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New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
A Splurch in the Kisser
With one of the longest and most controversial careers in Hollywood history, Blake Edwards is a phoenix of movie directors, full of hubris, ambition, and raving comic chutzpah. His rambunctious filmography remains an artistic force on par with Hollywood's greatest comic directors: Lubitsch, Sturges, Wilder. Like Wilder, Edwards's propensity for hilarity is double-helixed with pain, and in films like Breakfast at Tiffany's, Days of Wine and Roses, and even The Pink Panther, we can hear him off-screen, laughing in the dark. And yet, despite those enormous successes, he was at one time considered a Hollywood villain. After his marriage to Julie Andrews, Edwards's Darling Lili nearly sunk the both of them and brought Paramount Studios to its knees. Almost overnight, Blake became an industry pariah, which ironically fortified his sense of satire, as he simultaneously fought the Hollywood tide and rode it. Employing keen visual analysis, meticulous research, and troves of interviews and production files, Sam Wasson delivers the first complete account of one of the maddest figures Hollywood has ever known.
Who's who
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Professing Sincerity
Sincerity--the claim that the voice, figure, and experience of a first-person speaker is that of the author--has dominated both the reading and the writing of Anglo-American poetry since the romantic era. Most critical studies have upheld an opposition between sincerity and the literary marketplace, contributing to the widespread understanding of the lyric poem as a moral refuge from the taint of commercial culture. Guided by the question of why we expect poetry to be sincere, Susan Rosenbaum reveals in Professing Sincerity: Modern Lyric Poetry, Commercial Culture, and the Crisis in Reading that, in fact, sincerity in the modern lyric was in many ways a product of commercial culture. As she ...
Finding Pete
Two days after Jill Hunting turned fifteen, she lost her only brother, a volunteer with International Voluntary Services and one of the first civilian casualties of the Vietnam War. News broadcasts and headlines announced to the world that Pete had been led into an ambush by friends. When Jill's mother told her that Pete's letters home had all been destroyed in a basement flood, the connection between Jill and her brother was lost forever—or so she thought. Decades later, 175 letters surfaced. Through them, and the sweethearts and many friends who had never forgotten Pete, Jill came to know him again. Finding Pete is one of the great, untold true stories of an escalating war and a young man caught in its sights. This personalized account of a critical moment in U.S. history is the moving story of an altruistic youth who personifies what America lost in Vietnam. It is also a portrait of a family's struggle with loss, a mother's damaging grief, and, most of all, a sister's quest to solve a mystery and recover the connection with her brother. Includes a reader's guide.
Howard Hawks
The first major biography of one of Old Hollywood’s greatest directors. Sometime partner of the eccentric Howard Hughes, drinking buddy of William Faulkner and Ernest Hemingway, an inveterate gambler and a notorious liar, Howard Hawks was the most modern of the great masters and one of the first directors to declare his independence from the major studios. He played Svengali to Lauren Bacall, Montgomery Clift, and others, but Hawks’s greatest creation may have been himself. As The Atlantic Monthly noted, “Todd McCarthy. . . . has gone further than anyone else in sorting out the truths and lies of the life, the skills and the insight and the self-deceptions of the work.” “A fluent biography of the great director, a frequently rotten guy but one whose artistic independence and standards of film morality never failed.” —The New York Times Book Review “Hawks’s life, until now rather an enigma, has been put into focus and made one with his art in Todd McCarthy’s wise and funny Howard Hawks.” —The Wall Street Journal “Excellent. . . . A respectful, exhaustive, and appropriately smartass look at Hollywood’s most versatile director.” —Newsweek
When the Movies Mattered
In When the Movies Mattered Jonathan Kirshner and Jon Lewis gather a remarkable collection of authors to revisit the unique era in American cinema that was New Hollywood. Ten eminent contributors, some of whom wrote about the New Hollywood movement as it unfolded across the 1960s and 1970s, assess the convergence of film-industry developments and momentous social and political changes that created a new type of commercial film that reflected those revolutionary influences in American life. Even as New Hollywood first took shape, film industry insiders and commentators alike realized its significance. At the time, Pauline Kael compared the New Hollywood to the "tangled, bitter flowering of American letters in the 1850s" and David Thomson dubbed the era "the decade when movies mattered." Thomson's words provide the impetus for this volume in which a cohort of seasoned film critics and scholars who came of age watching the movies of this era reflect upon and reconsider this golden age in American filmmaking. Contributors: Molly Haskell, Heather Hendershot, J. Hoberman, George Kouvaros, Phillip Lopate, Robert Pippin, David Sterritt, David Thomson
Hyperscapes in the Poetry of Frank O'Hara
Frank O’Hara’s poetry evokes a specific era and location: New York in the fifties and early sixties. This is a pre-computer age of typewritten manuscripts, small shops and lunch hours: it is also an age of gay repression, accelerating consumerism and race riots. Hazel Smith suggests that the location and dislocation of the cityscape creates "hyperscapes" in the poetry of Frank O’Hara. The hyperscape is a postmodern site characterized by difference, breaking down unified concepts of text, city, subject and art, and remolding them into new textual, subjective and political spaces. This book theorizes the process of disruption and re-figuration which constitutes the hyperscape, and celebrates its radicality.
