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Interdisciplinary and cross-cultural view on authority construction among early modern female intellectuals The complex relation between gender and the representation of intellectual authority has deep roots in European history. Portraits and Poses adopts a historical approach to shed new light on this topical subject. It addresses various modes and strategies by which learned women (authors, scientists, jurists, midwifes, painters, and others) sought to negotiate and legitimise their authority at the dawn of modern science in Early Modern and Enlightenment Europe (1600–1800). This volume explores the transnational dimensions of intellectual networks in France, Italy, Britain, the German states and the Low Countries, among others. Drawing on a wide range of case studies from different spheres of professionalisation, it examines both individual and collective constructions of female intellectual authority through word and image. In its innovative combination of an interdisciplinary and transnational approach, this volume contributes to the growing literature on women and intellectual authority in the Early Modern Era and outlines contours for future research.
A 100-page Gothic tale embedded in Genlis's 1782 novel 'Adèle et Théodore', the 'Histoire de la duchesse de C***' tells the story of an Italian duchess secretly imprisoned by her husband for nine years in a dungeon under his palace after he drugs her, simulates her death, and buries a waxen figure in her place. In a footnote to the 1804 edition of the novel, Genlis explains that the story is based on the experiences of the Italian Duchess of Cerifalco, whom Genlis met in Rome in 1776. The duchess's tale quickly became so popular that Genlis published it in a separate edition in 1783; as Genlis's fame as a writer and educator spread, both the novella and the novel from which it was drawn we...
This study of French writer/educator Felicite de Genlis examines both the way in which she theorized the maternal role in her works and the manner in which she lived out her own maternity. Genlis constructed a politics of motherhood that stretched and modulated the parameters of its socially defined role.