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Childhood Studies
The nature of childhood, the consideration of whether a certain age denotes innocence or not, and the desire to teach good citizenship to our children are all issues commonly discussed by today's media. This book brings together a variety of perspectives on the study of childhood: how this has been treated historically and how such a concept is developing as we move into the next century. The book is divided into five main sections: * part one sets the scene and provides the reader with an overview of attitudes towards childhood. * part two surveys the contribution of literature from the nineteenth and twentieth centuries * part three examines educational issues such as childrens' play, lang...
Why Cultural Studies?
Why Cultural Studies? is a rallying call for a reinvigoration of the project of cultural studies that provides a critical analysis of its meteoric rise to the academic fore and makes a convincing argument for the pressing need for a renewed investment in, and re-evaluation of, its core ideals. Rodman argues that there are valuable lessons we can learn from cultural studies’ past that have the potential to lead cultural studies to an invigorated and viable future Makes the claim that cultural studies isn’t – and shouldn’t be – solely an academic subject, but open to both academics and non-academics alike Asserts that now more than ever cultural studies has a productive role to play in promoting social justice and building a better world Written by one of the leading figures in the area of cultural studies, and the current Chair of the Association for Cultural Studies
The Fight Against Big Tobacco
Tobacco control leaders were extremely proud of the movement's achievements in the state of Minnesota. In sharing their perspectives and experiences with Mark Wolfson, they found a way of making sure that the story would get told. His training in social movements had given him an appreciation of the importance of understanding the social infrastructure on which movements are built, and Minnesota had built heavily on the infrastructure of health care and public health. What became apparent is that the struggle against the tobacco industry in Minnesota involved a close, collaborative relationship between government (or "state") actors and the leaders of the tobacco control movement. Wolfson de...
Do No Harm
None
Journal
None
No Regrets
At an annual summer's party, Allyson Porteus met charming Kyle Riker, and she soon began an affair with him. But when Janice Caldwell, his prominent and wealthy wife, learned of this, she had plans of her own, quickly ending the romance. When Allyson meets real estate attorney Marc Kelsey, she embarks on a new friendship that slowly develops. Kyle, however, attempts to rekindle his romance with her and Allyson cannot keep herself from falling under his spell once more. She dreams of a future with her baby's father; she yearns for the three of them to live as a family. But when Allyson finds her best friend, Felicia, in bed with Kyle, her dreams are finally destroyed. And, Marc is always there for her, despite her confusion and obstacles. Allyson realizes that Marc is the man with whom she'll truly find happiness. When Kyle is suddenly hospitalized, however, everything rapidly changes, and Allyson faces the most difficult decisions of her life.
FOR THE GOOD OF THE TEAM
Two boys met in the Grand Central Station in New York one warm afternoon in late September and, greeting each other, passed hurriedly toward the gate beyond which the Hartford Express waited. Each was good-looking, well-built, alert and self-possessed. But a few months separated their ages, although Jack Brewton had seen his eighteenth birthday and Stuart Harven had not. In the train, their bags at their feet, they plunged into conversation. While they had been close friends at Manning School, they had not met during vacation, nor had they corresponded. At seventeen and eighteen one is far too busy for letter writing, and, fortunately, friendship doesn’t demand it. There was, consequently, much to be said, and the journey to Safford was half over before the subject of summer adventures had been exhausted. Then Stuart gave the talk a new turn with the careless announcement...FROM THE BOOKS.
On Ideology
First published in 2006 as WPCS 10, On Ideology is a product of discussions which were common to a number of working groups in the Centre. It confronts the recurring problem of the articulation of cultural studies with some Marxist theories of ideology. The first part is explicitly theoretical, comprising expositions and critical readings of important theorists of ideology – from Lukacs and Gramsci to Althusser and Poulantzas, and an overview of sociological approaches. Part II considers the theme in relation to two significant contributions to social-democratic theories and policies: education and ‘community studies’. Part III discusses the problems raised by the notions of ‘subject...
Reel Change
Ten years ago, a technological revolution swept through cinemas around the world, as analogue projectors were replaced with digital equipment. It was not just the plastic medium of film that was removed from projection boxes during this transformation; most cinemas took this opportunity to also evict the human projectionists who were hitherto in charge of screenings. Projectionists had been hidden from the sight of audiences for most of the history of photographic moving image projection, and their redundancies went largely unnoticed and unremarked upon. This book focuses attention on what has been happening behind film spectators' heads for the past 130 years, and attempts to write the hist...
Screening the Operatic Stage
An ambitious study of the ways opera has sought to ensure its popularity by keeping pace with changes in media technology. From the early days of television broadcasts to today’s live streams, opera houses have embraced technology as a way to reach new audiences. But how do these new forms of remediated opera extend, amplify, or undermine production values, and what does the audience gain or lose in the process? In Screening the Operatic Stage, Christopher Morris critically examines the cultural implications of opera’s engagement with screen media. Foregrounding the potential for a playful exchange and self-awareness between stage and screen, Morris uses the conceptual tools of media the...
