Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Cambridge Companion to Harold Pinter
Harold Pinter was one of the world's leading and most controversial writers, and his impact and influence continues to grow. This Companion examines the wide range of Pinter's work - his writing for theatre, radio, television and screen, and also his highly successful work as a director and actor. Substantially updated and revised, this second edition covers the many developments in Pinter's career since the publication of the first edition, including his Nobel Prize for Literature win in 2005, his appearance in Samuel Beckett's play Krapp's Last Tape and recent productions of his plays. Containing essays written by both academics and leading practitioners, the volume places Pinter's writing within the critical and theatrical context of his time and considers its reception worldwide. Including three new essays, new production photographs, five updated and revised chapters and an extended chronology, the Companion provides fresh perspectives on Pinter's work.
West African Folktales
Collection of West African folktales drawn from prose narratives, proverbs, riddles, and songs.
West African Folktales
Readers everywhere and of any age will be both entertained and instructed by these timeless stories--more than 40 tales of human foibles, magic, and nature--representing fifteen countries, including Angola, Nigeria, Cameroon, Gambia, Liberia, Ghana, and Senegal.
Encyclopedia of British Humorists
First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
A Holistic Perspective on Harold Pinter's Drama
This book provides a holistic approach to Harold Pinter’s plays, from his first play, The Room (1957), to his last play, Celebration (1999). The book is divided into three chapters, organized thematically. The first chapter discusses the early plays—the so-called comedies of menace—concerning the central tropes of secluded settings, intrusion from the outside, and disintegration of the self. The next chapter analyzes Pinter’s memory plays, concentrating on how characters shelter themselves from intrusions through silences and lies. The third chapter examines power games and abuse of power in political plays. The book contributes to the field of Pinter studies by pursuing the thematic, linguistic, and formal elements integral to his aesthetic productions, and delineates the properties that serve as constants in Pinter’s dramatic oeuvre, thus justifying the term Pinteresque: pauses and silences, subtext, anxiety, violence, menace, vulnerability, victimization, intrusion, and power games. The discussions highlight the presence of a solid foundation for his drama—such as his conviction that the past is in the present—and connect all the plays to one another.
Harold Pinter
This collection of seventeen critical essays commemorates 25 years of writing by Harold Pinter. The essays are original pieces by many of the leading contemporary drama scholars in American and Britain which, taken together, present a fuller picture of the dramatist's canon and a better understanding of what he tries to do and how he tries to do it.
The Films of Harold Pinter
Examines the screenplays of the master British dramatist and screenwriter Harold Pinter.
Sharp Cut
While best known as one of the most important playwrights of the twentieth century, Harold Pinter (1930–2008) had an equally successful career writing screenplays. His collaborations with director Joseph Losey garnered great attention and esteem, and two of his screenplays earned Academy Award nominations: The French Lieutenant's Woman (1981) and Betrayal (1983). He is also credited for writing an unproduced script to remake Stanley Kubrick's 1962 adaptation of Lolita. Much scholarship has been dedicated to the subject of Pinter as playwright, but the rich landscape of his work in film has been left largely undisturbed. In Sharp Cut: Harold Pinter's Screenplays and the Artistic Process, St...
Holocaust Drama
The Holocaust - the systematic attempted destruction of European Jewry and other 'threats' to the Third Reich from 1933 to 1945 - has been portrayed in fiction, film, memoirs, and poetry. Gene Plunka's study will add to this chronicle with an examination of the theatre of the Holocaust. Including thorough critical analyses of more than thirty plays, this book explores the seminal twentieth-century Holocaust dramas from the United States, Europe, and Israel. Biographical information about the playwrights, production histories of the plays, and pertinent historical information are provided, placing the plays in their historical and cultural contexts.
