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Text & Presentation, 2005
Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This anthology includes papers from the 29th annual conference held in Northridge, California. Topics covered include drama in Ireland, Greece, England, Eastern Europe, Korea, Japan and North America.
Text & Presentation, 2006
Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This anthology includes papers from the 30th annual conference held in Los Angeles, California. Topics covered include Beckett, Brecht, Goethe, Tom Stoppard, dance performance, staged violence, the Comedie Francaise, and Greek and Japanese drama. Reviews of selected books are also included.
Text & Presentation, 2004
Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This anthology includes papers from the 28th annual conference held in Columbus, Ohio. Topics covered include Euripides, German and Russian theatre, dramatic antecedents of the striptease, surrogate love in The Glass Menagerie, surrealist drama, Greek comedy and the American concept musical, and theatre and politics.
Text & Presentation, 2007
This is an anthology representing the best of papers presented at the 30th Comparative Drama Conference (Los Angeles, California). The papers included here present research about Chicano theatre, Americas Vietnam War and 9/11 in the French theatre, actresses and modern Hamlet, the Asian theatre and many other topics.
Text & Presentation, 2008
Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This anthology includes papers from the 32nd annual conference held in Los Angeles, California. Topics covered include masculinity in the plays of Tennessee Williams and Frederico Garcia Lorca; Moliere's revolutionary dramaturgy; motherhood in Medea; Electronovision and Richard Burton's Hamlet; and José Carrasquillo's all-nude production of Macbeth, among many others.
Modern Greek Theatre
In this book, the author discusses 40 Greek plays written during the period of nationalization, modernization, and Westernization of the Greeks roughly bounded by their War of Independence in the 1820s and the restoration of the nation-state as a republic in the 1970s. The playwrights are Evanthia Kairi, Dimitrios Hatziaslanis, Kalliroi Siganou-Parren, Costis Palamas, Nikos Kazantzakis, Angelos Sikelianos, Iakovos Kambanellis, Giorgos Skourtis, Costas Mourselas, Stratis Karras, Antonis Matesis, and Loula Anagnostaki. Special attention is paid to the dramas of Kairi, Siganou-Parren, and Anagnostaki, three women who made valuable contributions in articulating and reshaping the concept of Hellenism for their audiences; the author compares their plays to better known ones written by Greek and non-Greek male dramatists who were their contemporaries and dealt with similar issues.
Greece in Modern Times
This complete and annotated bibliography is the largest and most comprehensive of works published in English about Greece, its people, and modern times.
Stage of Emergency
This volume focuses on the development of theatre in Greece during the dictatorship of 1967-1974, shedding light not only on the messages and impact of the plays written and produced at this time, but also on the politics of culture and censorship affecting the Greek public during this period.
The Reception of Aeschylus’ Plays through Shifting Models and Frontiers
In The Reception of Aeschylus' Plays 15 scholars explore new methods and frontiers for studying and staging Aeschylus’ plays by showing the tensions between traditional scholarship and innovative analysis in reception studies and performance studies.
