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Commonwealth Fiction
Commonwealth Literature Continues To Retain A Separate Identity In The Twenty-First Century, Even Though Some Of Its Creators Do Not Favour The Term Any Longer. Our Identity Stems From Our History. English Was A Historical Accident That Gave An Overwhelming Majority Of The Commonwealth Countries The First Opportunity For Creative Expression. English Is Now The Chief Marker Of Identity For Commonwealth Fiction, Which Owes Its Current High Visibility In The International Arena To English. In This Light, Stimulating Answers May Be Found To The Questions Concerning The Relevance Of Commonwealth As A Literary Category, The Common Characteristics Of The Literatures Produced In The Former British Colonies, And The Role Of Academia In Keeping Alive The Idea Of Commonwealth Literature.In This Anthology, Scholars From At Least Three Continents Analyse Some Important Works Of Fiction Originating From The Former British Colonies, Deal With Major Topics In The Current Postcolonial Debate, And Put Commonwealth Fiction Itself Into Perspective.
The Danger of Gender
With reference to 20th century Indian English literature with special reference to gender identity.
V.S. Naipaul
A Constant Concern Of Naipaul S Novels And Travel Writing Is The Negotiation Of Where The Individual Is Situated. Many Of His Fictional Figures Remain Unhoused, Displaced, Uprooted With No Distinct Place Called Home To Be Proud Of And Are, Therefore, Located On The Margins Of Fixed And Shifting Identities.In Formal Terms, Naipaul Experiments Along The Boundaries Of Fiction And Non-Fiction, In Particular Travel Writing, And Often Fuses Genres To Give Birth To New Ones.On The Occasion Of Naipaul S Winning The Nobel Prize For Literature This Anthology Presents A Perceptive Assessment Of Some Of His Important Works Of Fiction And Travel Writing And Puts Into Perspective His Contribution To Literature As A Whole.
Translating Partition
This collection is about those on the wrong side of the border. Apart from offering a perspective on displaced people and communities, the stories talk about people as religious and linguistic minorities in post-Partition India and Pakistan. These narratives offer insights into individual experience, and break the silence of the collective sphere.
Writing the City
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The Postsecular Imagination
The Postsecular Imagination presents a rich, interdisciplinary study of postsecularism as an affirmational political possibility emerging through the potentials and limits of both secular and religious thought. While secularism and religion can foster inspiration and creativity, they also can be linked with violence, civil war, partition, majoritarianism, and communalism, especially within the framework of the nation-state. Through close readings of novels that engage with animism, Buddhism, Christianity, Hinduism, Islam, and Sikhism, Manav Ratti examines how questions of ethics and the need for faith, awe, wonder, and enchantment can find expression and significance in the wake of such cris...
The Contemporary Novel and the City
This book examines the deeply divided terrain of the twentieth century city and its formative impact on narrative fiction. It focuses on two major 'world authors' at the two ends of the twentieth century who write, systematically, about the colonial and postcolonial cities they were born in: James Joyce and Dublin, and Salman Rushdie and Bombay.
Clone
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The City Speaks
This book studies the significance and representation of the ‘city’ in the writings of Indian poets, graphic novelists, and dramatists. It demonstrates how cities give birth to social images, perspectives, and complexities, and explores the ways in which cities and the characters in Indian literature coexist to form a larger literary framework of interpretations. Drawing on the theoretical concepts of Western urban thinkers such as Henri Lefebvre, Georg Simmel, Walter Benjamin, Edward Soja, David Harvey, and Diane Levy, as well as South Asian thinkers such as Ashis Nandy, Arjun Appadurai, Vinay Lal, and Ravi Sundaram, the book projects against a seemingly monolithic and homogenous Western qualification of urban literatures and offers a truly unique and contentious presentation of Indian literature. Unfolding the urban-literary landscape of India, the volume lays the groundwork for an urban studies approach to Indian literature. It will be of great interest to scholars and students of literature, especially Indian writing in English, urban studies, and South Asian studies.
Resistance and the City
The contributions collected in the second volume of Resistance and the City are devoted to the three markers of identity that cultural studies has recognised as paramount for our understanding of difference, inequality, and solidarity in modern societies: race, class, and gender. These categories, tightly linked to the mechanics of power, domination and subordination, have often played an eminent role in contemporary struggles and clashes in urban space. The confluence of people from diverse ethnic, social, and sexual backgrounds in the city has not only raised their awareness of a variety of life concepts and motivated them to negotiate their own positions, but has also encouraged them to develop strategies of resistance against patterns of social and spatial exclusion. Contributors: Oliver von Knebel Doeberitz, Barbara Korte, Anna Lienen, Gill Plain, Frank Erik Pointner, Katrin Röder, Ingrid von Rosenberg, Mark Schmitt, Ralf Schneider, Christoph Singer, Sabine Smith, Merle Tönnies, Ger Zielinski
