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Georges Bataille
Until his death in 1962, Bataille was an instrumental force in philosophical debate, acting as a foil for both Surrealism and Existentialism and advocating radical views that spanned the entire spectrum of political thought. Stuart Kendall chronicles these aspects of his intellectual development, as well as tracing his pivotal role in the creation of journals such as Documents and Acéphale, and how his writings in aesthetics and art history were the pioneering cornerstones of visual culture studies. Kendall positions Bataille at the heart of a prodigious community of thinkers, including André Breton, Michel Leiris, Jean-Paul Sartre, Alexandre Kojève, Jacques Lacan and Maurice Blanchot, among many others.
Ecce Homo
Drawing on perspectives from a range of disciplinesa including religious studies, gender and queer studies, psychoanalysis, art history, and film theory, 'Ecce Homo' explores the complex ambiguous meanings of the enduring figure of the male-body-in-pain.
On Nietzsche
A poetic, philosophical, and political account of Nietzsches importance to Bataille, and of Batailles experience in Nazi-occupied France. Georges Bataille wrote On Nietzsche in the final months of the Nazi occupation of France in order to cleanse the German philosopher of the stain of Nazism. More than merely a treatise on Nietzsche, the book is as much a work of ethics in which thought is put to the test of experience and experience pushed to its limits. At once personal and political, it was written as an act of war, its publication contingent upon the German retreat. The result is a poetic and philosophicaland occasionally harrowingrecord of life during wartime. Following Inne...
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Philosophy and Kafka
Philosophy and Kafka is a collection of original essays interrogating the relationship of literature and philosophy. The essays either discuss specific philosophical commentaries on Kafka’s work, consider the possible relevance of certain philosophical outlooks for examining Kafka’s writings, or examine Kafka’s writings in terms of a specific philosophical theme, such as communication and subjectivity, language and meaning, knowledge and truth, the human/animal divide, justice, and freedom.
Horror in Space
In sharp contrast to many 1960s science fiction films, with idealized views of space exploration, Ridley Scott's Alien (1979) terrified audiences, depicting a harrowing and doomed deep-space mission. The Alien films launched a new generation of horror set in the great unknown, inspiring filmmakers to take Earth-bound franchises like Leprechaun and Friday the 13th into space. This collection of new essays examines the space horror subgenre, with a focus on such films as Paul W.S. Anderson's Event Horizon, Duncan Jones' Moon, Mario Bava's Planet of the Vampires and John Carpenter's Ghosts of Mars. Contributors discuss how filmmakers explored the concepts of the final girl/survivor, the uncanny valley, the isolationism of space travel, religion and supernatural phenomena.
Contemporary Literary and Cultural Theory
This helpful guide serves as an introduction to contemporary literary theory. Contemporary Literary and Cultural Theory: The Johns Hopkins Guide is a clear, accessible, and detailed overview of the most important thinkers and topics in the field. Written by specialists from across disciplines, its entries cover contemporary theory from Adorno to Žižek, providing an informative and reliable introduction to a vast, challenging area of inquiry. Materials include newly commissioned articles along with essays drawn from The Johns Hopkins Guide to Literary Theory and Criticism, known as the definitive resource for students and scholars of literary theory and for philosophical reflection on literature and culture.
Phenomenological Reflections on Violence
This book’s six essays are guided by a skeptical philosophical attitude about the meaning of violence that refuses to conform to the exigencies of essence and the stable patterns of lived experience. They are readings as much as they are reflections; attempts at interpretation as much as they are attempts to push concepts of violence to their limits. They draw upon a range of different authors and historical moments, but without any attempt to reduce them into a series of examples elucidating a comprehensive theory. The aim is to follow a path of distinctively episodic and provisional modes of thinking and reflection that offers a potential glimpse at how violence can be understood.
Failing Desire
Luckily for human diversity, we are perfectly capable of desiring impossible things. Failing Desire explores a particular set of these impossibilities, those connected to humiliation. These include the failure of autonomy in submission, of inward privacy in confession, of visual modesty in exhibition, and of dignity in playing various roles. Historically, those who find pleasure in these failures range from ancient Cynics through early Christian monks to those now drawn by queer or perverse eroticism. As Judith Halberstam pointed out in The Queer Art of Failure, failure can actually be a mode of resistance to demands for what a culture defines as success. Karmen MacKendrick draws on this int...
Greater Love Hath No Man
James Trevalyan came from a long line of men who served the British Crown with their gift of a voice with compelling power, and kept that tradition going while he loved and lived with Jeremy Waters. When Jeremy died in his arms, James resolved to live without love. His family keeps him connected to life -- Jamie, his son from his brief marriage to an American, and Pamela, his beloved little sister, caught in a loveless marriage to a cold, cruel man. Then Tanner comes into his life, a clever and handsome agent who joins him in an ongoing undercover mission. How long will it take James to realize he and Tanner are meant for each other? And can Tanner survive the assignment that’s thrown him in with mobsters who want him dead simply because he knows too much?
