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A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries
A Companion to Music at the Habsburgs Courts in the Sixteenth and Seventeenth Centuries, edited by Andrew H. Weaver, is the first in-depth survey of the Habsburg family’s musical patronage over a broad span of time.
The Musical Discourse of Servitude
"The Musical Discourse of Servitude examines the music of Johann Joseph Fux (c.1660-1741) in relation to that of Johann Sebastian Bach and George Frideric Handel. Its principal argument is that Fux's long indenture as a composer of church music in Vienna gains in meaning (and cultural significance) when situated along an axis that runs between the liturgical servitude of writing music for the imperial court service and the autonomy of musical imagination which transpires in the late works of Bach and Handel. To this end, The Musical Discourse of Servitude constructs a typology of the late baroque musical imagination which draws Fux, Bach and Handel into the orbit of North Italian compositional practice"--
Sacred Music as Public Image for Holy Roman Emperor Ferdinand III
Ferdinand III played a crucial role both in helping to end the Thirty Years' War and in re-establishing Habsburg sovereignty within his hereditary lands, and yet he remains one of the most neglected of all Habsburg emperors. The underlying premise of Sacred Music as Public Image for Holy Roman Emperor Ferdinand III is that Ferdinand's accomplishments came not through diplomacy or strong leadership but primarily through a skillful manipulation of the arts, through which he communicated important messages to his subjects and secured their allegiance to the Catholic Church. An important locus for cultural activity at court, especially as related to the Habsburgs' political power, was the Empero...
The Life and Songs of Stephen Foster
The Life and Songs of Stephen Foster offers an engaging reassessment of the life, politics, and legacy of the misunderstood father of American music. Once revered the world over, Foster’s plantation songs, like “Old Folks at Home” and “My Old Kentucky Home,” fell from grace in the wake of the Civil Rights Movement due to their controversial lyrics. Foster embraced the minstrel tradition for a brief time, refining it and infusing his songs with sympathy for slaves, before abandoning the genre for respectable parlor music. The youngest child in a large family, he grew up in the shadows of a successful older brother and his president brother-in-law, James Buchanan, and walked a fine l...
Pricks, Losers and Well Poisoners
"Dr Steven Saunders outlines positive strategies for dealing with workplace negativity. Real life stories bring good management practices live with the best possible outcome and without any costly law suits or payouts" -- Publisher description.
The Tao of Jack Bauer
As the preeminent post-9/11 television thriller, 24 has addressed critical issues relating to striking the proper balance between maintaining our civil liberties and ensuring our national security. The show continues to have a profound impact on the way in which we view the world. The Tao of Jack Bauer is an insightful study of Jack Bauer's influence in society. What does Jack Bauer teach us about torture? Does 24 glorify torture or does the series take a more nuanced approach to the issue? How can we maintain our civil liberties in the age of terrorism? How can we best fight terrorists while maintaining our core values? Is Jack Bauer a lawbreaker or a lawmaker? How do we analyze the countless moral and ethical dilemmas presented on 24? What is the "Jack Bauer effect"? How do government agents make use of technology to fight terrorism? The Tao of Jack Bauer tackles all of these issues and many more. The book also contains a fun quiz that measures how similar you are to Jack Bauer. So sit back, relax, and explore the world of 24 in a fresh, new light. As Jack Bauer would say: open the book "now, damn it!"
The Madrigal
The Madrigal: A Research and Information Guide is the first comprehensive annotated bibliography of scholarship on virtually all aspects of madrigal composition, production, and consumption. It contains 1,237 entries for items in English, French, German, and Italian. Scholars, students, teachers, librarians, and performers now have access to this rich literature in a single volume.
