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The Beats
Kerouac. Ginsberg. Burroughs. These are the most famous names of the Beat Generation, but in fact they were only the front line of a much more wide-ranging literary and cultural movement. This critical history takes readers through key works by these authors, but also radiates out to discuss dozens more writers and their works, showing how they all contributed to one of the most far-reaching literary movements of the post-World War II era. Moving from the early 1940s to the late 1960s, this book explores key aesthetic and thematic innovations of the Beat writers, the pervasiveness of the Beatnik caricature, the role of the counterculture in the post-war era, the involvement of women in the Beat project, and the changing face of Beat political engagement during the Vietnam War era.
American Literature and Culture in an Age of Cold War
Authors and artists discussed include: Joseph Conrad, Edwin Denby, Joan Didion, Ralph Waldo Emerson, Allen Ginsberg, Frank Berbert, Richard Kim, Norman Mailer, Malcolm X, Alan Nadel, and John Updike,
Neocolonial Fictions of the Global Cold War
Bringing together noted scholars in the fields of literary, cultural, gender, and race studies, this edited volume challenges us to reconsider our understanding of the Cold War, revealing it to be a global phenomenon rather than just a binary conflict between U.S. and Soviet forces. Shining a spotlight on writers from the war’s numerous fronts and applying lenses of race, gender, and decolonization, the essayists present several new angles from which to view the tense global showdown that lasted roughly a half-century. Ultimately, they reframe the Cold War not merely as a divide between the Soviet Union and the United States, but between nations rich and poor, and mostly white and mostly not. By emphasizing the global dimensions of the Cold War, this innovative collection reveals emergent forms of post-WWII empire that continue to shape our world today, thereby raising the question of whether the Cold War has ever fully ended.
No Accident, Comrade
Drawing on novels by Nabokov, Wright, Powers, DeLillo, Didion, and others, No Accident, Comrade examines the shaping influence of the Cold War's obsession with chance on post-World War II fictional form.
American Literature in Transition, 1950–1960
American Literature in Transition, 1950–1960 explores the under-recognized complexity and variety of 1950s American literature by focalizing discussions through a series of keywords and formats that encourage readers to draw fresh connections among literary form and concepts, institutions, cultures, and social phenomena important to the decade. The first section draws attention to the relationship between literature and cultural phenomena that were new to the 1950s. The second section demonstrates the range of subject positions important in the 1950s, but still not visible in many accounts of the era. The third section explores key literary schools or movements associated with the decade, and explains how and why they developed at this particular cultural moment. The final section focuses on specific forms or genres that grew to special prominence during the 1950s. Taken together, the chapters in the four sections not only encourage us to rethink familiar texts and figures in new lights, but they also propose new archives for future study of the decade.
The World of Bob Dylan
This book features 27 integrated essays that offer access to the art, life, and legacy of one of the world's most influential artists.
Uncertain Empire
Historians have long understood that the notion of "the cold war" is richly metaphorical, if not paradoxical. The conflict between the United States and the Soviet Union was a war that fell ambiguously short of war, an armed truce that produced considerable bloodshed. Yet scholars in the rapidly expanding field of Cold War studies have seldom paused to consider the conceptual and chronological foundations of the idea of the Cold War itself. In Uncertain Empire, a group of leading scholars takes up the challenge of making sense of the idea of the Cold War and its application to the writing of American history. They interrogate the concept from a wide range of disciplinary vantage points--diplomatic history, the history of science, literary criticism, cultural history, and the history of religion--highlighting the diversity of methods and approaches in contemporary Cold War studies. Animating the volume as a whole is a question about the extent to which the Cold War was an American invention. Uncertain Empire brings debates over national, global, and transnational history into focus and offers students of the Cold War a new framework for considering recent developments in the field.
The Beats in Mexico
Mexico features prominently in the literature and personal legends of the Beat writers, from its depiction as an extension of the American frontier in Jack Kerouac’s On the Road to its role as a refuge for writers with criminal pasts like William S. Burroughs. Yet the story of Beat literature and Mexico takes us beyond the movement’s superstars to consider the important roles played by lesser-known female Beat writers. The first book-length study of why the Beats were so fascinated by Mexico and how they represented its culture in their work, this volume examines such canonical figures as Kerouac, Burroughs, Ginsberg, Lamantia, McClure, and Ferlinghetti. It also devotes individual chapte...
The Global Frontier
After World War II, the Western frontier of self-reinvention and spatial expansion opened up through the explosion of the global travel industry. The Global Frontier shows that a variety of postwar literary travelers sought personal freedom and cultural enrichment outside their nation's borders, including Black, female, and queer writers. But the price of incorporation into a transnational leisure class was complicity in postwar American imperialism and the rejection of 1930s social commitments. Eric Strand argues that capitalist globalization has enabled creative expression for marginalized identities, and that present-day humanists are the descendants of writers such as William S. Burroughs, Saul Bellow, Richard Wright, and Elizabeth Bishop.
The Lumumba Plot
The New York Times Book Review Editors' Choice • A spellbinding work of history that reads like a Cold War spy thriller—about the U.S.-sanctioned plot to assassinate the democratically elected leader of the newly independent Congo A BEST BOOK OF THE YEAR: The New Yorker, The Economist, Financial Times “This is one of the best books I have read in years . . . gripping, full of colorful characters, and strange plot twists.” —Fareed Zakaria, CNN host It was supposed to be a moment of great optimism, a cause for jubilation. The Congo was at last being set free from Belgium—one of seventeen countries to gain independence in 1960 from ruling European powers. At the helm as prime minist...
