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An exploration of the thematic interests and narrative strategies of a contemporary American master of fiction Earl Ingersoll introduces the fiction of Steven Millhauser, whose distinguished career of more than four decades includes eight books of short fiction and four novels, the latest being the Pulitzer Prize-winning Martin Dressler (1996). In Understanding Steven Millhauser, Ingersoll explores Millhauser's twelve books chronologically, revealing the development of a major contemporary American writer and a master of fiction who cares as deeply about his craft as the modernists did earlier in the past century. While most examinations of an author's work begin with at least a biographical...
Young Martin Dressler begins his career as an industrious helper in his father's cigar store. In the course of his restless young manhood, he makes a swift and eventful rise to the top, accompanied by two sisters--one a dreamlike shadow, the other a worldly business partner. As the eponymous Martin's vision becomes bolder and bolder he walks a haunted line between fantasy and reality, madness and ambition, art and industry, a sense of doom builds piece-by-hypnotic piece until this mesmerizing journey into the heart of an American dreamer reaches its bitter-sweet conclusion.
Beloved for the lens of the strange he places on small-town life, Steven Millhauser further reveals in Voices in the Night the darkest parts of our inner selves to brilliant and dazzling effect. Here are stories of wondrously imaginative hyperrealism, stories that pose unsettling what-ifs or that find barely perceivable evils within the safe boundaries of our towns, homes, and even our bodies. Here, too, are stories culled from religion and fables: from Samuel, who in the masterly "A Voice in the Night" hears the voice of God calling him in the night; to a young, pre-enlightenment Buddha; to Rapunzel and her Prince awakened only to everyday disappointment. Heightened by magic, the divine, and the uncanny, shot through with sly humour, Voices in the Night seamlessly combines the whimsy and surprise of the familiar with intoxicating fantasies that take us beyond our daily lives, all done with the hallmark sleight of hand and astonishing virtuosity of one of our greatest modern storytellers.
From the Pulitzer Prize-winning author hailed by The New Yorker as a virtuoso of waking dreams comes a dazzling new collection of darkly comic stories united by their obsession with obsession.
The Barnum Museum is a combination waxworks, masked ball, and circus sideshow masquerading as a collection of short stories. Within its pages, note such sights as: a study of the motives and strategies used by the participants in the game of Clue, including the seduction of Miss Scarlet by Colonel Mustard; the Barnum Museum, a fantastic, monstrous landmark so compelling that an entire town finds its citizens gradually and inexorably disappearing into it; a bored dilettante who constructs an imaginary woman - and loses her to an imaginary man! - and a legendary magician so skilled at sleight-of-hand that he is pursued by police for the crime of erasing the line between the real and the conjured.
A witty and elegiac novel in the form of a biography from a Pulitzer Prize winning author. At the age of 2, Edwin Mullhouse was reciting Shakespeare. At 10 he had written a novel that critics would call a work of undoubted genius. At 11 Edwin Mullhouse was mysteriously dead. Documenting every stage of this brief kife was Jeffrey Cartwright, Edwin's best friend and biographer- and the narrator of this dazzling portrait of the artist as a young child. As Jeffrey follows Edwin through hispre-verbal experiments with language, his infatuations with comic books and the troubled 2nd grade temptress Rose Dorn, and, finally, into the year of his literary glory and untimely demise, Edwin Mullhouse plunges us back into the pleasures and terrors of childhood, even as it plays havoc with our notions of genius and biography.
A mesmerizing tour of the human imagination, chronicling the adventures of a man who is taken on an enchanting tour of the underworld, guided by Morpheus himself. From the acclaimed author of Edwin Mullhouse.
From the author ofEdwin Mullhouseand the Pulitzer Prize–winningMartin Dressler: three dazzling novellas about the many shapes of love. “Revenge” is a tour de force about erotic love and betrayal, told through the voice of a woman showing her home to a stranger with a disturbing secret. As the once-happy wife moves from living room to bedroom, she insinuates herself into her guest’s (and the reader’s) mind—and we witness the gradual unfolding of a carefully meditated scheme of revenge. “An Adventure of Don Juan” and the title novella transform classic fables into immediate, wholly original tales of romance. The first puts the famous lover on a country estate in England, where ...
The Pulitzer Prize-winning author of Martin Dressler delivers an inventive collection of three novellas that are a magical companion to his acclaimed longer fictions. • "Millhauser makes our world turn amazing!" —The New York Times Book Review Cartoons that draw their creator into another world; demonic paintings that exert a sinister influence on our own. Fairy tales that express the secret losses and anxieties of their tellers. These are the elements that Steven Millhauser employs to such marvelous—and often disquieting—effect in Little Kingdoms. In "The Little Kingdom of J. Franklin Payne," a gentle eccentric constructs an elaborate alternate universe that is all the more appealing for being transparently unreal. "The Princess, the Dwarf, and the Dungeon" is at once a gothic tale of nightmarish jealousy and a meditation on the human need for exaltation and horror. And "Catalogue of the Exhibition" introduces us to the oeuvre of Edmund Moorash, a Romantic painter who might have been imagined by Nabokov or Poe. Exuberantly inventive, as mysterious as dreams, these novellas will delight, mesmerize, and transport anyone who reads them.