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Writers of the Black Chicago Renaissance
Writers of the Black Chicago Renaissance comprehensively explores the contours and content of the Black Chicago Renaissance, a creative movement that emerged from the crucible of rigid segregation in Chicago's "Black Belt" from the 1930s through the 1960s. Heavily influenced by the Harlem Renaissance and the Chicago Renaissance of white writers, its participants were invested in political activism and social change as much as literature, art, and aesthetics. The revolutionary writing of this era produced some of the first great accolades for African American literature and set up much of the important writing that came to fruition in the Black Arts Movement. The volume covers a vast collecti...
Wildlife Review
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Maxwell's Demon
This autumn, life is catching up with Thomas Quinn. Five years ago, his sometime friend Andrew Black wrote a mystery novel that sold a million copies and then disappeared. Now could it be that Quinn is being stalked by the hero of Black’s book? His wife, Imogen, usually has the answers, but she’s working on the other side of the world and talking to her on webcam just isn’t the same. Quinn finds himself in a world that might well be coming apart at the seams. If he can find Black, he might start finding answers. Maxwell’s Demon forges an entirely new blend of mystery—somewhere between detective fiction, ghost story and philosophical quest. Providing the same white-knuckle thrills as Hall’s first novel, The Raw Shark Texts, this new book is also a freewheeling investigation into the magic power locked inside the alphabet, love through the looking glass, the bond between parents and children and, at its heart, the quest for meaning in a world that, with each passing season, seems to become more chaotic and untidy.
Langston Hughes and American Lynching Culture
Langston Hughes never knew of an America where lynching was absent from the cultural landscape. Jason Miller investigates the nearly three dozen poems written by Hughes on the subject of lynching to explore its varying effects on survivors, victims, and accomplices as they resisted, accepted, and executed this brutal form of sadistic torture. Starting from Hughes's life as a teenager during the Red Summer of 1919 and moving through the civil rights movement that took place toward the end of Hughes's life, Miller initiates an important dialogue between America's neglected history of lynching and some of the world’s most significant poems. This extended study of the centrality of these heinous acts to Hughes's artistic development, aesthetics, and activism represents a significant and long-overdue contribution to our understanding of the art and politics of Langston Hughes.
