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Harold Crooks chronicles the history of waste management, showing how an ideology of privatization set the stage for the local refuse collection business to become a global corporate enterprise. The author tracks the emergence of the multinational firms that dominate the business and examines how governments fail to cope with the waste disposal needs of growing populations. He discusses the emergence of a citizens' counter-movement, communities standing up to the troubling consequences of contemporary waste disposal--huge incinerators spewing toxic metals into the atmosphere, dumps that leak toxins into the groundwater, and hazardous waste sites that must be monitored indefinitely. Giants of Garbage is a clear-eyed analysis of one of the largest and most persistent environmental issues facing Canadians today.
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Many of American journalismÕs best-known and most cherished stories are exaggerated, dubious, or apocryphal. They are media-driven myths, and they attribute to the news media and their practitioners far more power and influence than they truly exert. In Getting It Wrong, writer and scholar W. Joseph Campbell confronts and dismantles prominent media-driven myths, describing how they can feed stereotypes, distort understanding about the news media, and deflect blame from policymakers. Campbell debunks the notions that the Washington PostÕs Watergate reporting brought down Richard M. NixonÕs corrupt presidency, that Walter CronkiteÕs characterization of the Vietnam War in 1968 shifted public opinion against the conflict, and that William Randolph Hearst vowed to Òfurnish the warÓ against Spain in 1898. This expanded second edition includes a new preface and new chapters about the first Kennedy-Nixon debate in 1960, the haunting Napalm Girl photograph of the Vietnam War, and bogus quotations driven by the Internet and social media.
The Year that Defined American Journalism explores the succession of remarkable and decisive moments in American journalism during 1897 – a year of significant transition that helped redefine the profession and shape its modern contours. This defining year featured a momentous clash of paradigms pitting the activism of William Randolph Hearst's participatory 'journalism of action' against the detached, fact-based antithesis of activist journalism, as represented by Adolph Ochs of the New York Times, and an eccentric experiment in literary journalism pursued by Lincoln Steffens at the New York Commercial-Advertiser. Resolution of the three-sided clash of paradigms would take years and result ultimately in the ascendancy of the Times' counter-activist model, which remains the defining standard for mainstream American journalism. The Year That Defined American Journalism introduces the year-study methodology to mass communications research and enriches our understanding of a pivotal moment in media history.