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The Book of Power
“The Book of Power” (权书Quan Shu) is a famous military book on ancient Chinese politics. It was written by Su Xun, a famous political commentator and writer in the Northern Song Dynasty. It covers many aspects of politics, economy, military affairs and legal system. It is not only a power book, but also a military book. Each article has annotations and translations. This book is among the series of Ancient Chinese Political Science.
Word, Image, and Deed in the Life of Su Shi
Remembered today primarily as a poet, calligrapher, and critic, the protean Su Shi was an outspoken player in the contentious politics and intellectual debates of the Northern Song dynasty. In this comprehensive study, Ronald C. Egan analyzes Su’s literary and artistic work against the background of eleventh-century developments within Buddhist and Confucian thought and Su’s dogged disagreement with the New Policies of Wang Anshi. Egan explicates Su’s views on governance, the classics, and Buddhism; and he describes Su’s social-welfare initiatives, arrest for disloyalty, and exiles. Finding a key to the richness of Su’s artistic activities in his vacillation on the significance of aesthetic pursuits, Egan explores Su’s shi and ci poetry and Su’s promotion of painting and calligraphy, looking specially at the problem of subjectivity. In a concluding chapter, he reconsiders Su’s role as a founder of the wenren (“literati”) and challenges the conventional understanding of both Su and the Northern Song wenren generally.
The Cambridge History of Chinese Literature
Stephen Owen is James Bryant Conant Professor of Chinese at Harvard University. --Book Jacket.
Mi Fu
Mi Fu was a prominent calligrapher in 11th-century China. This analysis of his work considers content and style, and examines his calligraphy within the framework of the artist's life, the Northern Song culture in which he lived and the literati theory of art he helped to formulate.
The Intercultural Weaving of Historical Texts
The European view on history was shaken to its foundations when missionaries in the seventeenth and eighteenth centuries discovered that Chinese history was older than European and Biblical history. With an analysis of the Chinese, Manchu and European sources on ancient Chinese history, this essay proposes an early case of “intercultural historiography,” in which historical texts of different cultures are interwoven. It focusses on the ways Chinese and European authors interpreted stories about marvellous births by the concubines of Emperor Ku. These stories have been the object of a wide variety of interpretations in Chinese texts, each of them representing a different historical genre. They are excellent case-studies to illustrate how the Chinese hermeneutic strategies shaped the diversity of interpretations given by Europeans.
Women and the Family in Chinese History
This is a collection of essays by one of the leading scholars of Chinese history, it explores features of the Chinese family, gender and kinship systems and places them in a historical context.
Modern Chinese History：大宋王朝
In the second year of Xining of Emperor Shenzong of Song Dynasty (1069), in the second half of February, the rain fell for more than three days, wetting Bianliang, the capital of Song Dynasty. Several rows of willows along the banks of the Dragon River swayed in the rain; dozens of flying bridges on the Bian River, Cai River, Wuzhang River
Berkshire Dictionary of Chinese Biography
The Berkshire Dictionary of Chinese Biography, the first publication of its kind since 1898, is the work of more than one hundred internationally recognized experts from nearly a dozen countries. It has been designed to satisfy the growing thirst of students, researchers, professionals, and general readers for knowledge about China. It makes the entire span of Chinese history manageable by introducing the reader to emperors, politicians, poets, writers, artists, scientists, explorers, and philosophers who have shaped and transformed China over the course of five thousand years. In 135 entries, ranging from 1,000 to 8,000 words and written by some of the world's leading China scholars, the Berkshire Dictionary of Chinese Biography takes the reader from the important (even if possibly mythological) figures of ancient China to Communist leaders Mao Zedong and Deng Xiaoping. The in-depth essays provide rich historical context, and create a compelling narrative that weaves abstract concepts and disparate events into a coherent story. Cross-references between the articles show the connections between times, places, movements, events, and individuals.
History Of China's Financial Thought, A (In 2 Volumes)
A History of China's Financial Thought presents the history and evolution of China's financial thought across its dynasties to the 20th century. Being the first work to cover both the ancient and modern ages, even going as far back as the Pre-Qin period, this comprehensive book fills in research gaps and provides the most thorough research into the history of China's financial thought, advancing the study of financial and economic history. It delves into a myriad of topics, such as monetary theory and banking systems, and collects diverse perspectives from thinkers across the different eras.This translation presents the history of China's financial thought in a pioneering and unique way, offering an instructive reading experience. It is an essential reference for students and scholars interested in China's finance, history and culture.
Pattern and Person
"In Classical China, crafted artifacts offered a material substrate for abstract thought as graphic paradigms for social relationships. Focusing on the fifth to second centuries B.C., Martin Powers explores how these paradigms continued to inform social thought long after the material substrate had been abandoned. In this detailed study, the author makes the claim that artifacts are never neutral: as a distinctive possession, each object—through the abstracting function of style—offers a material template for scales of value. Likewise, through style, pictorial forms can make claims about material “referents,” the things depicted. By manipulating these scales and their referents, arti...
