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Richard Avedon was arguably the world’s most famous photographer – as artistically influential as he was commercially successful. Over six richly productive decades, he created landmark advertising campaigns, iconic fashion photographs (as the star photographer for Harper’s Bazaar and then Vogue), groundbreaking books and unforgettable portraits of everyone who was anyone. He also went on the road to find and photograph remarkable uncelebrated faces, with an eye toward constructing a grand composite picture of America. Avedon dazzled even his most dazzling subjects. He possessed a mystique so unique it was itself a kind of genius – everyone fell under his spell. But the Richard Avedo...
"The names and faces you know so well will never look so good to you again"--Jacket subtitle. Includes material on Cheryl Tiegs, hairdressers, plastic surgeons, PR agents, Philip Johnson, Denton Cooley, and Barbara Cartland.
Robin Fox, one of the preeminent anthropologists of our time, takes us on an exuberant personal, intellectual and cultural journey through the 1930s to the 1970s. This is a personal, historical, intellectual journey, one that is at once intriguing, hilarious, and moving. Like Browning's Sordello (who recurs throughout the book), Fox is telling the story of "the development of a soul." Fox's method is to depend entirely on memory to select the people, events, and ideas that have driven him towards what was called at the time a "revolution in the social sciences." This revolution was the founding of the biosocial, or what came to be called the sociobiological, movement in the study of human be...
Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves. Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured in four parts, ‘History and Historiography’, ‘Subverting the Biographical Model’, ‘Interviews as Practice’ and ‘Materiality and Technology’, the book takes an interdisciplinary approach that encompasses the fields of art history, fine art, oral history, curating, media studies and museum conservation. By theorising the artist interview as a form of cultural production and embracing it as a co-constructed critical practice, this volume aims to show and encourage an approach to art history which dismantles old hierarchies in favour of valuing dialogue and collaboration. The book will be of interest to scholars working in art history, museum studies, oral history and historiography.
»Building Institution« chronicles the expansion of architecture as a profession and discipline in the postmodern era. Kim Förster traces the compelling history of the Institute for Architecture and Urban Studies, which was active in New York from 1967 to 1985. Drawing on extensive archival research and oral histories, he constructs a collective biography that details the Institute's diverse roles and the dynamic interplay between research and design, education, culture, and publishing. By exploring the transformation of cultural production into a practice as well as the culturalization and global postmodernization of architecture, the volume contributes significantly to the institutional history of architecture.
This text provides an examination of the business practices which led to the economic boom of the 'new economy' in the later half of the 1990s and into the 21st century.
A biography of a famed 20th century, Jewish New York author and literary and social critic who struggled in the shadow of her husband. Diana Trilling’s life with Columbia University professor and literary critic Lionel Trilling was filled with secrets, struggles, and betrayals, and she endured what she called her “own private hell” as she fought to reconcile competing duties and impulses at home and at work. She was a feminist, yet she insisted that women’s liberation created unnecessary friction with men, asserting that her career ambitions should be on equal footing with caring for her child and supporting her husband. She fearlessly expressed sensitive, controversial, and moral vi...
No Better Home? brings together a unique combination of voices to question whether or not Canada is the best home that Jews have ever had.
The Challenge of Anthropology is a companion to Robin Fox's highly successful Encounter with Anthropology. Fox illustrates how anthropology must constantly learn from the natural and behavioral sciences. The Challenge of Anthropology takes the author's own work as a barometer of the state of discipline, and shows the range of possibilities anthropology offers. Fox covers a vast array of topics: the psychology of aggression, war, and ideology; Frazer and Virgil; social complexity; kinship and marriage, prejudice and cognition; mythology; and Marxism, among others.