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Brushes with History
The Nation magazine, since its founding in 1865, began what has become, for better or worse, art criticism as a cultural institution in the United States. This eclectic collection features contributors like Christopher Hitchens on “degenerate art,” Heywood Broun on the Artists Congress of 1936, Katherine Anne Porter on children’s art, Marianne Moore on the death of Nation art critic Paul Rosenfeld, and Langston Hughes on “Negro Art.” The volume also includes contributions from many well-known artists: Stuart Davis, Marsden Harley, Alfred Stieglitz, John Marin, Kenyon Cox, Guy Pene Du Bois, Louis Lozowick, and Frank Lloyd Wright. Celebrated writers on art such as Bernard Berenson, C...
The Zen Art Book
"When a Zen master puts brush to paper, the resulting image is an expression of the quality of his or her mind. It is thus a teaching, intended to compassionately stop us in our tracks and to compel us to consider ultimate truth. Here, forty masterpieces of painting and calligraphy by renowned masters such as Hakuin Ekaku (1685–1768) and Gibon Sengai (1750–1837) are reproduced along with commentary that illuminates both the art and its teaching. The authors’ essays provide an excellent introduction to both the aesthetic and didactic aspects of this art that can be profound, perplexing, serious, humorous, and breathtakingly beautiful—often all within the same simple piece."--Publisher description.
House Documents
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Shannon Stirnweis
Shannon Stirnweis has had a long and varied career, producing illustrations for men's adventure magazines, and slick magazines such as Argosy, Field & Stream, Reader's Digest, Popular Mechanics, Time, and more. He has illustrated postage stamps, movie posters, paperback covers, as well as over 35 children's books. This volume is a retrospective drawn from more than 80 years behind the brush.
General Orders
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Portrait Register
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Bulletin
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The Late Hector Kipling
Hector Kipling has everything to live for: he is a talented artist with loving parents, a beautiful girlfriend, dependable mates and good health. But when Kirk Church, one of his best friends, and a habitual painter of cutlery, announces that he may have a brain tumour, the prospect of a character-building bereavement, with all the attendant suffering and sympathy, is a little too difficult for Hector to resist. Will it make him a better artist? Will it make him as successful as his friend Lenny Snook, who fills limousines with blood and has just been nominated for the Turner Prize? As events begin to unravel it doesn't take long for Hector's charmed world to fall completely and irreparably ...
