movies, pilot films, Internet series and specialized series (those broadcast on gay and lesbian channels). Alphabetically arranged entries provide storylines, performer/character casts, production credits, day/month/year broadcast dates, type, length, network(s), and review excerpts.
Waves of Rancor
The airwaves in America are being used by armed militias, conspiracy theorists, survivalists, the religious right, white supremacists, neo-Nazis, and other radical groups to reach millions with their messages of hate and fear. Waves of Rancor examines the origin, nature, and impact of right-wing electronic media, including radio, television, cable, the internet, and even music CDs.
Switching Channels
Media critics invariably disparage the quality of programming produced by the U.S. television industry. But why the industry produces what it does is a question largely unasked. It is this question, at the crux of American popular culture, that Switching Channels explores. In the past twenty-five years, the expansion of cable and satellite systems has transformed television. Richard Caves examines the economics of this phenomenon--and the nature and logic of the broadcast networks' response to the incursion of cable TV, especially the shift to inexpensive unscripted game and "reality" shows and "news" magazines. An explanation of these changes, Caves argues, requires an understanding of two ...
Hollywood Creative Directory
The Hollywood Creative Directory isn't called the phone book to Hollywood for nothing. It's the authoritative source for finding entertainment professionals, and it's packed with names, numbers, addresses, and current titles of executives from film and television. Comprehensive and up-to-the-minute, the directory is used by studios, directors, producers, writers, actors, aspiring filmmakers, students, college and university libraries, researchers--anyone who needs reliable information fast. Get the best and most respected directory for navigating the complicated maze called Hollywood!
