You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This generous, varied selection of poems by one of France's best-loved and most reviled poets is presented with facing originals, detailed notes, and a lively introduction to the author's life and work. Steven Monte presents more than eighty poems in translation and in the original French, taken from the earliest poetic publications of the 1820's, through collections published during exile, to works published in the years following Hugo's death in 1883. The introduction provides helpful background information about Hugo's life and work, the selection, and what is involved in translating a poet whose effortless rhymes are central to the poetry's power. Detailed notes at the back of the volume offer information about the poems and their publishing and historical contexts. This is an ideal introduction to a poet whose work, for all its renown, remains for Anglophone readers undiscovered.
For all its recent popularity among poets and critics, prose poetry continues to raise more questions than it answers. How have prose poems been identified as such, and why have similar works been excluded from the genre? What happens when we read a work as a prose poem? How have prose genres such as the novel affected prose poetry and modern poetry in general? In Invisible Fences Steven Monte places prose poetry in historical and theoretical perspective by comparing its development in the French and American literary traditions. In spite of its apparent formal freedom, prose poetry is constrained by specific historical circumstances and is constantly engaged in border disputes with neighbor...
This book is the first collection of essays on the British prose poem. With essays by leading academics, critics and practitioners, the book traces the British prose poem’s unsettled history and reception in the UK as well as its recent popularity. The essays cover the nineteenth, twentieth and twenty-first centuries exploring why this form is particularly suited to the modern age and yet can still be problematic for publishers, booksellers and scholars. Refreshing perspectives are given on the Romantics, Modernists and Post-Modernists, among them Woolf, Beckett and Eliot as well as more recent poets like Seamus Heaney, Geoffrey Hill, Claudia Rankine, Jeremy Over and Vahni Capildeo. British Prose Poetry moves from a contextual overview of the genre’s early volatile and fluctuating status, through to crucial examples of prose poetry written by established Modernist, surrealist and contemporary writers. Key questions around boundaries are discussed more generally in terms of race, class and gender. The British prose poem’s international heritage, influences and influence are explored throughout as an intrinsic part of its current renaissance.
An engaging and authoritative introduction to an increasingly important and popular literary genre Prose Poetry is the first book of its kind—an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry’s key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent som...
"In this fascinating book, Donna Stonecipher doubles down on the development of prose poetry and the city. Tactically, her sweeping, complex yet meticulous essay engages Baudelaire's sudden--or is it sudden?--incursion from the constraints of verse into the 'roominess' of prose, 'paragraphs of place, ' while linking 'civic horizontality' and 'corporate verticality.' Tracking possibilities, (m)using everything from architecture to landscape to cookbooks, fl neur-like, her essay exuberantly and expertly gathers together rhizomatic threads of thinkers and poets of the last two centuries. Reads like a song." --Norma Cole "This fascinating exploration of the prose poem begins with a question that...
Using clear and concise language this book introduces new users to the use of the TeX system, in particular document preparation using LaTeX. It avoids the pitfalls of having to search through several advanced books on the subject, by collecting together the more frequently required tools and presenting these in a single accessible volume. It also describes the recent developments in multilingual typesetting using TeX that now make it straightforward for users to prepare documents in their own language and alphabet, giving the book a global readership. Topics include: multi-lingual uses of LaTeX; discussion of hardware implementations; use and misuse of particular LaTeX commands; and many others.
The variety of contemporary American poetry leaves many readers overwhelmed. The critic, scholar, and poet Stephen Burt sets out to help. Beginning in the early 1980s, where critical consensus ends, he presents 60 poems, each with an original essay explaining how the poem works, why it matters, and how it speaks to other parts of art and culture.
This companion is the first book of its kind to focus on the whole of European Romanticism. Describes the way in which the Romantic Movement swept across Europe in the early nineteenth century. Covers the national literatures of France, Germany, Italy, Poland, Russia and Spain. Addresses common themes that cross national borders, such as orientalism, Napoleon, night, nature, and the prestige of the fragment. Includes cross-disciplinary essays on literature and music, literature and painting, and the general system of Romantic arts. Features 35 essays in all, from leading scholars in America, Australia, Britain, France, Italy, and Switzerland.
Poet John Hollander surveys the schemes, patterns, and forms of English verse in this classic text, illustrating each variation with an original and witty self-descriptive example. In new essays for this fourth edition, J. D. McClatchy and Richard Wilbur each offer a personal take on why the book has played such an important role in the education of young poets and student scholars. “How lucky the young poet who discovers this wisest and most lighthearted of manuals.”—James Merrill “Marvelously comprehensive, clarifying and useful, and a delight to read.”—John Reardon, Los Angeles Times Book Review “A virtuoso performance and a mandatory text for poetry readers and practioners alike.”—ALA Booklist
Pomp and pageantry, impiety and obscenity -- Birthdays, patron saints, and names for newborns -- Pregnancy, privacy, and parish priests -- But if you do not love him? -- Men remembering romance (and other reasons to marry) -- Inventing love stories -- True wedding portraits -- Where their bodies were buried -- To fear the wrath of heaven.