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Copyfight
Writers, musicians, filmmakers, gamers, lawyers and academics talk about why copyright matters to them – or doesn’t. We expect to be able to log on and read, watch or listen to anything, anywhere, anytime. Then copy it, share it, quote it, sample it, remix it. Does this leave writers, designers, filmmakers, musicians, photographers, artists, and software and game developers with any rights at all? Have we forgotten how to pay for content? Are big corporations and copyright lawyers the only ones making money? Or are we looking in the wrong direction as illegal downloading becomes the biggest industry of all and copyright violation a way of life? In this provocative book John Birmingham, Linda Jaivin, Marc Fennell, Clem Bastow, Lindy Morrison, Imogen Banks, Dan Hunter, Angela Bowne and others fire up the copyright debate like never before.
Pearson REVISE AQA GCSE French Revision Workbook - for 2025 Exams
The AQA GCSE French Workbook is for question practice, and is the smart choice for those revising for a GCSE in French.
Studio AQA GCSE French
A dedicated workbook to support and consolidate grammar learning and translation skills for AQA GCSE French for first teaching from 2016. Includes: explanations of key grammar points, verb tables, and exercises to embed grammar knowledge translation exercises and strategies for translation both into French and into English a bank of revision translations bringing together grammar and vocabulary learning from throughout the course clear links to the Student Books from the same series.
AQA GCSE French for 2016: Higher Student Book
Our bestselling AQA GCSE French course has been updated for the 2016 specification. This course offers brand new content, helping to develop the productive skills students need to manipulate language confidently and to prepare thoroughly for their exam. Its differentiated approach supports your mixed-ability classes, facilitating co-teaching.
The Cambridge Companion to the Australian Novel
The Cambridge Companion to the Australian Novel provides a clear, lively, and accessible account of the novel in Australia. The chapters of this book survey significant issues and developments in the Australian novel, offer historical and conceptual frameworks, and provide vivid and original examples of what reading an Australian novel looks like in practice. The book begins with novels by literary visitors to Australia and concludes with those by refugees. In between, the reader encounters the Australian novel in its splendid contradictoriness, from nineteenth-century settler fiction by women writers through to literary images of the Anthropocene, from sexuality in the novels of Patrick White to Waanyi writer Alexis Wright's call for a sovereign First Nations literature. This book is an invitation to students, instructors, and researchers alike to expand and broaden their knowledge of the complex histories and vital present of the Australian novel.
The Family Law
Meet the Law family - eccentric, endearing and hard to resist. Your guide: Benjamin, the third of five children and a born humorist. Join him as he tries to answer some puzzling questions: Why won't his Chinese dad wear made - in - China underpants? Why was most of his extended family deported in the 1980s? Will his childhood dreams of Home and Away stardom come to nothing? What are his chances of finding love? Hilarious and moving, The Family Law is a linked series of tales from a wonderful new Australian talent.
Personality Presenters
Television presenters are key to the sociability of the medium, speaking directly to viewers as intermediaries between audiences and those who are interviewed, perform or compete on screen. As targets of both great affection and derision from viewers and the subjects of radio, internet, magazine and newspaper coverage, many have careers that have lasted almost as long as post-war television itself. Nevertheless, as a profession, television presenting has received little scholarly attention. Personality Presenters explores the role of the television presenter, analysing the distinct skills possessed by different categories of host and the expectations and difficulties that exist with regard t...
Against Creative Writing
The rise of Creative Writing has been accompanied from the start by two questions: can it be taught, and should it be taught? This scepticism is sometimes shared even by those who teach it, who often find themselves split between two contradictory identities: the artistic and the academic. Against Creative Writing explores the difference between ‘writing’, which is what writers do, and Creative Writing, which is the instrumentalisation of what writers do. Beginning with the question of whether writing can or ought to be taught, it looks in turn at the justifications for BA, MA, and PhD courses, and concludes with the divided role of the writer who teaches. It argues in favour of Creative...
Paper Empires, 1946-2005
Annotation " ... It is highly recommended to anyone who thinks they have a serious interest in the book ... or would like to discover to discover something of the complexity of the well-springs of the Australian psyche." Biblionews Paper Empires explores Australian book production and consumption from 1946 to the present day, using wide-ranging research, oral history and memoir to explore the worlds of book publishing, selling and reading. After 1945, Australian publishing went from a handful of fledgling businesses to the billion dollar industry of today with thousands of new titles each year and a vast array of imported books. Publishing's postwar expansion began with the baby boom and the increased demand for school texts, with independent houses blossoming during the 1960s and 70s followed by the current era dominated by global conglomerates.
