You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The philosophy of religion has been dominated by monotheists and atheists for centuries now. But, polytheism deserves to be restored to its respected position, and The Case for Polytheism sets out some reasons why. By developing a notion of godhood and employing a set of novel and neglected arguments, the author constructs a rigorous but accessible case for the existence of multiple gods.
Scattered articles, impenetrable vocabularies; until now there has yet to be a single volume that shows what all things look like in the big picture from a polytheist perspective. Pagan Portals - Polytheism: A Platonic Approach fills that gap. Drawing on the wisdom of the Platonists, this book gives the reader a comprehensive, unified and accessible tour of reality, from the rather innocuous assumption that something is beyond Nature to the profound and thunderous unravelling of all things from the gods.
Derek Jarman was the most important independent filmmaker in England during the 1980s. Using emblems and symbols in associative contexts, rather than conventional, cause-and-effect narrative, he created films noteworthy for their lyricism and poetic feeling and for their exploration of the gay experience. His style of filmmaking also links Jarman with other prominent directors of lyric film, including Pier Paolo Pasolini, Andrei Tarkovsky, Jean Cocteau, and Jean Genet. This pathfinding book places Derek Jarman in the tradition of lyric film and offers incisive readings of all eleven of his feature-length films, from Sebastiane to Blue. Steven Dillon looks at Jarman and other directors workin...
What do contemporary American movies and directors have to say about the relationship between nature and art? How do science fiction films like Steven Spielberg's A.I. and Darren Aronofsky's π represent the apparent oppositions between nature and culture, wild and tame? Steven Dillon's intriguing new volume surveys American cinema from 1990 to 2002 with substantial descriptions of sixty films, emphasizing small-budget independent American film. Directors studied include Steven Soderbergh, Darren Aronofsky, Todd Haynes, Harmony Korine, and Gus Van Sant, as well as more canonical figures like Martin Scorcese, Robert Altman, David Lynch, and Steven Spielberg. The book takes its title and inspi...
Based on an extensive review of the newspaper, medical and social science literature, the authors propose a comprehensive typology of maternal filicide, answering the question - Why? What would drive a mother to kill her own child?. These mothers are not a homogenous group. In obvious ways, intervention strategies should differ for a teenager who denies her pregnancy and then kills her newborn and a mother who kills her two toddlers out of mental illness or to further a relationship. This typology will help to distinguish the different cases that commonly occur and the patterns they follow in order to make more effective prevention and treatment planning possible.
Undisciplined is an odyssey into possibility. Challenging us to break free from limiting strictures and structures, it encourages readers to envision just futures and reflect on the inner transformation required to become the custodians of those worlds. In a profound and heartfelt offering, Melz Owusu delves into the stifling impact of the education system on imagination. They probe alternative, deeply spiritual connections to knowledge, and the pursuit of new ways of being as acts of remembrance of a common past. Seamlessly transitioning between intellectual discourse, personal reflections, and spiritual contemplations, Melz navigates the ‘undisciplining’ of mind and spirit, guiding readers towards the healing and liberatory potential of the heart and the imagination. Undisciplined is not a prescriptive manual but an invitation. Freedom takes many forms, and this book is intended as one route of exploration: a mind-opening and perspective-shifting appraisal of how we might imagine a more just and liberated world, and the path to accessing its beauty.
During the 1970s in the United States, hundreds of feminist, queer, and antiracist activists were imprisoned or became fugitives as they fought the changing contours of U.S. imperialism, global capitalism, and a repressive racial state. In Fugitive Life Stephen Dillon examines these activists' communiqués, films, memoirs, prison writing, and poetry to highlight the centrality of gender and sexuality to a mode of racialized power called the neoliberal-carceral state. Drawing on writings by Angela Davis, the George Jackson Brigade, Assata Shakur, the Weather Underground, and others, Dillon shows how these activists were among the first to theorize and make visible the links between conservative "law and order" rhetoric, free market ideology, incarceration, sexism, and the continued legacies of slavery. Dillon theorizes these prisoners and fugitives as queer figures who occupied a unique position from which to highlight how neoliberalism depended upon racialized mass incarceration. In so doing, he articulates a vision of fugitive freedom in which the work of these activists becomes foundational to undoing the reign of the neoliberal-carceral state.
This collection was inspired by the observation that film remakes offer us the opportunity to revisit important issues, stories, themes, and topics in a manner that is especially relevant and meaningful to contemporary audiences. Like mythic stories that are told again and again in differing ways, film remakes present us with updated perspectives on timeless ideas. While some remakes succeed and others fail aesthetically, they always say something about the culture in which_and for which_they are produced. Contributors explore the ways in which the fears of death, loss of self, and bodily violence have been expressed and then reinterpreted in such films and remakes as Invasion of the Body Sn...
When Steven Elliott accidentally rides his bike into Carol Whitney's car at the cemetery, the summer takes on new and exciting possibilities. Long friendship wends its way into something deeper when their hearts get involved. Feelings neither of them had expected to experience again enrich their days and nights. But what happens when the long summer ends? When Carol wants a family and commitment and a future, Steven isn't so sure. He's had his heart broken before—can he risk it again?
None