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Steve
Story of Steven Marsh and his courageous determination to live his life to the fullest despite suffering from the rare condition, osteogenesis imperfecta. Osteogenesis imperfecta means that the bones of the entire skeleton do not react to the normal stresses of walking around and so on and that they break quite easily. Steve also had a rarer complication of this rare disease in that the base of his skull bent inwards compressing his vital brain centres responsible for swallowing, talking and breathing. A Chance at the Future is told in diary form describing how Steve copes with this rare condition and the difficult operation that he undertook, despite the risks, in the hope it would improve his quality of life. Book also acknowledges the many people who have helped Steve throughout his journey to independent living. Black and white photographs and newspaper clippings supplement text.
The Next Civil War
“Should be required reading for anyone interested in preserving our 246-year experiment in self-government.” —The New York Times Book Review * “Well researched and eloquently presented.” —The Atlantic * “Delivers Cormac McCarthy-worthy drama; while the nonfictional asides imbue that drama with the authority of documentary.” —The New York Times Book Review A celebrated journalist takes a fiercely divided America and imagines five chilling scenarios that lead to its collapse, based on in-depth interviews with experts of all kinds. The United States is coming to an end. The only question is how. On a small two-lane bridge in a rural county that loathes the federal government, ...
US Foreign Policy Since 1945
This essential introduction to postwar US foreign policy combines chronologic and thematic chapters to provide an historical account of US policy and to explore key questions about its design, control and effects.
Spanish Cinema against Itself
Spanish Cinema against Itself maps the evolution of Spanish surrealist and politically committed cinematic traditions from their origins in the 1930s—with the work of Luis Buñuel and Salvador Dalí, experimentalist José Val de Omar, and militant documentary filmmaker Carlos Velo—through to the contemporary period. Framed by film theory this book traces the works of understudied and non-canonical Spanish filmmakers, producers, and film collectives to open up alternate, more cosmopolitan and philosophical spaces for film discussion. In an age of the post-national and the postcinematic, Steven Marsh's work challenges conventional historiographical discourse, the concept of "national cinema," and questions of form in cinematic practice.
Popular Spanish Film Under Franco
Popular Spanish Film Under Franco is the first book of its kind to analyze cinematic comedy during the initial two decades of Francisco Franco's dictatorship. Focusing on the intersection between popular culture and political populism, it breaks new theoretical ground in re-evaluating the policies of the regime and the tactics employed by those who sought to undermine it. Its cultural studies approach - combining Gramsci, de Certeau and Bakhtin - interrogates the ambiguous nature of subversion and challenges common assumptions concerning post-war Spanish film.
The House in the Marsh
For generations, stories have been told about the ruined old house in the marsh outside Wakefield. Stories of hidden treasure, sinister night-time cries, and ghostly figures doomed to haunt the lonely estate for all eternity as punishment for some terrible crime. This winter, it seems the old tales might just turn out to be true... England, AD 1330 John Little, a bailiff living in Yorkshire, has little interest in ghost stories, having seen enough horrors among the living to bother much about the dead. The strange accounts from his fellow villagers have everyone talking though, and it's not long before he's asked to accompany a group of curious locals on nocturnal visits to the house in the ...
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Constructing Spain
Does fiction do more than just represent space? Can our experiences with fictional storytelling be in themselves spatial? In Constructing Spain: The Re-imagination of Space and Place in Fiction and Film, Nathan Richardson explores relations between cultural representation and spatial transformation across fifty years of Spanish culture. Beginning in 1953, the year Spanish space was officially reopened to Western thought and capital, and culminating in 2003, the year of Aznar's unpopular involvement of his country in the second Iraq War, Richardson traces in popular and critically acclaimed fiction and film an evolution in Spanish storytelling that, while initially representative in nature, i...
Spanish Popular Cinema
This is the first collection in English to focus exclusively on the various forms of popular film produced in Spain and to acknowledge the variety, range and depth of Spanish cinema. Contributors from across Hispanic, media and cultural studies explore a range of genres, from the musicals of the 1930s and 1940s to contemporary horror movies, historical epics of the 1940s and 1950s and contemporary representations of the Spanish Civil War. The book includes reappraisals of key popular directors such as Luis Garcia Berlanga and Antonio Mercero as well as critical analyses of celebrated stars like Marisol. It provides innovative consideration of the promotion and reception of horror in the 1960s, recollections of cinema-going in Madrid, and reflections on successful recent works such as Abre los Ojos and Solas.
