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Opening on the eve of the millennium, when the world as we know it is still recognisable, we meet the nine-year-old narrator as he flees the city with his parents, just ahead of a Y2K breakdown. Next he is a teenager with a growing criminal record, taking his grandparents for a Sunday drive. In a world transformed by battles over resources, he teaches them how to steal. In time we see him struggle through strange, horrific and unexpectedly funny terrain as he goes about the no longer simple act of survival. Despite the chaos of his world, he keeps his eyes on the exit door, his heart open and his mind on what he thinks is going to happen next. Longlisted for the Guardian first book award.
SHORTLISTED FOR THE PRIME MINISTERS LITERARY AWARD FOR FICTION 2017 SHORTLISTED FOR THE ALS GOLD MEDAL 2017 LONGLISTED FOR THE INDIE AWARD FOR FICTION 2017 LONGLISTED FOR THE MILES FRANKLIN LITERARY AWARD 2017 LONGLISTED FOR THE ABIA AWARD LITERARY FICTION 2017 'Amsterdam is so damn good. He is up there with the best, Delillo and the like, original as Tsolkias, but most importantly he is a master storyteller in his own right, assured and compelling, he somehow articulates things you know deep down but never been able to put your finger on. I never want to stop reading him.' - Anna Krien, bestselling author of NIGHT GAMES, INTO THE WOODS and US and THEM If you could help someone in pain, woul...
'Okay, tell me which do you want: to be able to fly or to be invisible?' This question leads to thirty years of discoveries, extraordinary strengths and closely guarded secrets. 'To tell you the narrative concens a family whose members have superpowers is only to graze the surface of a moving and beautifully realised meditation on what it is to be an ordinary human being' Australian 'A wonderful novel: imaginative, intelligent, empathetic... Like a cross between The Corrections and The Slap' Sydney Morning Herald SHORTLISTED FOR THE 2012 ENCORE AWARD
A fully updated new edition of the prize-winning and now standard biography of the great seventeenth-century philosopher Spinoza.
An illuminating biography of the great Amsterdam rabbi and celebrated popularizer of Judaism in the seventeenth century Menasseh ben Israel (1604–1657) was among the most accomplished and cosmopolitan rabbis of his time, and a pivotal intellectual figure in early modern Jewish history. He was one of the three rabbis of the “Portuguese Nation” in Amsterdam, a community that quickly earned renown worldwide for its mercantile and scholarly vitality. Born in Lisbon, Menasseh and his family were forcibly converted to Catholicism but suspected of insincerity in their new faith. To avoid the horrors of the Inquisition, they fled first to southwestern France, and then to Amsterdam, where they finally settled. Menasseh played an important role during the formative decades of one of the most vital Jewish communities of early modern Europe, and was influential through his extraordinary work as a printer and his efforts on behalf of the readmission of Jews to England. In this lively biography, Steven Nadler provides a fresh perspective on this seminal figure.
There is a popular and romantic myth about Rembrandt and the Jewish people. One of history's greatest artists, we are often told, had a special affinity for Judaism. With so many of Rembrandt's works devoted to stories of the Hebrew Bible, and with his apparent penchant for Jewish themes and the sympathetic portrayal of Jewish faces, it is no wonder that the myth has endured for centuries. Rembrandt's Jews puts this myth to the test as it examines both the legend and the reality of Rembrandt's relationship to Jews and Judaism. In his elegantly written and engrossing tour of Jewish Amsterdam—which begins in 1653 as workers are repairing Rembrandt's Portuguese-Jewish neighbor's house and com...
It is 1997 in San Francisco and Simon and Sarah have been sent on a quest to see America: they must stand at least once in every 25-foot square of the country. Decades later, in an Australian city that has fallen on hard times, Caddy is camped by the Maribyrnong River, living on small change from odd jobs, ersatz vodka and memories. She's sick of being hot, dirty, broke and alone. Caddy's future changes shape when her friend, Ray, stumbles across some well-worn maps, including one of San Francisco, and their lives connect with those of teenagers Simon and Sarah in ways that are unexpected and profound. A meditation on happiness – where and in what place and with who we can find our centre, a perceptive vision of where our world is headed, and a testament to the power of memory and imagination, this is the best of novels: both highly original and eminently readable.
Stories are perceived as central to modern life. Not only in narrative entertainment media, such as television, cinema, theater, but also in social media. Telling/having "a story" is widely deemed essential, in business as well as in social life. Does this mark an intensification of what has always been part of human cultures; or has the realm of "story" expanded to dominate twenty-first century discourse? Addressing stories is an obvious priority for the Key Debates series, and Volume 7, edited by Ian Christie and Annie van den Oever, identifies new phenomena in this field -- complex narration, puzzle films, transmedia storytelling -- as well as new approaches to understanding these, within narratology and bio-cultural studies. Chapters on such extended television series as Twin Peaks, Game of Thrones and Dickensian explore distinctively new forms of screen storytelling in the digital age.With contributions by Vincent Amiel, Jan Baetens, Dominique Chateau, Ian Christie, John Ellis, Miklós Kiss, Eric de Kuyper, Sandra Laugier, Luke McKernan, José Moure, Roger Odin, Annie van den Oever, Melanie Schiller, Steven Willemsen, Robert Ziegler.
The hilarious and action-packed middle grade adventure from beloved comedian and bestselling author Paul O’Grady.
Scholarship has come to value the uncertainties haunting early modern knowledge cultures; indeed, the awareness of the fragility and plurality of knowledge is now offered as a key element of "Baroque Science". Yet early modern actors never questioned the possibility of certainty itself; including the notion that truth is out there, universal, and therefore situated at one remove from human manipulations. This book addresses the central question of how early modern actors managed not to succumb to postmodern relativism, amidst uncertainties and blatant disagreements about the nature of God, Man, and the Universe. An international and interdisciplinary team of experts in fields ranging from Astronomy to Business Administration to Theology investigate a number of practices that are central to maintaining and functionalizing the notion of absolute truth, the certainty that could be achieved about it, and of the credibility of a wide plethora of actors in differentiating fields of knowledge.