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Culture is a constant reference in debates surrounding Islam in Europe. Yet the notion of culture is commonly restricted to conceptual frames of multiculturalism where it relates to group identities, collective ways of life and recognition. This volume extends such analysis of culture by approaching it as semiotic practice which conjoins the making of subjects with the configuration of the social. Examining fields such as memory, literature, film, and Islamic art, the studies in this volume explore culture as another element in the assemblage of rationalities governing European Islam. From this perspective, the transformations of European identities can be understood as a matter of cultural practice and politics, which extend the analytical frames of political philosophy, historical legacies, normative orders and social dynamics.
It provides English-language readers with easy access to the history and development of German-language crime fiction for the first time. Contains a chronology of German-language crime fiction. Key dates, developments and texts are presented in a tabular form at the beginning of the volume. This is a unique selling point (new to the series) and provides the reader with an ‘at a glance’ overview of the volume. an introductory chapter that provides a comprehensive overview of the development of German-language crime and its key concepts and trends from the nineteenth century to the present day (including East German, Turkish-German, Jewish-German and regional crime). The chapter can be read as a standalone, but also acts as a gateway to the volume’s chapters. The chapters provide the reader with a wealth of information about key areas of crime fiction from around the German-speaking world. an annotated bibliography of published and online resources. This will be particularly useful for scholars in the field. a map of the German-speaking world that allows readers to see the majority of different geographical regions discussed in the volume.
A companion to contemporary German crime fiction for English-speaking audiences is overdue. Starting with the earlier Swiss “classics” Glauser and Dürrenmatt and including a number of important Austrian authors, such as Wolf Haas and Heinrich Steinfest, this volume will cover the essential writers, genres, and themes of crime fiction written in German. Where necessary and appropriate, crime fiction in media other than writing (TV-series, movies) will be included. Contemporary social and political developments, such as gender issues, life in a multicultural society, and the afterlife of German fascism today, play a crucial role in much of recent German crime fiction. A number of contribu...
The Middle East: Crises, Conflicts, and Wars aims to evaluate the Middle East through international politics with diverse theoretical frameworks. Chapters have been written by many contributors who explore the Middle East from multiperspectives. The scope of this book is very comprehensive and many relevant issue areas are examined. In addition to focusing on the different perspectives of international relations, current problems are considered, especially in the axis of classic, modern and post-modern security studies. The main issues of Syria, Lebanon, Qatar, Saudi Arabia, Iran, Iraq, the UAE, Jordan, Palestine, Kuwait, Oman, Yemen, Bahrain, Israel and Turkey are included. Maritime disputes, the Arab Spring, energy transfer, migration, the EU, hydro-politics, Green Sukuk (green Islamic bond), youth policies and strategic investments in the Middle East, are a number of the topics examined.
This book provides analyses with respect to a wide range of contemporary issues, from China to Eurasia, including Turkey's foreign policy, conflicts in the Eastern Mediterranean, Caucasia, Central Asia, Russia, EU, migration, Middle Eastern issues, current conflicts and influences over global competition, energy security and the future of struggles on energy resources, the structure of intra-state conflicts and foreign terrorist fighters. In the study, many interesting questions, such as whether China will turn to a maritime great power in the Pacific Sea, possible impacts of China's BRI project on global politics, the future of the new great game in China's westward politics, and possible effects of North-South corridor on regional power struggle are also examined.
Zonenrandgebiet 1974 – ein düsteres Dorfgeheimnis, eine verhängnisvolle Liebschaft und die erste große Liebe "Hätte ich geahnt, was meine Fragen auslösen, hätte ich die Finger davongelassen." Eine tiefe Schuld, auch wenn wir sie nicht bewusst auf uns laden, verfolgt uns ein Leben lang. Wenn wir sie endlich tilgen wollen, machen wir es oft nur noch schlimmer. So ergeht es Fritz Tiedemann. Fritz bewegt sich zwischen den Welten. Als Einziger aus seinem Dorf geht er aufs Gymnasium in Wolfenbüttel und macht sich damit selbst zum Außenseiter. Als er und seine Mitschülerin Freda sich kurz vor dem Abitur näherkommen, beginnt für ihn ein neues Leben. Nicht zuletzt wegen Freda wühlt er tief in der Nazi-Vergangenheit seines Heimatdorfes und lüftet ein düsteres Geheimnis. Als ihn dann Elke, die Verlobte seines besten Freundes Helmut, verführt, gerät Fritz in einen gefährlichen Strudel, aus dem es kein Entrinnen gibt ... Vor allem ahnt Fritz nicht, welche Tragödien er auslöst. Das ganze Ausmaß erschließt sich ihm erst mehr als vierzig Jahre später. Ein großer Gesellschaftsroman um Vergangenheit, Vergeltung und Schuld – voller Tragik, Spannung und großen Emotionen!
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Çalgılı-şarkılı oyunlarımın hepsi de, özellikle seyirci toplama açısından olağanüstü başarı kazandı. Kimi özel tiyatroları parasal sıkışıklıktan kurtardı, bana telif hakkı ödenmemiş olsa bile... Yazdığım çalgılı-şarkılı oyunlardan dördünü bu kitabımda derledim. Öbür çalgılı-şarkılı oyunlarımı da kitaplaştırmayı tasarlıyorum. Bu kitabımı, toplu oyunlarımı içeren dizinin üçüncü cildi olarak sunuyorum.
Dedektif Dergi’nin 36. Sayısı, Arsen Lüpen dosyasıyla çıkıyor. Almanya’da yaşayan Türk asıllı polisiye yazarları Su Turhan ve Yeşim Yörük’le Onur Okan’ın, Dark İstanbul Genel Yayın Yönetmeni Aşkın Zengin Akkuşla Turgut Şişman’ın yaptığı röpörtajları keyifle okuyacağınızı umuyoruz. Bu sayıda Reha Avkıran, Ramazan Atlen, Ayşe Erbulak, Orçun Yenilmez, Murat Yüksel, Eşref Filiz, İhsan Cihangir, Tuğba Turan, Cem Sinan Altun ve Maurice Leblanc öyküleriyle karşınızdalar. Çizgi polisiye Kağıttan Gemiler, 3. Bölümüyle devam ediyor. Seriyi Eren Ersoy çizdi, Kasvet Ulu yazdı. Arkın gelişin Erkek Seri Katiller’de ünlü seri katil Kar...
Die U-Bahn taucht immer dann auf, wenn das Kino in den Großstadt-Untergrund abtaucht. Sie markiert einen dramaturgischen Knotenpunkt im urbanen Netz, von dem aus die filmischen Geschichten in Bewegung geraten, entscheidende Wendungen vollziehen oder zum Stillstand gelangen. Vordergründig wird die U-Bahn dabei als funktionaler Transit-Ort inszeniert und wahrgenommen. Bei genauerem Hinsehen verfügt sie jedoch über spezifische Qualitäten, die den Vorstellungen einer modernen Welt zuwider laufen: Die U-Bahn wird zu einem geradezu mythischen Raum. Sebastian Bauer demonstriert dies anhand von fünf beinahe durchgängig in der U-Bahn spielenden Filmen aus verschiedenen Epochen und Ländern: La première nuit (F 1958), The Incident (US 1967), Subway (F 1985), Moebius (ARG 1996) und Kontroll (H 2003). Welten im Untergrund wird so zu einem wegweisenden Buch über einen der spannendsten Schauplätze der Filmgeschichte.