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Stuart Miller examines the hermeneutical challenges posed by the material and literary evidence pertaining to ritual purity practices in Graeco-Roman Palestine and, especially, the Galilee. He contends that "stepped pools," which we now know were in use well beyond the Destruction of the Temple, and, as indicated by the large collection on the western acropolis of Sepphoris and elsewhere, into the Middle and Late Roman/Byzantine eras,must be understood in light of biblical and popular perspectives on ritual purity. The interpretation of the finds is too frequently forced to conform to rabbinic prescriptions, which oftentimes were the result of the sages' unique and creative, nominalist appro...
The birth of a Grand Prix team does not occur every day -- or every season for that matter, Formula 1 is an extremely difficult business to break into, and very few new arrivals survive beyond their first year. That's why the racing world took note in 1997 when a new team bearing the name of race legend Jackie Stewart gained a foothold in the sport. The team has, in fact, been in the news since 1996, when Stewart and his son, Paul, first announced their intentions. Racing Stewart tells the story of this remarkable adventure, charting in full for the first time ever, the birth of a Grand Prix challenger. Hamilton and Nicholson were granted unparalleled access to the team from Stewart's initial decision, giving them a behind-the-scenes look at the peaks and valleys that are an inevitable part of gaining acceptance in this ruthless sport.
The ABA Journal serves the legal profession. Qualified recipients are lawyers and judges, law students, law librarians and associate members of the American Bar Association.
This collection of essays celebrates the work of the French Nobel prize-winning novelist Claude Simon. Scholars reconsider the fifty years of Simon's fiction in the light of his large-scale autobiographical novel, 'Le Jardin des Plantes' (1997). From a variety of perspectives - postmodernist, psychoanalytic, aesthetic - chapters reflect on the central paradox of Simon's work: his writing and rewriting of an experience of war so disruptive and traumatic that words can never be adequate to communicate it.
This is the first extended analysis of Simon’s novels, examining the relationship between the work of the French Nobel prize-winning novelist Claude Simon and that of a number of visual artists whose work he has used as stimuli in the production of his novels.
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The sense of hearing was particularly important in the ancient world when the majority of people were illiterate. Rhetoric has been given attention in this context, but listening has been virtually ignored. This book deals with the practical and theological issues which listening to an incorporeal, unknowable God raised for early Christians.
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