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Building on his work in Traditional Oral Epic and Immanent Art, the author aims to dissolve the perceived barrier between oral and written, creating a theory from oral-formulaic theory and the ethnography of speaking and ethnopoetics. He argues that a work's word-power derives from its performance and its implied traditional context.
In this book, the author gets to the heart of Czechoslovak-Vatican relations, the personalities of the apostolic nuncios, and their further activities. Thanks to Vatican records—in as far as they allow—the author has been able to penetrate the minds, attitudes, and moods of the relevant apostolic nuncios. The richness and diversity of Czech archives has enabled him to understand the difficult relations between the Vatican and the Czechoslovak state, and the Czechoslovak, or more precisely Czech, perception of the Holy See. Finally, the available German and Austrian archives offer an interesting perspective on Czechoslovak-Vatican relations from the outside—from the point of view of non-participating and yet involved parties.
This 40th anniversary edition of Albert LordÕs classic work includes a unique enhancement: a CD containing the original audio recordings of all the passages of heroic songs quoted in the book; a video publication of the kinescopic filming of the most valued of the singers; and selected photographs taken during Milman ParryÕs collecting trips in the Balkans. Parry began recording and studying a live tradition of oral narrative poetry in order to find an answer to the age-old Homeric Question: How had the author of the Iliad and Odyssey composed these two monumental epic poems at the very start of EuropeÕs literary tradition? ParryÕs, and with him LordÕs, enduring contribution--set forth in LordÕs The Singer of Tales--was to demonstrate the process by which oral poets compose. Now reissued with a new Introduction and an invaluable audio and visual record, this widely influential book is newly enriched to better serve everyone interested in the art and craft of oral literature.
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"Gregorio tells [Katharine] Clark's story in engaging, well-researched and vivid detail...an eloquent tribute." —Wall Street Journal If you loved Kate Moore's The Radium Girls, Sonia Purnell's A Woman of No Importance, or Rebecca Donner's All the Frequent Troubles of Our Days, you'll be enthralled with this untold true story of how Katharine Clark, a trailblazing journalist, exposed the truth about Communism to the world. In 1955, Katharine Clark, the first American woman wire reporter behind the Iron Curtain, saw something none of her male colleagues did. What followed became one of the most unusual adventure stories of the Cold War. While on assignment in Belgrade, Yugoslavia, Clark befr...