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Poetry and Personality
This is a history of the hermeneutics of China's earliest classic, the Book of Odes, which was probably compiled about the 6th century BC. Neither a reading of the Odes as such, nor yet a history of their interpretation, this study attempts rather to trace the principles that guided the interpretation of the Odes over some two thousand years of Chinese history. The book begins by tracing the rise and development in China of the disposition to treat certain 'classical' texts as the ultimate repositories of the culture's values and norms, a disposition that was to shape the political, social, and cultural institutions of traditional China. A notable example was the examination system, which tested candidates for state office on their knowledge of the canon, in the process making questions concerning the interpretation of the canon prominent in public as well as in private life. The author then describes the emergence of the distinctive and influential hermeneutic associated with the Odes.
Chinese Character Manipulation in Literature and Divination
In Chinese Character Manipulation in Literature and Divination, Anne Schmiedl analyses the little-studied method of Chinese character manipulation as found in imperial sources. Focusing on one of the most famous and important works on this subject, the Zichu by Zhou Lianggong (1612–1672), Schmiedl traces and discusses the historical development and linguistic properties of this method. This book represents the first thorough study of the Zichu and the reader is invited to explore how, on the one hand, the educated elite leveraged character manipulation as a literary play form. On the other hand, as detailed exhaustively by Schmiedl, practitioners of divination also used and altered the visual, phonetic, and semantic structure of Chinese characters to gain insights into events and objects in the material world.
Beyond the Bronze Pillars
Beyond the Bronze Pillars is an innovative and iconoclastic look at the politico-cultural relationship between Vietnam and China in the sixteenth to nineteenth centuries. Overturning the established view that historically the Vietnamese sought to maintain a separate cultural identity and engaged in tributary relations with the Middle Kingdom solely to avoid invasion, Liam Kelley shows how Vietnamese literati sought to unify their cultural practices with those in China while fully recognizing their country’s political subservience. He does so by examining a body of writings known as Vietnamese "envoy poetry." Far from advocating their own cultural distinctiveness, Vietnamese envoy poets expressed a profound identification with what we would now call the Sinitic world and their political status as vassals in it. In mining a body of rich primary sources that no Western historian has previously employed, Kelley provides startling insights into the pre-modern Vietnamese view of their world and its politico-cultural relationship with China.
Scholars and Their Marginalia in Late Imperial China
The first book on the “marginalia culture” of late Imperial China, this study introduces the features of marginalia, examines scholars’ reading practices and scholarly style centred on marginalia and explores how this “marginalia culture” shaped Chinese texts and scholars’ thought.
That Wonderful Composite Called Author
Did East Asian literatures, ranging from bronze inscriptions to zazen treatises, lack a concept of authorship before their integration into classical modernity? The answer depends on how one defines the term author. Starting out with a critical review of recent theories of authorship, this edited volume distinguishes various author functions, which can be distributed among several individuals and need not be integrated into a single source of textual meaning. Chinese, Japanese, and Korean literary traditions cover the whole spectrum from 'weak' composite to 'strong' individual forms and concepts of authorship. Divisions on this scale can be equated with gradual differences in the range of self-articulation. Contributors are Roland Altenburger, Alexander Beecroft, Marion Eggert, Simone Müller, Christian Schwermann, and Raji Steineck.
Confucius Beyond the Analects
In Confucius Beyond the Analects, Michael Hunter challenges the standard view of the Analects as the earliest and most authoritative source of the teachings of Confucius. Arguing from a comprehensive survey of the thousands of extant sayings and stories from the early period, Hunter situates the compilation and rise of the Analects in the Western Han period (206 BCE–9 CE), roughly three centuries after the death of Confucius. As a study of the growth and development of the Confucius figure over the course of the early period, the book is also meant to serve as a roadmap for those interested in exploring the wealth and diversity of Confucius material beyond the Analects.
Rereading the Stone
The eighteenth-century Hongloumeng, known in English as Dream of the Red Chamber or The Story of the Stone, is generally considered to be the greatest of Chinese novels--one that masterfully blends realism and romance, psychological motivation and fate, daily life and mythical occurrences, as it narrates the decline of a powerful Chinese family. In this path-breaking study, Anthony Yu goes beyond the customary view of Hongloumeng as a vivid reflection of late imperial Chinese culture by examining the novel as a story about fictive representation. Through a maze of literary devices, the novel challenges the authority of history as well as referential biases in reading. At the heart of Honglou...
The Problem of a Chinese Aesthetic
The Problem of a Chinese Aesthetic calls for and applies a new model of comparative literature - one that, instead of taking for granted the commensurability of traditions and texts, gives incompatibility and contradiction their due. Exposing contemporary literary theory to the risks of ancient Chinese literature (and vice versa), this book considers a linked series of case studies. To what degree does the translation between languages and texts that we call comparative literature depend on allegory or translation within a single text or language? The author offers an important, new perspective on the reading of the Shih-ching or Book of Odes and the question of allegory and metaphor in the Chinese poetic tradition.
Chan Before Chan
What is Buddhist meditation? What is going on—and what should be going on—behind the closed or lowered eyelids of the Buddha or Buddhist adept seated in meditation? And in what ways and to what ends have the answers to these questions mattered for Buddhists themselves? Focusing on early medieval China, this book takes up these questions through a cultural history of the earliest traditions of Buddhist meditation (chan), before the rise of the Chan (Zen) School in the eighth century. In sharp contrast to what would become typical in the later Chan School, early Chinese Buddhists approached the ancient Buddhist practice of meditation primarily as a way of gaining access to a world of enigm...
Origins of the Modern Chinese State
What is "Chinese about Chinas modern state? This book proposes that the state we see today has developed over the past two centuries largely as a response to internal challenges emerging from the late empire. Well before the Opium War, Chinese confronted such constitutional questions as: How does the scope of political participation affect state power? How is the state to secure a share of societys wealth? In response to the changing demands of the age, this agenda has been expressed in changing language. Yet, because the underlying pattern remains recognizable, the modernization of the state in response to foreign aggression can be studied in longer perspective. The author offers thre...
