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Interdisciplinary essays on the relationship between practice and theory in new media. Arguing that "first encounters" have already applied traditional theoretical and conceptual frameworks to digital media, the contributors to this book call for "second encounters," or a revisiting. Digital media are not only objects of analysis but also instruments for the development of innovative perspectives on both media and culture. Drawing on insights from literary theory, semiotics, philosophy, aesthetics, ethics, media studies, sociology, and education, the contributors construct new positions from which to observe digital media in fresh and meaningful ways. Throughout they explore to what extent i...
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Jorn + Munch is the first publication to examine the enduring impact Edvard Munch (1863-1944) had on Asger Jorn (1914-1973). In Munch's later works, Danish artist Jorn discovered an artist with a direct, spontaneous, and raw form of expression. Already influenced by surrealism's unprompted painting style, Jorn was naturally drawn to Munch's similarly unbridled compositions. In particular, Jorn was interested in Munch's use of intense colors and his gestural application of paint in the later works. From the middle of the 1940s, and for many years after that, Munch is shown to be a challenging and important reference point for Jorn's own body of work. Distributed for Mercatorfonds Exhibition Schedule: Munch Museum, Oslo (10/15/16-01/15/17) Jorn Museum, Silkeborg, Denmark (02/11/17-05/28/17)
Überall wird im öffentlichen Diskurs heute auf Befindlichkeiten Rücksicht genommen: Es werden vor Gefahren wie »expliziter Sprache« gewarnt, Schreibweisen mit Binnen-I empfohlen, dritte Klotüren installiert. Es scheint, als habe der Kampf um die korrekte Bezeichnung und die Rücksicht auf Fragen der Identität alle anderen Kämpfe überlagert. Robert Pfaller, Autor des Bestsellers »Wofür es sich zu leben lohnt«, fragt sich in »Erwachsenensprache. Über ihr Verschwinden aus Politik und Kultur«, wie es gekommen ist, dass wir nicht mehr als Erwachsene angesprochen, sondern von der Politik wie Kinder behandelt werden wollen. Steckt gar ein Ablenkungsmanöver dahinter? Eine politische Strategie? Es geht darum, als mündige Bürger wieder ernst genommen zu werden – doch dann sollten wir uns auch als solche ansprechen lassen.
1996. ill. ISBN 82-00-37657-5 "Norsk kunstårbok" er blitt norsk samtidskunsts "Hvem Hva Hvor". Gjennom tekst og bilder får man et innblikk i alt det spennende som skjer innen norsk billedkunst, kunsthåndverk og fotografi. Boken omtaler viktige utstillinger og kunstbøker, samt at aktuelle temaer og forhold innen samtidskunsten debatteres. Det er parallelle tekster på norsk og engelsk. Medredaktør er Elisabeth Tetens Jahn.
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Art, cloth/posters, photography, architecture, music, theater/literature, film, anthology of Africa.
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