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It is Summer, 1947. Europe is being torn apart by a war nobody can win. Nazi Germany occupies everything from the Pyranees to the Volga. In the East, American and Russian troops fight side-by-side to hold the Germans back. in the West, the U.S. Navy owns the Atlantic and uses its aircraft carriers to hurl fleets of fighter-bombers against any targets they can find, Nothing can stop the madness except the one last card America has left to play. A fleet of the largest bombers the world has ever seen and a terrifying new weapon to arm them.
Stuart Slade's new play comprises six interlinking monologues. It premiered at Theatre503, London, in 2016, in a co-production with Kuleshov.
SECOND EDITION - Great Britain has walked a long, hard road back from defeat and occupation. In the process it has rebuilt its armed forces and created an army and a navy that are at the cutting edge of modern operational technology. But, they are untested and untried. Now, as the Argentine Government casts covetous eyes on the Falkland Islands, Britain must show the world that it is, once again, a worldwide presence with a voice to be heard in the halls of power. To do so, they must fight an unprecedented campaign at the end of an 8,000 mile long supply line and endure a brutal slugging match with its enemies. Has their army shaken off the specter of defeat and rebuilt itself? Is the Royal Navy capable of fighting so far from its home bases? Who are the mysterious Auxiliary units whose very existence is denied? Most of all, is the Lion Resurgent?
Alexander the Great: Conqueror of the known world whose Macedonian phalanx defeated all who dared challenge it. Poisoned at the peak of his power by an unknown hand. Who shall succeed him? On his death-bed, Alexander left his empire "to the strongest." In doing so he condemned the vast empire he had ruled to a catastrophic series of civil wars as his generals tried to carve out realms of their own. As old friends and allies turn on each other in a deadly struggle to prove themselves "the strongest", a bitter and relentless blood feud cuts them down, one by one. With their eyes fixed on the battlefield, Alexander's Generals never realize that their deadliest enemy is a man they believe to be already dead. The only thing they might think more unlikely than their enemy is the unconventional ally he has chosen to aid him in bringing about their destruction.
SECOND EDITION -- One great German offensive has broken through the Russian defenses, leaving an allied army trapped in the frozen wasteland of the Kola Peninsula. While the armies try and survive the bitter cold, ski troops fight a vicious private war to dominate the ground between their armies. Desperate to break the deadlock, the German Navy sets sail in an effort to destroy the convoys that keep the allied armies on Kola alive. And so, an epic naval battle brews in the icy waters of the North Atlantic. In the midst of the fighting, the crew of a U.S. Navy railway gun, Russian railway engineers and Siberian ski troops come together in a desperate struggle to save the great guns from the advancing German troops. Behind the scenes, in a war-weary America, a political battle is being fought. One in which a supposed friend can be as deadly an enemy as any to be found on the Kola Peninsula.
Hector Kipling is a famous artist. But Hector is not as famous as his best friend, Lenny Snook. And as they are standing in the Tate Gallery one afternoon, Hector's life begins to unravel. For a painter, this existential crisis is the place from which great art is born. If the painter happens to be a forty-three-year-old man with a girlfriend away from home, it is the recipe for disaster. Soon it's all Hector can do to keep it together -- between his therapist who shows up drunk at a party and introduces herself to his parents, an irresistible young female poet with a terrifying taste for S&M, and a deranged stalker with an oil-and-canvas-inspired vendetta, just trying to cope is enough to make a man cry. As the events in his life threaten to drive him toward full-blown dementia, Hector finds himself in a bizarre and murderous pursuit of a man threatening to kill him in return, spiraling into a hysterically surreal Hitchcocklike thriller -- the story of how a man can become desperate enough to shoot his way out of a midlife crisis. At turns warm, witty, and joyfully absurd, David Thewlis's wicked comedy marks the debut of a savagely funny and observant literary talent.
Stuart Slade's play comprises six interlinking monologues. It premiered at Theatre503, London, in 2016, in a co-production with Kuleshov, before transferring to the Trafalgar Studios, London, in January 2017."So you know how on the news these days there's just this endless stream of horrendous shit going down, like every single night? Suicide bombs, mass shootings, genocides, drone strikes, school massacres - it's like the end of the world or something... And you're kind of like - 'Could I even cope if that stuff happened to me?'"Six young people are caught in the aftermath of a terrorist attack in the heart of London. By turns terrifying, inspiring, brutal, heartbreaking and hilarious, BU21 is verbatim theatre from the very near future.
The B-70 Valkyrie is joining America's arsenal at a time when the world is hitting a new crisis. In North Africa, heroic resistance by French and Algerian troops have stopped the advance of the Caliphate in its tracks. In the South China Sea, missile cruisers of the Indian and Japanese Navy are about to meet head-on in the first major naval battle for a quarter of a century. In a battle that ranges from the deserts of North Africa to the fabulous casinos in Cuba, the Valkyrie will draw its baptism of fire in an effort to destroy the Caliphate's biological weapons.
The Gory Stories Behind The Murder Ballads Cheerfully vulgar, revelling in gore, and always with an eye on the main chance, murder ballads are tabloid newspapers set to music, carrying word of the latest ‘orrible murders to an insatiable public. Victims are bludgeoned, stabbed or shot in every verse and killers often hanged, but the songs themselves never die. Instead, they mutate – morphing to suit local place names as they criss cross the Atlantic and continue to fascinate each generation’s biggest musical stars. Paul Slade traces this fascinating genre’s history through eight of its greatest songs. Stagger Lee’s “biographers” alone include Duke Ellington, James Brown, Bob Dylan, Dr John, The Clash and Nick Cave. No two tell his story in quite the same way. Covering eight classic murder ballads, including “Knoxville Girl”, “Tom Dooley” and “Frankie & Johnny”, Slade investigates the real-life murder which inspired each song and traces its musical development down the decades. Billy Bragg, The Bad Seeds’ Mick Harvey, Laura Cantrell, Rennie Sparks of The Handsome Family and a host of other leading musicians add their own insights.
'ONE OF THE MOST BRILLIANTLY INVENTIVE WRITERS OF THIS, OR ANY, COUNTRY' Independent 'Deliciously creepy' Sunday Times 'Irresistible' Mail on Sunday 'Skin-crawling' Observer 'Manically ingenious' Guardian 'An elegant fright-fest' The Times The chilling seventh novel from the critically acclaimed author of Cloud Atlas and Utopia Avenue Turn down Slade Alley - narrow, dank and easy to miss, even when you're looking for it. Find the small black iron door set into the right-hand wall. No handle, no keyhole, but at your touch it swings open. Enter the sunlit garden of an old house that doesn't quite make sense; too grand for the shabby neighbourhood, too large for the space it occupies. A strange...