You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
It is the largest and perhaps the most important organ of our body—it covers our fragile inner parts, defines our social identities, and channels our sensory experiences. And yet we rarely give a thought. With The Book of Skin, Steven Connor aims to change all that, offering an intriguing cultural history of skin. Connor first examines physical issues such as leprosy, skin pigmentation, cancer, blushing, and attenuations of erotic touch. He also explains why specific colors symbolize certain emotions, such as green for envy or yellow for cowardice, as well as why skin is the focus of destructive rage in many people’s violent fantasies. The Book of Skin then probes into how skin has been ...
Many human beings have considered the powers and the limits of human knowledge, but few have wondered about the power that the idea of knowledge has over us. Steven Connor’s The Madness of Knowledge is the first book to investigate this emotional inner life of knowledge—the lusts, fantasies, dreams, and fears that the idea of knowing provokes. There are in-depth discussions of the imperious will to know, of Freud’s epistemophilia (or love of knowledge), and the curiously insistent links between madness, magical thinking, and the desire for knowledge. Connor also probes secrets and revelations, quarreling and the history of quizzes and “general knowledge,” charlatanry and pretension, both the violent disdain and the sanctification of the stupid, as well as the emotional investment in the spaces and places of knowledge, from the study to the library. In an age of artificial intelligence, alternative facts, and mistrust of truth, The Madness of Knowledge offers an opulent, enlarging, and sometimes unnerving psychopathology of intellectual life.
From keys and handkerchiefs to sweets and rubber bands, the curious objects we surround ourselves with, though often seemingly mundane, have a magical quality. Their surprising power to disturb, soothe, seduce or absorb give these quirky objects histories and meanings we rarely ponder. Yet we would be lost without them. Take bags, for example. Why do most women carry handbags, while men rely on pockets? Why do so many houses have bags of bags? And why do we 'let the cat out the bag' or 'give someone the sack'? What significance do our bags hold for us? In this highly imaginative and entertaining book, Steven Connor embarks on a historical, philosophical and linguistic journey that explores our relationships with the curious things with which we have a forgotten but daily intimacy.
Why can none of us hear our own recorded voice without wincing? Why is the telephone still full of such spookiness and erotic possibility? Why does the metaphor of ventriloquism, the art of 'seeming to speak where one is not', speak so resonantly to our contemporary technological condition? These are the kind of questions which impel Steven Connor's wide-ranging, restlessly inquisitive history of ventriloquism and the disembodied voice. He tracks his subject from its first recorded beginnings in ancient Israel and Greece, through the fulminations of early Christian writers against the unholy (and, they believed, obscenely produced) practices of pagan divination, the aberrations of the voice ...
This book puts a finger on the nerve of culture by delving into the social life of touch, our most elusive yet most vital sense. From the tortures of the Inquisition to the corporeal comforts of modernity, and from the tactile therapies of Asian medicine to the virtual tactility of cyberspace, The Book of Touch offers excursions into a sensory territory both foreign and familiar. How are masculine and feminine identities shaped by touch? What are the tactile experiences of the blind, or the autistic? How is touch developed differently across cultures? What are the boundaries of pain and pleasure? Is there a politics of touch? Bringing together classic writings and new work, this is an essential guide for anyone interested in the body, the senses and the experiential world.
The Cambridge Companion to Postmodernism offers a comprehensive introduction to postmodernism. The Companion examines the different aspects of postmodernist thought and culture that have had a significant impact on contemporary cultural production and thinking. Topics discussed by experts in the field include postmodernism's relation to modernity, and its significance and relevance to literature, film, law, philosophy, architecture, religion and modern cultural studies. The volume also includes a useful guide to further reading and a chronology. This is an essential aid for students and teachers from a range of disciplines interested in postmodernism in all its incarnations. Accessible and comprehensive, this Companion addresses the many issues surrounding this elusive, enigmatic and often controversial topic.
Fly explores the history of this much-maligned creature and then turns to examine its newfound redemption through science.
This is a collection of authoritative essays on Samuel Beckett's writing from a pre-eminent scholar of twentieth-century literature and culture.
Ideas about numbers, magnitudes and frequencies shape and give texture to almost everything we feel, say, dream and do. In Living by Numbers, Steven Connor explores the many ways in which we live in, and by, a world of numbers. Connor homes in on the unsuspected weirdness of the number one, the links between horror, counting and the uncountable, and the close associations of numbers and death. He considers the way we make sense of crowds, swarms, masses and multitudes, and demonstrates the work of calculation that is always present in poems, jokes, laughter and pleasure. He shows how we use numbers to adjust ourselves to chance and uncertainty, examines the pressure of numbers in the experie...