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Oscare Wilde
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George Meredith
George Meredith, 1828-1909, was an English novelist and poet of the Victorian era. This book is of particular interest to scholars interested in his early life, his relationships with his friends, his marriages, and of his work as a journalist. Discussions of his literary output are viewed partially through those relationships, which can be seen as "chatter about Harriet," the book is, nevertheless, replete with quotations from people who knew him during all the phases of his life.
A. E. Housman
First published in 1992, A. E. Housman: The Critical Heritage brings together the most important and significant critical response to the poetry of A.E. Housman from the time of his writing to 1951. It contains ninety-four items—articles, reviews, and comments which provide an accurate picture of how Housman the poet was seen during his lifetime and for some years beyond it. The picture which emerges is of a poet not only of popular appeal, but of great literary distinction, who was admired by the majority of reviewers and critics who discussed his work. Among those quoted are J.B. Priestley, Edmund Gosse, Cyril Connolly, T.S. Eliot, George Orwell, Cleanth Brooke, Stephen Spender, John Sparrow, and E.M. Forster.
Fatherhood, Authority, and British Reading Culture, 1831-1907
During a period when the idea of fatherhood was in flux and individual fathers sought to regain a cohesive collective identity, debates related to a father’s authority were negotiated and resolved through competing documents. Melissa Shields Jenkins analyzes the evolution of patriarchal authority in nineteenth-century culture, drawing from extra-literary and non-narrative source material as well as from novels. Arguing that Victorian novelists reinvent patriarchy by recourse to conduct books, biography, religious manuals, political speeches, and professional writing in the fields of history and science, Jenkins offers interdisciplinary case studies of Elizabeth Gaskell, George Meredith, William Makepeace Thackeray, George Eliot, Samuel Butler, and Thomas Hardy. Jenkins’s book contributes to our understanding of the part played by fathers in the Victorian cultural imagination, and sheds new light on the structures underlying the Victorian novel.
The Egoist
In The Egoist, his comic masterpiece, George Meredith takes the traditional marriage plot of English domestic fiction and turns it on its head. The novel describes the repeated and disastrous courtships of Sir Willoughby Patterne, the egoist of the title. Three women become engaged to Sir Willoughby, but, despite his aristocratic arrogance and the manipulative power of his wealth, each is finally able to see him more clearly than he sees himself. The introduction to this edition provides context for the novel from Meredith’s own life, his theory of comedy, and his understanding of Darwinian thought. The appendices include reviews, other writing on comedy, and historical documents on women, sexual politics, and the theory of evolution.
Haydn
This definitive study of the life and works of Joseph Haydn represents half a century of research. As curator of the Gesellschaft der Musikfreunde in Vienna, Dr. Geiringer was in charge of one of the world's leading Haydn collections. His scholarly investigations took him to various monasteries, to libraries in Eisenstadt, Prague, Berlin, Paris, London, and Washington, D.C., and, as guest of the Hungarian government, to the previously almost inaccessible archives of the Princes of Esterhazy in Budapest.
Dick Turpin
Why does the notorious highwayman Dick Turpin have such an extraordinary reputation today? How come his criminal career has inspired a profusion of often misleading literature and film? This eighteenth-century villain is often portrayed as a hero – dashing, sinister, romantic, daring, a Robin Hood of his times. The reality, as Jonathan Oates reveals in this perceptive, carefully researched study, was radically different. He was a robber, torturer and killer, a gangster whose posthumous reputation has eclipsed the truth about his life. In the early 1700s Turpin progressed from butcher’s apprentice and poacher to become a member of the Gregory gang which terrorized householders around Lond...
Apartment Stories
In urban studies, the nineteenth century is the "age of great cities." In feminist studies, it is the era of the separate domestic sphere. But what of the city's homes? In the course of answering this question, Apartment Stories provides a singular and radically new framework for understanding the urban and the domestic. Turning to an element of the cityscape that is thoroughly familiar yet frequently overlooked, Sharon Marcus argues that the apartment house embodied the intersections of city and home, public and private, and masculine and feminine spheres. Moving deftly from novels to architectural treatises, legal debates, and popular urban observation, Marcus compares the representation of the apartment house in Paris and London. Along the way, she excavates the urban ghost tales that encoded Londoners' ambivalence about city dwellings; contends that Haussmannization enclosed Paris in a new regime of privacy; and locates a female counterpart to the flâneur and the omniscient realist narrator—the portière who supervised the apartment building.
